Dear faithful LITC readers,
Our favourite post of the year is here! We apologise that it’s taken so long, but think of it as a late Christmas gift. As with previous years, we’ve included our respective Top 10 Albums of the year as well as some honourable mentions and some not so honourable ones. Feel free to share your favourite records of the year in the comments section. Maybe you’ll even discover some unknown treasures within our lists. Take care, readers. See you in 2013.
Elijah & Greg
Elijah’s Top 10 Albums of 2012
10. Valtari Sigur Rós — Whilst I loved 2005′s Takk…, I found that 2008′s Með suð í eyrum við spilum endalaust left much to be desired. Valtari leans more toward Sigur Rós’ earlier style, a more ambient and reflective record although I’d hesitate before calling it ‘samey’. Incredible tracks like ‘Varúð’ and ‘Varðeldur’, some of the finest I’ve ever heard from the Iceland post-rock legends kept me from pushing this record out of the top ten. For this record the band also came up with they’ve called the ‘Valtari Mystery Film Experiment‘ in which they employed twelve filmmakers to make music videos for the album based upon what the song brought to their minds and without the final approval from Sigur Rós. See ‘Varúð’ below, created by Inga Birgisdóttir, who designed the album cover and also directed the video for ‘Ekki Múkk’:
9. Gentle Stream The Amazing — This was the first record of 2012 that really caught me by surprise. Released in Sweden in 2011, Gentle Stream proves to be just that, a gentle yet wide stream of quality, what I would describe as a subtle mixture between Simon & Garfunkel and Dinosaur Jr. Like their previous releases, The Amazing and Wait for Light to Come, there are still hints of psych rock (influenced by the presence of various members of Dungen) and classic rock and the finished product it is most satisfying.
8. All We Love We Leave Behind Converge — Before I listened to this record, I didn’t want to include Converge in this list because it’s starting to look like whenever a few of my favourite artists make a new album they inevitably end up on my ‘Best Albums’ list. For those who know how I rate music, it’s unlikely that the top four will come as any surprise this year. But give me some credit; I can betray bands I love when they make subpar records – like Animal Collective’s Centipede Hz or my ‘dishonourable mentions’ below. Or last year when I resisted We Were Promised Jetpacks’ In the Pit of the Stomach, Atlas Sound’s Parallax, David Bazan’s Strange Negotiations, DeVotchKa’s 100 Lovers, Danielson’s Best of Gloucester County, etc. See, so when I include one of my favourite bands in my top ten I really mean it!
All that being said, I didn’t want to include Converge this year, so when I heard the first track, ‘Aimless Arrow’, I was relieved and heartbroken simultaneously. I would consider the track their weakest opener to date (especially compared to their last record’s first track, ‘Darkhorse‘), and with its hints of ‘screamo’ and melodic hardcore (don’t worry, there’s no ‘singing’ on this track), I was fearful of listening to the rest of the record. But the eight tracks to follow are all heavy, quality tunes! The rest of the record features some spoken word, which works on top of the slow, thoughtful guitar work by Kurt Ballou. But my heart was nearly torn in two upon listening to the tenth track, ‘Coral Blue’. It’s not all that frightening until the chorus, which isn’t quite ‘screamo annoying’, but more confusing for those who listen to Converge. Thankfully, that’s the extent of this ‘singing’ charade on All We Love We Leave Behind. It closes out with the sufficiently epic title track and sufficiently heavy ‘Predatory Glow’. No, on the whole this was no serious transition for Converge, but I wouldn’t have it any other way. They tried that on You Fail Me and they failed me indeed.
7. Sweet Heart Sweet Light Spiritualized — I know, great cover, right? OK, it’s probably one of the worst album covers this year, but don’t let that put you off! This here is an excellent record. Jason Pierce, also known as J. Spaceman, the creative force behind all of Spiritualized’s incarnations over the last 22 years, wrote the album whilst undergoing serious medical treatment for his liver, which was left in a sore state as a result of many years of drug use, both prescribed and recreational. But unlike 2008’s Songs in A&E, which was also inspired by a serious medical emergency (aspiration pneumonia and periorbital cellulitis), Sweet Heart Sweet Light is a much more hopeful, inspiring record, somewhat in the vein of 1997’s Ladies and Gentlemen We are Floating in Space.
6. ‘Allelujah! Don’t Bend! Ascend! Godspeed You! Black Emperor — This is the Canadian post-rockers’ first record since 2002′s Yanqui U.X.O., and whilst I found Yanqui rather uninspiring after 2000′s masterpiece Lift Your Skinny Fists Like Antennas to Heaven, ‘Allelujah! is a return to form and then some. Godspeed has a rare skill (shared with Sufjan Stevens) for making 20+ minute songs engaging throughout. The tracks are engrossing and become, as the album title suggests, transcendent objets d’art, ushering the listener into heavy aural ascension.
5. America Dan Deacon — I appreciated Dan Deacon’s music before (his 2009 release, Bromst was among my honourable mentions that year), but this record caught me by surprise. The opener, ‘Guilford Avenue Bridge’, is a buzzy digital number, which flows into the two subsequent tracks until Deacon decided to change the pace with ‘Prettyboy’, which seems to ruin the rhythm of the album, that is until we’re brought back into the jam with ‘Crash Jam’. The highlight of the album is the four-part ‘USA’ opus below:
4. Lonerism Tame Impala — Tame Impala’s last record, Innerspeaker, which came to me as such a surprise thanks to Greg’s preaching of the gospel, ranked 6th on my Best Albums of 2010 list, so in my desire to not be let down, I was suspecting that the follow-up wouldn’t be as good. As with their previous material, Lonerism draws much from the past (‘Feels Like We Only Go Backwards‘ could’ve been part of Magical Mystery Tour, right between ‘Blue Jay Way‘ and ‘Your Mother Should Know‘, or it could’ve totally replaced the latter and I wouldn’t have minded), but always with a sense of artistic integrity and completeness. Thank you, Tame Impala, for defying the awfulness of your band name yet again and coming up with another excellent piece of psychadelic groove rock! Oh and isn’t it groovy!
3. Bloom Beach House — After their excellent third album, Teen Dream (which ranked 8th in my Top 10 Albums of 2010), I expected Beach House to lose steam. Every subsequent record was getting better and no band can keep that up. Well, this loss of steam will have to wait until their next record, because I’d say that Bloom might very well be their best record to date. Whilst their sound remains distinctively ‘Beach House’ (those keyboard and guitar-driven dream pop soundscapes and that husky female voice), the songwriting in Bloom has taken a step forward. And even though this record demands more time and attention than their previous releases, the payoff is tenfold. And how amazing is this Ghostbusters-inspired video for ‘Lazuli’?
2. Dept. of Disappearance Jason Lytle — This was an exciting year for us Grandaddy fans: the band reunited after six years apart! And very fortunately for us, the excitement didn’t end there. Grandaddy principal songwriter, lead singer and guitarist, Jason Lytle, has kept busy since the break up in 2006. In fact, Grandaddy’s final record, 2005′s Just Like the Fambly Cat, was written and recorded entirely by Lytle. After the break up, a move inspired by lack of commercial success, Lytle relocated from California to Montana and toured with Rusty Miller in support of Just Like the Fambly Cat. In 2009, Lytle released his first solo record, Yours Truly the Commuter and followed that with an EP, Merry X-mas. Lytle and former drummer of Grandaddy, Aaron Burtch, joined with members of Earlimart to form the band Admiral Radley, who released their debut record, I Heart California, in 2010. Each of these incarnations were superb (I Heart California was an honourable mention in my Best Albums of 2010 list), but none seemed to capture the magic that Lytle’s earlier work possessed in great measure. Until now. It’s safe to say that Dept. of Disappearance is a grower, but there was enough of pure goodness present from the first listen to keep me going. Each track is excellent, and some are among the best Lytle’s ever written, such as the title track, ‘Matterhorn’, ‘Last Problem of the Alps’, ‘Somewhere There’s a Someone’ (below), ‘Gimme Click Gimme Grid’ and ‘Elko in the Rain’.
1. Shields Grizzly Bear — I won’t make excuses or defend my pick despite the fact that Grizzly Bear’s previous record was my number one album of 2009. Shields is just that good. Still present are the Grizzly Bear trademarks we know and love, but this record is the band’s most aggressive and coherent to date. At times it is far darker than their previous material (‘Speak in Rounds’), yet it still takes the listener into the clouds (‘Half Gate’). In the midst of this more aggressive direction, Grizzly Bear also ventures into the realm of more accessible pop music, music that isn’t as dissonant as their previous releases yet retains its creative bearings. On top of all of their unique qualities as proficient musicians and songwriters, Grizzly Bear demonstrate a continuing process of maturation, one that solidifies them as—in this listener’s opinion—one of the best bands of their generation.
Elijah’s honourable mentions
- Silver & Gold Sufjan Stevens — A massive five-disc, 58-song, 2.7-hour Christmas feast!
- Shrines Purity Ring
- Fear Fun Father John Misty
- Information Retrieved Pinback
- Cancer 4 Cure El-P
- Love This Giant David Byrne & St Vincent
- Tramp Sharon Van Etten
- The Seer Swans
- Tempest Bob Dylan
- Coexist The xx
Elijah’s dishonourable mentions
- Mirage Rock Band of Horses
- Silver Age Bob Mould
Greg’s Top 10 Albums of 2012
Another conflicted year of listening for me: some of my favorite bands put out albums I thought were shite (Animal Collective, Sigur Rós) and other bands that I expected more from turned out mediocre fare (Passion Pit, The Avett Brothers). Then there were the albums that had real moments of brilliance on them…but which couldn’t sustain that level of greatness throughout the entire record. The following albums didn’t break into my top ten, but you should definitely check out the songs indicated:
- Bloom Beach House — ‘Myth’, ‘The Hours’, ‘Irene’
- Charmer Aimee Mann — ‘Labrador’, ‘Soon Enough’, ‘Slip and Roll’
- Confess Twin Shadow — ‘Golden Light’, ‘Five Seconds’, ‘Be Mine Tonight’
- Lonerism Tame Impala — ‘Feels Like We Only Go Backwards’, ‘Elephant’, ‘Sun’s Coming Up’
- Shields Grizzly Bear — ‘Yet Again’, ‘Gun-Shy’, ‘Half Gate’
- Time Capsules II Oberhofer — ‘HEART’, ‘I Could Go’, ‘oOoO’; also did a great cover of Kanye West’s ‘Runaway‘
10. Young Man Follow Future of Forestry — I don’t mind if I lose all indie credibility for putting a Christian, anthem rock band on my top ten. This album falls somewhere in between Delirious?/Phil Wickham and post-Pop U2/Snow Patrol (right now, Elijah is raising his eyebrows/giving me a look of consternation/experiencing a slight taste of bile in the mouth). I know that there’s a strong hint of songwriting formulae, mixed with sentimental emotionalism, strategic falsetto insertion, and derivative production sleight-of-hand, but I can’t help it…I eat it up. This is my sonic Kryptonite. It moves me and I can’t help loving it. So there you go.
9. Milk Famous White Rabbits — This was a late addition to the list. I had loved the track “Everyone Can’t Be Confused” earlier in the year, but never got around to purchasing the whole album. Two weeks ago, I finally got it and have enjoyed the carefully orchestrated arrangement and production of each song immensely. As I began reading reviews, many of which were not kind, there was some talk about the band selling out and transforming into Spoon-lite (one of that band’s members produced the album). I actually can’t stand Spoon, but I love these guys!
8. The Idler Wheel Is Wiser Than The Driver Of The Screw And Whipping Cords Will Serve You More Than Ropes Will Ever Do Fiona Apple — I’ll be honest, I’m not such a fan of the craziness that exists inside this woman’s head, but her startlingly stark songwriting, passionate confessionalism, and uncompromising originality make this album a work of undeniable greatness.
7. Port of Morrow The Shins — There may be some measure of sentiment and nostalgia in this pick. The 2001 album Oh, Inverted World was a life-changer for me (a moment captured and corrupted in Zach Braff’s film Garden State) and I can hear echoes of those glorious times in songs like “It’s Only Life,” “No Way Down,” and “For a Fool.” For those purists who find this a shameless exploitation of The Shins brand (being that only one member of the original band plays on this album), a stance which I myself initially considered, I respectfully disagree. The magic is still here…
6. Adventures in Your Own Backyard Patrick Watson — Watson is one of those artists whose voice alone puts him into a category of talent and beauty that should earn accolades–but he is also a brilliant songwriter and musician whose idiosyncratic vision comes into its own on this release. If you’ve never listened to his work before, his catalog is well worth exploring, including his work with The Cinematic Orchestra.
5. Heaven The Walkmen — This band has been loitering in the periphery of my musical tastes for a while–a great song here or there, but no album that absolutely blew me away. Until now…you MUST listen to this record.
4. Tramp Sharon Van Etten — Such fine, delicate songwriting; beautiful, haunting, and frequently spare instrumentation to accompany her striking, melancholy voice; and brilliant production & instrumental assistance from The National’s Aaron Dessner (who better be working on a new album himself!). I love so many of these songs with an affection that is reserved for a select few artists. Listen to the song belong and try not to simultaneously smile AND ache:
3. Break It Yourself Andrew Bird — I wrote about this album earlier in the year, wondering if it would grow on me more and more. Boy, did it ever. As I said before, Andrew Bird cannot make a bad album, but here, he’s certainly made a great one. I think it really comes alive after the first 1/3 of the album is over, so don’t give up on it if you don’t immediately sense the genius.
2. Silver and Gold Sufjan Stevens — I’m considering this a 2013 release, even though it is a collection of EP’s that Sufjan had privately given out to friends and family over the last five or six years. Of course I love it—I’m a Sufjanite through and through. But beyond my dedication to the man, this really is a beautiful collection of 58 songs that I think transcend the holiday season itself and act as a meditation on the human condition as a whole, refracted through the hopes and disappointments that we connect to a particular time of year and experience of faith, family, community, and tradition. There are haunting covers of Christmas & holiday classics (“I’ll Be Home for Christmas,” “Joy to the World,” “Let It Snow!” and “Silent Night”), worshipful church hymns simply arranged and devoutly performed (“Ah Holy Jesus,” “Lift Up Your Heads Ye Mighty Gates,” and “Break Forth O Beauteous Heavenly Light”), and Sufjan originals or adaptations that stand up to any of his other records (“Justice Delivers Its Death,” “Christmas in the Room,” “The Midnight Clear,” “Angels We Have Heard on High,” and “The Child with the Star on His Head”) along with a myriad of lovely instrumental meditations (my favorites include “Make Haste to See the Baby,” “Go Nightly Cares,” and “Even the Earth Will Perish and the Universe Give Way”), crazy experimental electronica (not my favorite genre but occasionally delightful), and simple fun communal musical merry-making. It’s also fun to view the collection in tandem with the albums he was working on during these years (The BQE and The Age of Adz). You can actually download some of the best tracks for free on Sufjan’s Noisetrade page—and that is a truly wonderful gift from the greatest artist of our age.
1. Fear Fun Father John Misty — One day this year, I was listening to an unbelievably compelling live set of songs on KCRW by a band whose name I somehow kept missing. I finally went onto the station website and discovered that it was Father John Misty. This is the first release under this band name by J. Tillman, former drummer from Fleet Foxes. I had some of his previous solo releases post-FF, which were pretty average folkish meanderings. But this! On this album, Tillman discovers some kind of alchemy that turns his melancholy into the rarest kind of beauty and wonder. His songs sound like they were written 40 or 30 or 20 years ago—any age but now, yet they simultaneously capture the hidden spirit of some mystical contemporary world surrounding us that we may not perceive. Even the songs I don’t absolutely “like” have a tangible genius to them. I didn’t want to like this album—the creepy cover, the hipster pedigree, the critical darlingness of it. But, for me, in 2012, this was it.
Greg’s honourable mentions (albums)
- Among the Leaves Sun Kil Moon — Such lovely instrumentation and melodies; such bothersome narcissistic lyrics
- Born to Die Lana Del Rey — I think one is not supposed to like this album due to its contrivances, over-production, other myriad reasons—nevertheless, I found it strangely compelling in a fashion from start to finish
- Lonesome Dreams Lord Huron — Quality folk/Americana
- Strange Land Yellow Ostrich — This ended up on exactly no one’s top ten—yet really quite a solid indie rock record!
- Who’s Feeling Young Now Punch Brothers — Not enough substance to crack the top 10, but some real winning songwriting here, with a eminently listenable sound throughout
Greg’s honourable mentions (EPs)
Today, Elijah and Greg celebrate two years of writing on our collaborative blog, Lost in the Cloud. Though we had transferred over some older posts from the previous blog we had created with Greg’s younger brother, Criticism As Inspiration (which still features the header that Greg designed on Microsoft Word!), our first official post on Lost in the Cloud was published on 23 January, 2010.
Since that initial post, we’ve had over 200,000 unique visits to the blog (and to those 200 GRAND readers, may we offer our sincere thanks and warm regards to you). As a way of looking back on these past two years, we thought we would highlight some of our posts that have had the most hits over the past two years, along with drawing attention to a few series that we have produced and other special posts.
ELIJAH’S TOP HITS:
- “Helicopter Megaphone“: A post about the heartbreaking back story of the song “Helicopter” from Deerhunter’s album Halcyon Digest.
- “Will tomorrow be the ‘end of the world‘”: A helpful explanation of the differences between various Christian views of “the last days” written at the time of the Harold Camping rapture predictions.
- “Lost in the Sewer: Steve Duncan, Urban Explorer“: A look at urban exploration in the underground of New York City.
- “Top 20 Bands: 1“: Elijah talks about his favorite musical artist in the climax of his series (see below) on his top 20 bands.
- Imaging the Kingdom (Parts One, Two, Three, Four, and Five): A series of posts dedicated to exploring the nature of the kingdom of God and its implications in the universe, and therefore in our world and in the lives of all Christians.
- Top 20 Bands: If you visit the link for Elijah’s number 1 post, you will have links to all 20 of the other bands.
GREG’S TOP HITS:
- “John Stump, composer of Faerie’s Aire and Death Waltz“: This piece about Greg’s uncle has become the singular most viewed post on LITC. While John’s comical music compositions have been viewed around the globe, the post on our site is the one place where people can find out actual information about the composer.
- “Moby Books: Illustrated Classics Editions“: This post is also a unique resource on the web on a little documented topic, about a series of abridged and illustrated versions of classic books published in the 70′s and 80′s that were Greg’s “gateway drug” into literature.
- “‘Hipster’ ‘Christianity’: a ‘review’“: Not Greg’s most charitable work, this post takes some below the belt potshots at the book Hipster Christianity.
- “A Portrait of the Artist in The Age of Adz“: An early review and speculative analysis of Sufjan Steven’s 2010 album, The Age of Adz.
- Band Evangelist (Chapters One, Two, and Three): A periodic update on upcoming and new releases from various albums and bands. (Elijah even posted a “Disciple of the Band Evangelist” piece in the same vein.)
- The Mirror and the Telescope (Parts One, Two, Three, and Four): An original essay on an evangelical view of Scripture that proposes that there are truly two subjects of special revelation: God and humanity.
- Reformed and Always Reforming (Parts One, Two, and Three): A summary and analysis of the initial chapters of Roger Olson’s book Reformed and Always Reforming.
GREG’S SPECIAL POSTS:
- “John Wenham: An Appreciation“: This was a brief review of the autobiography of a British evangelical biblical scholar who also held to the annihilationist view of hell/divine judgment. As a result of this post, Greg received an email from Wenham’s grandson thanking him for his positive evaluation of his grandfather’s legacy. This post also provided Greg with a number of opportunities to engage with readers on the annihilationist view.
- “A modest proposal for Sufjan Stevens regarding the completion of his 50 states project“: This was an open letter to the single greatest contemporary American artist (in Greg’s opinion) with an idea of how to continue with the creative endeavor of recording an album for each one of the 50 American states.
- “A review of Josh T. Pearson live in Glasgow“: This post captured some highlights from an opportunity that Elijah and Greg had to see a one-of-a-kind singer/songwriter in concert whilst Greg was visiting Elijah in Scotland, including a live track from the show.
Working on this blog together has been full of delight, insight, and catharsis, and we are deeply grateful for those who subscribe, read, and comment on our posts at LITC.
This has been one of the ways that Elijah and Greg have stayed connected over the past few years that Elijah has been working on a PhD at the University of St Andrews and so the blog often captures some of the profound affection, encouragement, and willingness to learn from one another that characterizes our friendship. We look forward to continuing our collaboration into the near future, with the potential of someday even creating a print edition of Lost in the Cloud. Keep your eyes open for forthcoming information and thanks again for joining us these last two years!
2012 is nearly upon us, which means it’s time for our Best Albums of 2011 list here at Lost in the Cloud! We’ve been conscientiously consuming music to both nourish our culturally gluttonous souls and to deliver a collection of what we consider to be the finest music released this year. Last month we proudly presented our Best Songs of 2011 list and now we have painstakingly selected our top ten albums each. In 2010, we (Greg & Elijah) shared five albums in common on our Best Albums list. This year we have discovered that we only share one album in common, which may be an indication of our decomposing friendship (we’re only joking, of course!), but this means that while last year we shared 15 ‘best’ albums between the two of us, this year we are presenting you with a 19-album smörgåsbord!
Elijah’s Top 10 Albums of ’11
10. Bon Iver Bon Iver — Concerning Bon Iver’s 2008 release of For Emma, Forever Ago, a friend once commented, ‘Take the reverb away and there’s nothing there.’ I couldn’t help but agree at the time. This is my confession: I wasn’t a huge Bon Iver fan, in fact, I wasn’t a Bon Iver fan before this record. [I can already feel the rage boiling up inside many LITC readers...] But Bon Iver captured me in its move beyond the self-wallowing, isolated cabin chat of For Emma. This new record is a beautiful collection of multilayered sound and place names (some real, some fictitious), standing on its own without some self-indulgent backstory (though this is not attack on Justin Vernon, who is a lovely, lovely man). I think it could’ve done without ‘Beth/Rest’… SONGS TO CHECK OUT: ‘Towers’, ‘Wash.’ and ‘Calgary’.
9. Demolished Thoughts Thurston Moore — When I first heard that Beck was producing a Thurston Moore solo album I was ecstatic, but I immediately began to feed myself a significant amount of scepticism leading up to its release. Could the actualisation of such a record truly be as great as it sounds? Probably not. With this dose of low expectation I found myself pleasantly taken aback by Demolished Thoughts, and my appreciation only grew with additional listens. This album plays on Moore’s Sonic Youth strengths and—like Lou Barlow—makes me feel like it’s the mid-90s in all the best ways while not sounding like ‘that guy from Sonic Youth’s side project’. And perhaps the early stages of Moore’s separation from his wife of 27 years, SY singer/bassist/guitarist Kim Gordon, contributed to the depth of his sometimes heartbreaking songwriting. SONGS TO CHECK OUT: ‘Benediction’, ‘Circulation’ and ‘Mina Loy’.
8. Dancer Equired Times New Viking — I love lo-fi and the grittiness of Born Again Revisited, number eight on my Best Albums of 2009 list, was a significant part of its ranking alone. While this record isn’t ‘clean’ by contemporary production standards, it is far less mucky than TNV’s previous releases. But the lo-fi onslaught isn’t the only reason why I love TNV. Their beautifully lazy harmonies and their catchy, shoegazy simplicity are what really attract me. I’d even say that Dancer Equired is their catchiest record to date, though I don’t suspect these songs will be employed in any television adverts any time soon. SONGS TO CHECK OUT: ‘No Room to Live’, ‘Downtown Eastern Bloc’ and ‘Fuck Her Tears’.
7. Helplessness Blues Fleet Foxes — Fleet Foxes once again demonstrate their command of the Americana genre. While I was not entirely blown away by their debut record, I was able to recognise their talent and potential. I was eager to pick up Helplessness Blues and it did not disappoint. Principal songwriter Robin Pecknold taps into the soul of a man twice his age and delivers timeless lyrics with a well-groomed musical backbone. SONGS TO CHECK OUT: ‘Battery Kinzie’, ‘Helplessness Blues’ and ‘Grown Ocean’.
6. Strange Mercy St Vincent — Annie Clark takes a step in the right direction with Strange Mercy. Building upon her previous efforts, Clark explores both the cheery and dark on Strange Mercy (I find ‘Cruel’ and its accompanying video especially haunting). As a whole, and perhaps because of this ‘darker’ element, the album is more engaging than her previous material. While more sonically stripped-down than Actor (an honourable mention from 2009′s list), Strange Mercy somehow feels fuller and more mature. SONGS TO CHECK OUT: ‘Chloe in the Afternoon’, ‘Surgeon’ and ‘Dilettante’ (not picked merely because of the ‘Elijah’ mentioned…).
5. Father, Son, Holy Ghost Girls — About Father, Son, Holy Ghost, I will first say that I found this record a bit of a disappointment, but disappointment is a relative word. Unlike most other sophomore records in which I prepared myself for disappointment with low expectations, I actually suspected that this new Girls record would be my number one pick before even listening to it. Upon further listens I only grew more fond of their previous record, Album, ranked number six on my Best Albums of 2009 list, and last year’s EP, Broken Dreams Club, was equally impressive. But generally speaking, Father, Son, Holy Ghost is an excellent record. While I wouldn’t consider it a significant improvement on Album I also wouldn’t consider it any sort of regression. Unlike the front-heavy Album, Father, Son, Holy Ghost builds up into its eight-minute ‘Forgiveness’ before bringing us back down for the final two tracks. Like Album, this record does a fine job of holding in tension both the child and adult that is singer/guitar Christopher Owens, and it is certainly worth its place on this Best of 2011 list. SONGS TO CHECK OUT: ‘Honey Bunny’, ‘My Ma’ and ‘Forgiveness’.
4. The Year of Hibernation Youth Lagoon — For me, The Year of Hibernation was 2011’s most striking discovery. Having heard the album without having previously known anything about its creator I was shocked to find that Youth Lagoon is just one person, Idaho-based Trevor Powers, and that Mr Powers is only 22 years old (which causes me to ask the question, ‘Elijah, what are you doing with your life‽’). The Year of Hibernation, recorded for next to nothing by a 22-year-old in his bedroom in Idaho, offers far more than the sum of its parts. SONGS TO CHECK OUT: ‘Posters’, ’17′ and ‘Montana’.
3. Let England Shake PJ Harvey — PJ Harvey has released some excellent records – Dry, Rid of Me, Is This Desire?, etc. But Let England Shake—which earned Harvey her second Mercury Award—may very well be her strongest. While neither as dark nor necessarily as ‘personal’ as some of her previous efforts, this album is brimming with creativity. Harvey did her homework for this record, which explores some contemporary conflicts in British history, ranging from the Gallipoli campaign to the more recent wars in Afghanistan and Iraq. Without coming across as a ‘topical’ or ‘protest’ album, Harvey paints a critical and sober picture of Western military domination and its consequences both domestically and abroad. The music’s excellent too (Harvey picks up an autoharp for this record!). SONGS TO CHECK OUT: ‘Let England Shake’, ‘The Last Living Rose’ and ‘Hanging in the Wire’.
2. Dye It Blonde Smith Westerns — What can I say, I’m a fan of good pop music. This record is just one of several that caught me entirely by surprise this year. While I had heard and enjoyed Smith Westerns’ first release, The Smith Westerns, it did not strike me in a way that would compel me to consider it one of my favourite records of 2009. But this record demonstrates significant pop songwriting maturation, songwriting the vein of—dare I say—The Beatles (specifically King George). SONGS TO CHECK OUT: ‘Weekend’, ‘All Die Young’ and ‘Smile’.
1. Belong The Pains of Being Pure at Heart — After their debut record (which was an honourable mention on my Best Albums of 2009 list) I had no idea where PoBPaH (some acronym is necessary with such an obnoxiously long name) might go. They had successfully composed an album in the style of 1980s Brit-pop with their first record. I expected any subsequent releases to merely replicate that formula with varied success. But this record is a witness to PoBPaH’s evolution into a true force to be reckoned with. If we’re grouping the sound by decade, Belong showcases more of a 90s alt-rock feel than its predecessor. While it’s unlikely to be found in the top spot on many other ‘Best Albums of 2011′ lists, I’ve only grown more fond of this record over the course of 2011 and can safely say that as a whole it is my favourite. SONGS TO CHECK OUT: ‘Belong’, ‘Anne with an E’ and ‘My Terrible Friend’.
Elijah’s Honourable mentions
Because there were so many great albums this year (though I must confess, none quite as great as last year’s Age of Adz), I’ve taken the liberty of sharing an additional 15 albums that I believe are worth owning:
- Bad As Me Tom Waits — An excellent piece of music, though I can’t say more excellent than anything released in the last decade.
- Hurry Up, We’re Dreaming M83 — Over 70 minutes long, much of which can be considered music.
- Burst Apart The Antlers
- Wit’s End & Humor Risk Cass McCombs — Both of these records were released this year and each features songs that I believe are among McCombs best (such as ‘County Line’ and ‘Buried Alive’ from Wit’s End and ‘To Every Man his Chimera’, but ‘Love Thine Enemy’ from Humor Risk) it’s a bit scattered.
- The Last of the Country Gentlemen Josh T Pearson — Raw emotion in the form of heavenly songs, but they are gut-wrenching and tend to be quite lengthy.
- Degeneration Street The Dears
- Days Real Estate — While I truly enjoy this record, I believe it’s a wee bit hyped, but that’s just one man’s opinion.
- Best of Gloucester County Danielson
- Strange Negotiations David Bazan
- The King of Limbs Radiohead — Has some amazing tracks (see ‘Lotus Flower’ and ‘Codex’), though ultimately it felt like an EP.
- 100 Lovers DeVotchKa
Elijah’s Biggest Disappointments of ’11
- Parallax Atlas Sound — I am a huge fan of Bradford Cox and his band, Deerhunter, and solo project, Atlas Sound. Cox’s first Atlas Sound release, Logos, placed ninth on my Best Albums of 2009 list and Deerhunter’s excellent Halcyon Digest placed third on my Best Albums of 2010 list. While Parallax has received a fair amount of praise from critics I find that it only has a few songs that rise to the high standard set by Cox’s other efforts: ‘Mona Lisa’, ‘Angel is Broken’ and ‘Lightworks’.
- Noel Gallagher’s High Flying Birds Noel Gallagher’s High Flying Birds — I bought this record on a whim with the hope that Noel would offer something better than Liam’s Beady Eye project. Unfortunately my foray into bestselling music was a tremendous let down. Noel was the musical brains behind Oasis, but he’s capable of so much more than this record.
Greg’s Top 10 Albums of ’11
This has been a strange year in music for me. A while back, I wrote a post about a number of albums coming out this year by bands whom I loved—four of which have ended up on this list. Yet, due to a phenomenon that I am calling “the tragedy of unanticipated mediocrity,” a number of the other albums were crushing disappointments: boring, lifeless, and one-dimensional. Even the ones that made the list (or almost made it—Low‘s C’mon) were a mixed bag, in which the album was only saved because the highs were so high that they overshadowed the lows. This type of confounded expectations from bands that I dearly adore, like Bright Eyes, Radiohead, Cass McCombs (who had TWO swings for the fence, yet almost completely struck out), Panda Bear and, to a lesser extent (in terms of my adoration), DeVotchKa, We Were Promised Jetpacks, and Norman Blake’s new band, Jonny, elicited a certain measure of disorientation and disillusionment–if I couldn’t trust Radiohead to make even a passably good album (which I felt The King of Limbs wasn’t–not even a strong EP’s worth of songs) and the Bright Eyes “comeback” LP (which some critics called their definitive work) turned out to be a messy collection of B-side material strung together with clips of some bizarre, deluded pseudo-preacher, then what sense was there in the world at all? This was my year of losing faith in the old (indie) gods…
Another surprising feature of my picks for this year was the number that reflected some subgenre of electronic music, a style for which I have never had any great affection but which I have been developing a taste for due to albums from Passion Pit, the last few Animal Collective releases, and especially Twin Shadow, whose album was on last year’s Best Albums post. I guess an old dog can learn to appreciate some new high-pitched whistles!
10. 12 Desperate Straight Lines Telekinesis — This album could end up much higher upon my favorites of the year, but to be completely honest, I just downloaded the full album today (this bumped off Low’s C’mon for the last spot on the list here…sad, but what can be done with a half-great album). This is super duper INDIE-POP/ROCK, but it’s so well crafted, exhilarating, and above all KOOL AS ALL GET OUT! This is this year’s Fang Island for my money. A jolt of propulsive rhythms (the singer is the drummer!), thick driving bass lines, and Jeff Tweedy-esque vocals. SONGS TO CHECK OUT: “You Turn Clear in the Sun,” “Dirty Thing,” “Car Crash,” and “Country Lane.”
9. Burst Apart The Antlers — The Antlers and Bon Iver have a few things in common, to my mind. First, the falsetto. Second, the emergence of both bands in the last few years with epic debut albums (though there were apparently a few prior albums for The Antlers, Hospice was what put them on the aural map) that reflected a profound life-change quite beautifully. Third, second albums that are much richer tonally, more diverse and layered, and resemble a flower opening up. That being said, in the contest between the two albums this year, The Antlers’ Burst Apart win hands down (though Bon Iver is a strong honourable mention). SONGS TO CHECK OUT: “I Don’t Want Love,” “Parentheses,” and “No Widows.”
8. Rapprocher Class Actress — Some of the appeal of this album has to be found in the way that the synthesizer settings, drum tracks, and melodic pop songwriting takes me on a nostalgia trip back to another time: the mid-1980′s. Seriously, we’re talking ABC, Pet Shop Boys, early Madonna, and some synthpop artists that are buried so deep in my subconscious that I am afraid to call them up, lest I find myself swept back into that age of longing, confusion, and heartache. This album is half irresistible loveliness and the other half, resistible attempts at the former. Still, if you skip some of the tracks in the middle, you will have a nearly quintessential example of the sythnaissance that is happening in music today. SONGS TO CHECK OUT: “Keep You” (which is PERFECT!), “Love Me Like You Used To,” “Weekend,” and “Missed.”
7. Build a Rocket Boys! Elbow — I wanted to love this album so much. Yet it took a while to grow on me and still hasn’t completely won me over. Still, Guy Garvey is the king of melancholic nostalgia & lyrical subversion and the band are in top form musically in the more mellow of their modes. SONGS TO CHECK OUT: “Lippy Kids” (another eternally perfect song), “The Night Will Always Win,” and “Open Arms.” (PS. Am I the only one who hears the intro theme from PRI’s program “The World” in the track “With Love” on this album?)
6. Last of the Country Gentlemen Josh T. Pearson — Sorry about that girl’s lack of a shirt. Josh T. Pearson is a strange and incredible man, about whom Elijah and I have written here so I need not say more. SONGS TO CHECK OUT: It’s only 7 songs…pretty much all of them.
4. Helplessness Blues Fleet Foxes — Finally, no nudity on the cover. I’m with Elijah on this, so you may see his write-up above.
3. The Devil’s Walk Apparat — The fact that this album has not received any more attention this year makes me want to cry like a man at a Twilight screening. It is simply amazing, so lovely, so hauntingly textured, the very best kind of electronic music and with a voice sweet as a mature Jeff Buckley. I don’t really know anything about this band—which I think may actually be only one person, but you really owe it to yourself, and to the entire human race, to check the first few tracks out and see if you don’t buy it.
2. Degeneration Street The Dears — Oh how I wanted this to be my number one album. I am such a tremendous fan of songwriter/singer Murray Lightburn, but The Dears last album was deeply underwhelming and I feared that the bands best days were behind them (I’ve said it many times here, but their Gang of Losers is one of the best albums in existence). And then, Degeneration Street appeared and I saw that they were back in every possible way (well, maybe some of the lyrics don’t quite meet the very highest standards). I love this album—so very much. I hope you would too. Give it a chance. They deserve to be topping lists all over the world, yet have been absent for all I can ascertain. Tragic.
1. Making Mirrors Gotye — I did NOT want for this to be my top album. I actually resisted it quite vociferously. “Gotye”—what kind of name is that?—and he looks like he would be a percussionist in Phish and he’s playing with all of these genres that I don’t even like—soul, electro-reggae, a kind of Peter Gabriel-esque “world pop” or something—and I think that this album is actually kind of…popular in some places in the world (imagine a pair of hipster glasses on Brando’s Col. Kurtz as he mutters, “The horror…the horror!”). Yet, in the end, the singular talent of this guy (and his accomplices, particularly whomever is playing drums) broke through all of my resistance. You may entirely disagree with me. Heck, part of ME disagrees with me. Yet, the other part won and convinced my fingers that the only place to put this album was at the very top. You may listen to it here and decide for yourself. (Also, I think the last song is about a cat dying, and it makes me tear up.)
Greg’s Honourable mentions
In anticipation of our favourite annual post here at LITC—Best Albums of such-and-such year—we are proud to share fifty tracks that we think are the best released this year. Trust us, there was so much good music released this year that we found picking our fifty favourite tracks to be a rather excruciating process. We’d also love to hear about any songs that you feel should not have been left off of this list in the comments section! So without further ado, here are our fifty favourite tracks from 2011 (in alphabetical order):
- ‘All the Sand in All the Sea’ DeVotchKa 100 Lovers
- ‘Angel Is Broken’ Atlas Sound Parallax
- ‘Animal’ Neon Trees Habits
- ‘Ash/Black Veil’ Apparat The Devil’s Walk
- ‘Battery Kinzie’ Fleet Foxes Helplessness Blues
- ‘Belong’ The Pains of Being Pure at Heart Belong
- ‘Circulation’ Thurston Moore Demolished Thoughts
- ‘Codex’ Radiohead The King Of Limbs
- ‘Country Dumb’ Josh T. Pearson Last of the Country Gentlemen
- ‘Cruel’ St Vincent Strange Mercy
- ‘Days’ The Drums Portamento
- ‘Degeneration Street’ The Dears Degeneration Street
- ‘Don’t Move’ Phantogram Nightlife EP
- ‘Downtown Eastern Bloc’ Times New Viking Dancer Equired
- ‘5 Chords’ The Dears Degeneration Street
- ‘Fuck This Place’ Frightened Rabbit A Frightened Rabbit EP
- ‘Galactic Tides’ The Dears Degeneration Street
- ‘Heaven’s Gonna Happen Now’ The Pains of Being Pure at Heart Belong
- ‘Helplessness Blues’ Fleet Foxes Helplessness Blues
- ‘Honey Bunny’ Girls Father, Son, Holy Ghost
- ‘I Don’t Want Love’ The Antlers Burst Apart
- ‘Keep You’ Class Actress Rapprocher
- ‘The King’ RAMESH The King
- ‘The Last Living Rose’ PJ Harvey Let England Shake
- ‘Lippy Kids’ Elbow Build A Rocket Boys!
- ‘Montana’ Youth Lagoon Youth Lagoon
- ‘Municipality’ Real Estate Days
- ‘No Room to Live’ Times New Viking Dancer Equired
- ‘No Widows’ The Antlers Burst Apart
- ‘People’ David Bazan Strange Negotiations
- ‘Save Me’ Gotye Making Mirrors
- ‘Scottish Winds’ Frightened Rabbit A Frightened Rabbit EP
- ‘17’ Youth Lagoon Youth Lagoon
- ‘Smile’ Smith Westerns Dye It Blonde
- ‘Somebody That I Used to Know’ Gotye (ft. Kimbra) Making Mirrors
- ‘Song Of Los’ Apparat The Devil’s Walk
- ‘Steve McQueen’ M83 Hurry Up, We’re Dreaming
- ‘Strange Negotiations’ David Bazan Strange Negotiations
- ‘Sweetheart I Aint Your Christ’ Josh T. Pearson Last of the Country Gentlemen
- ‘Tatooine’ Jeremy Messersmith Tatooine Single
- ‘To Every Man His Chimera’ Cass McCombs Humor Risk
- ‘Trembling Hands’ Explosions in the Sky Take Care, Take Care, Take Care
- ‘Try to Sleep’ Low C’mon
- ‘Under My Nose’ Fucked Up David Comes to Life
- ‘Video Games’ Lana Del Rey Video Games
- ‘Wait’ Alberta Cross The Rolling Thunder EP
- ‘Wash’ Bon Iver Bon Iver
- ‘Weekend’ Class Actress Rapprocher
- ‘Weekend’ Smith Westerns Dye It Blonde
- ‘Your Eyes’ Bombay Bicycle Club A Different Kind of Fix
If you’d like to check out these tracks for temporary review before you go out and buy the single or the record, you may click here to have a listen.
Keep a lookout for our upcoming Best Albums of 2011 post!
As is obvious from several posts (mainly from Greg), we here at LITC are huge fans of the musical emanation of the trashy Texan Josh T. Pearson. Only two years ago Greg happened upon Pearson’s 2001 album (as a member of the band Lift to Experience), The Texas-Jerusalem Crossroads. Soon thereafter the Band Evangelist passed the Gospel of JTP to his disciple Elijah and Crossroads became a mainstay for us two Pearson late-bloomers. But we’ve determined to never fall behind again!
March marked the release of Pearson’s first record since Crossroads, The Last of the Country Gentlemen (which Greg was evangelising leading up to its release).
On 25 March 2011, Pearson’s ‘Last of the Country Gentlemen Tour’ made its way through Glasgow. Fortunately for us here at LITC, we were in Glasgow at the time. In fact, we had booked our tickets well in advance and Greg had travelled thousands of miles from America to meet Elijah at his home in Scotland for a week of adventure leading up to the gig.
Stereo, Glasgow, 25 March 2011
At the show Pearson was selling an eleven-track live CD (seven of which are actual songs, while the rest are exclusively stage banter, all on a classy Imation-brand CD-R with a carefully photocopied portrait of Pearson, shown below), To Hull and Back.
The show’s opener, a British solo act whose name will remain unmentioned here, was dreadful: faux Americana, interminable roots/’blues’ compositions with lyrics that tried to conjure up images of railroad tracks and the devil at crossroads and all manner of rough & tumble, down-on-their-luck outlaw clichés. Let us just say that it was ultimately a Bizarro World version of Josh T. Pearson…
The sick taste of that experience was immediately washed away when Pearson shambled onto the small stage in Stereo’s basement, looking like a heartbroken Jesus on methadone and whiskey, nodding and uttering a low ‘How y’all doin’?' When a local yelled out, ‘Welcome back, Josh!’ Pearson replied, ‘I hope your years were better than mine…’ During his sound check, he told the audience that they’d need to ‘be super quiet or they’re going to go upstairs [to the restaurant]‘ which he reinforced during the show by stopping a song in the middle when some idiots started to talk and only resuming when there was absolute silence. Though this may seem like pedantry, Pearson’s songs often fell to a bare whisper and light strum, so an absolutely quiet environment was the only way we would actually be able to hear the songs as they were meant to be experienced.
Pearson began his set with what he said was a cover of a song by Boney M (we’d never heard of them, but apparently they were a reggae/disco group from the late 70s put together by Frank Farian, who would later go on to create Milli Vanilli), but Pearson made the song beautifully his own. At the last second, Greg took out his iPhone and recorded the song, ‘Rivers of Babylon’ onto the voice memos app—here is a link to the recording, which turned out surprisingly polished:
‘Rivers of Babylon‘ (Boney M cover) – Josh T. Pearson
In this song, Pearson sang, ‘Let the words of my mouth and the meditations of my heart be acceptable in your eyes tonight’ as he gazed up soulfully. It was as if he was dedicating the set to God, offering the pain and brokenness and loss that his songs contained not ultimately to us, the concertgoers, but to a divine audience. Many of his songs speak about God or Jesus: in ‘Country Dumb,’ he says that his kind of people are ‘failures each and every one, we’re the kind who will always need a savior’ and and in ‘Sweetheart, I Ain’t Your Christ,’ he sings to his woman: ‘you don’t need a lover or a friend, you need a God and not a mortal man. Woman, you need born again, again–you need a savior and I just am not him.’ Yet many of his songs also speak of his own inability to control outbursts of anger or drinking (‘Woman, When I’ve Raised Hell’) or rein in his adulterous desire (‘Honeymoon Is Great, I Wish You Were Her’). Pearson is the quintessential sinner looking for redemption while laying drunk in the gutter–if only more Christians could see their own moral failure and need for salvation as clearly as he does…
During his performance, despite several awkward false starts in reaction to the audience’s noise level (space which was occupied with Pearson telling some pretty wretched jokes), Pearson proved incredibly moving. Indeed, his lengthy and intensely personal tunes demanded the full attention of the audience. We here at LITC have come to the consensus that Pearson’s performance was in fact the best solo performance we had ever seen (at one point, I [Greg] even found myself choking up and with watery eyes in a mixture of joy and sadness at the beauty and despair of his set). You really ought to pick up his record from your local record store and catch him live if he ever comes your way.
The year is rapidly drawing to a close, which means that it is time for our favourite annual post here at LITC: OUR BEST OF ALBUMS LIST. This has been a very satisfying year for music. Not much is needed by way of introduction, so let’s just jump into it. As may be expected, we (Elijah & Greg) have several albums in common among our top ten. We will first share our overlap.
Shared entries from Elijah & Greg’s Top 10 Albums of ’10
- InnerSpeaker Tame Impala (Greg) — This is a band where every ingredient (vocals, instruments, lyrics, production, etc.) makes an essential and vital contribution to the final result–remove any element and the entire sound would collapse. Everything I like about ‘classic rock’ (a hideous term that conjures up images of some white trash hessian screaming out ‘FREE BIRD!’) is to be found on this album, yet, to my ear, it in no way feels dated. It’s often uncomplicated, but as if the band simply understood exactly what needed to go where to make each song perfectly what it eventually was meant to become (goodness there were a great many adverbs in that sentence!).
- High Violet The National (Elijah) — The National caught me by surprise this year. I was not as big a fan of 2007′s Boxer, unlike Greg and many of my other highly revered friends. But from the first note of the first track, ‘Terrible Love’, I was entranced. This album is incredible on the first listen, but is also a ‘grower’, with its share of immediately outstanding tracks and tracks that reveal their ultimate reward after a series of faithful listens. There’s something pure and straightforward about High Violet that seldom makes its way into indie playlists these days. Also, listen for Sufjan Stevens’ contribution on the excellent track ‘Afraid Of Everyone’.
- The Suburbs Arcade Fire (Greg) — I admired their first album immensely; their second was a mixed bag. I assumed that this would be continuing in that downward trajectory. I was wrong. This is a masterpiece. I originally felt like there was something derivative about the genres of various songs (Byrds here, ABBA there), but ultimately, I took this to be part of their apocalyptic vision of a decaying world of garden cities where ‘the music divides us into tribes’. Win Butler is one of the best living songwriters…
- The Winter of Mixed Drinks Frightened Rabbit (Greg) — My expectations were unreasonably high for this album (their last was my favorite album of 2008). FRabbit surpassed them. So much greatness to be found. Aside from ‘Man / Bag of Sand’ (which was reminiscent of another filler-esque reprise, ‘Extrasupervery’ on their previous record), there is nary a miss to be found. This kind of material is paving the way for a career that will end up with FR being among the great bands of all time. (Elijah adds: FR’s principal songwriter Scott Hutchison wrote this record over the course of two weeks in Crail, Fife, near my home in St Andrews, so the tone of the whole record gives me a warm feeling of geographic familiarity.)
- The Age of Adz & All Delighted People EP Sufjan Stevens (Elijah) — Our Sufjan thirst twas quenched this year and our cup runneth over. Not only did the contemporary musical genius release a surprise EP, but also a mind-blowing full length — a grand total of two hours, fourteen minutes, and eighteen seconds of new and very worthwhile Sufjan material (though among other Adz tracks, a version of ‘The Owl And The Tanager’ from ADP was publicly performed in 2007). Several months ago, Greg wrote a great piece analysing The Age of Adz. This album is strikingly personal and apocalyptic, and musically Sufjan is pushing the boundaries of pop, perhaps alienating those who are looking for the ‘older stuff’ (or more correctly, the ‘mid-career stuff’, namely Illinoise – A Sun Came is very much the progenitor of The Age of Adz). Sufjan has written his best record to date (and Adz‘ ‘I Want to Be Well’ might be my favourite Sufjan song of all time), which has brought about several modifications to our preexistent lists: The Age of Adz has been added to my Top 50 Albums list (displacing Black Flag’s hardcore punk gem, Damaged for the time being) and as an artist, Sufjan has surpassed The Smiths, Radiohead and Belle & Sebastian in my Top 20 Bands list. (Greg adds: This album is a museum worthy work of art. [Elijah adds: Here, here!])
Elijah’s Top 10 Albums of ’10
10. Belle and Sebastian Write About Love Belle & Sebastian — If the listener is looking exclusively for a return to form, an album resembling Tigermilk, If You’re Feeling Sinister or The Boy With the Arab Strap, he or she will be let down by Write About Love. It is evident that B&S have grown up a bit over the last 1.5 decades and don’t want to keep writing the same albums, something which we cannot blame them for, can we? But this record doesn’t need to be exhaustively defended – it stands well on its own. Its slightly less poppy than their previous release, 2006′s The Life Pursuit, finding a medium between 2000′s Fold Your Hands Child, You Walk Like A Peasant and The Life Pursuit, as if in the place of 2003′s Dear Catastrophe Waitress (which is also an incredible record). Ultimately, Write About Love is a success if we are willing to see something that isn’t pre-2000 B&S as such. It is an excellent record that certainly improves with every listen.
9. King of the Beach Wavves — For those who have not previously seen this album cover, yes, that is a cat wearing a marijuana leaf-laden hat smoking a joint. But at least he has an all-seeing eye necklace, right? Maybe it will come as no surprise that Nathan Williams, leader and creative force behind Wavves, had a serious drug/alcohol-induced freakout during a concert in Spain last year, causing the other two members of the band to quit. Fortunately for Williams (and for us as listeners), the late Jay Reatard’s backing band (Billy Hayes and Stephen Pope) decided to join Nathan’s group and Wavves was reincarnated to give us the incredibly catchy (I mean, REALLY CATCHY), garage rocky, King of the Beach. Billy has since left the band.
8. Teen Dream Beach House — This record is one of a number of surprises for me this year. Prior to this record I did not find Beach House especially engaging, which delayed my purchase of Teen Dream until Greg included the new version ‘Used to Be’ (the old version was released as a single in 2008 following Devotion) on a mix he made for me. This is an incredibly original record, superior to Beach House’s previous releases, which are rendered mediocre in light of Teen Dream. Singer Victoria Legrand’s vocals power this record into the realm of the serene and sublime. While some tracks are stronger than others (like ‘Zebra’, ‘Norway’, ‘Used to Be’, and ’10 Mile Stereo’), this is an amazing record as a whole.
7. This is Happening LCD Soundsystem — Much like the case of Beach House with Teen Dream, I never found LCD Soundsystem’s music to capture my interest before this record. James Murphy has been at it for ages, and while 2007′s Sound of Silver was a critical and commercial success for his LCD Soundsystem, This is Happening demonstrates a finesse that secures his place as a veteran. This record is both very raw (‘Drunk Girls’) and sophisticated (‘Somebody’s Calling Me’), which combine to give us a incredibly interesting, fun, catchy, and pretensionless album. I also hear a lot of tasteful 1974-77 Eno-esque sound on this record (like ‘All I Want’ and ‘Somebody’s Calling Me’), which pleases me to no end.
6. The Suburbs Arcade Fire
5. InnerSpeaker Tame Impala
4. High Violet The National
3. The Winter of Mixed Drinks Frightened Rabbit
2. Halcyon Digest Deerhunter — Back in September I wrote concerning this record, ‘The album as a whole is excellent and it will surely find a place near the top of my favourite records released this year.’ I’m not merely placing Halcyon Digest at number two to save face so that no one can condemn me with, ‘Elijah gives disingenuous praise.’ No, every single track is an amazing audio experience, and as a whole they function as a battering ram made up of all that is good in independent music, breaking down the doors of pretension by merely doing what they love – and doing it well. Deerhunter makes their last two records (2008′s Microcastle and 2007′s Cryptograms) while brilliant in their own right, sound like mere warm-up sessions for Halcyon Digest. Bradford Cox—whose solo record as Atlas Sound, Logos, was my ninth-favourite record last year—and Lockett Pundt deliver with their unique sense of melody and lyrical strength (even in Bradford’s stream-of-consciousness manner).
Elijah’s Honourable mentions
- Boys Outside Steve Mason (of The Beta Band)
- The Changing of the Guard Starflyer 59 (which improves over time)
- Crazy For You Best Coast (useless fact: Best Coast’s Bethany Cosentino is in a relationship with Wavves’ Nathan Williams, and the covers of Crazy For You and King of the Beach both feature cats)
- Crystal Castles (II) Crystal Castles
- Daughters Daughters
- Everything In Between No Age
- I Heart California Admiral Radley (featuring Jason Lytle of Grandaddy)
- Hidden These New Puritans
- Looks Like a Flood, Feels Like a Drought Preacher’s Sons
Greg’s Top 10 Albums of ’10
10. Contra Vampire Weekend — I’ll be honest…I didn’t want for this album to make my list. Vampire Weekend has such a hipster aura that I tend to avert my eyes. In fact, their first single, ‘Horchata’, with its contrived, graceless rhymes (balaclava, Aranciata, Masada) and reek of Paul Simon’s Anglo-appropriation of world music nearly drove me away from the album. But the melodies…ahh, the melodies are sublime, and the singer (Ezra something?) has a delivery of lilts and arcs that makes me love his intention despite the ostentation of his diction, and, really, they pull off the ethno-musical robbery just as ‘Al’ did so many years before (he said I could call him that). Recommended tracks: ‘Run’, ‘Giving Up the Gun’, ‘I Think Ur a Contra’.
9. Fang Island Fang Island — This is a last minute addition (sadly bumping off Josh Ritter’s album, which has some tremendously lovely cuts). But this album is so DELICIOUSLY HOOKY and DELIRIOUSLY FUN that I had to include it. Like a synthesis of early Muse & Weezer playing the old Disneyland Electric Light Parade possessed by the spirit of Brian Wilson. If you don’t enjoy it, I would recommend a good proctologist.
8. Heartland Owen Pallett — This guy was a discovery made driving along a dark road one night listening to KCRW. I used Shazam to figure out who he was, then weeks later remembered to check him out/download the album (at some point, I will need to own a physical copy of this album for the brilliant cover art). I was a bit put off by some of the dissonance on this album at first…but I could immediately sense a lyrical/melodic/arranging genius at work, so I listened to it many more times. It’s one of the most stylistically original and creative albums I’ve come across in years & there’s something about his voice and words that reveals a profoundly singular craftsman, in the manner of Sufjan and Andrew Bird. Recommended tracks: ‘Keep the Dog Quiet’, ‘E Is For Estranged’, ‘What Do You Think Will Happen’.
7. InnerSpeaker Tame Impala
6. Forget Twin Shadow — If you like the Smiths & have any nostalgia for 80′s pop music songcraft, combined with a generally melancholic outlook on life, you will love this album. If not, you will hate it. It’s so distinctive, it is sure to have a polarizing effect–it almost has some sort of mystical power over me. I don’t know what he’s talking about half of the time, but it feels like he is singing my deepest emotions. Recommended tracks: I happen to think that ‘Tyrant Destroyed’ and ‘Castles in the Snow’ are two of the best songs I’ve heard all year.
5. Together The New Pornographers — I’ve followed the NP’s for a while, often finding inspired songwriting/performing genius mixed in with merely human tune smith ‘capability’; however on this album, the genius overshadows the capability by 11 to 1. There are a number of songwriters in the band–one of whose style I have little accord with (see ‘Daughters of Sorrow’), but the rest of the songs have enough buoyant loveliness to keep the Titanic afloat. Recommended tracks: ALL, except the above track and ‘If You Can’t See My Mirrors’.
4. High Violet The National
3. The Suburbs Arcade Fire
2. The Winter of Mixed Drinks Frightened Rabbit
Greg’s Honourable Mentions
- Go Jónsi
- Green Grow the Rushes EP John Vanderslice (it was free online!)
- July Flame Laura Veirs
- Light Chasers Cloud Cult
- Lisbon The Walkmen
- Pharmacy of Love Bettie Serveert
- Suburban Nature Sarah Jaffe (this could have been on the list, but I only own two songs from it, both of which are amazing…PLEASE check her out!)
- So Runs the World Away Josh Ritter (bumped off the list at the last minute, but check out ‘Change of Time’, ‘The Curse’, ‘See How Man Was Made’, and ‘Another New World’)
- The Universe Is Laughing The Guggenheim Grotto
Recently, we realised that we were coming up on our 100th post here at Lost in the Cloud. It’s only been a little less than a year (and we are actually cheating in bringing some of our posts over from our time at Criticism As Inspiration, which account for more than 1/3 of this total), but we felt like it was an occasion we wanted to mark. Being that we are incredibly fond (or freakishly obsessed) of lists here at LITC, we decided to simply post a list of 100 Things We Love (split about evenly, though there are a number of items that would end up on both of our lists, which are marked with an asterisk [*]). We have decided not to list out all of our family & dear friends, as well as our favourite films/bands/theologians/etc. which we have previously made space for elsewhere. This is just a stream-of-consciousness exploration of our affections, listed out alphabetically. We hope you enjoy & thank you for reading!
Among other things, Elijah loves…
- Amoeba Music, Hollywood*
- &s (ampersands)*
- Autumn-winter succession*
- Baseball – Detroit Tigers
- Being a member of God’s Church*
- Building/repairing electric guitars
- Deuchars IPA
- Disneyland (because in spite of the consumeristic lies it sells, it remains magical)*
- Dressing up (especially in a kilt)
- Dundee Contemporary Arts
- Ecclesiastical architecture
- Finding creative ways to higher ground while in the wilderness
- Football – Celtic FC
- ‘Friscalating dusk light’
- The City of Glasgow
- Griffith Park (and all that’s within, such as the Griffith Observatory, Bronson Caves, Los Angeles Zoo, William J Mulholland Memorial Fountain, the Autry, Travel Town, etc.)
- Tim Hawkinson’s artwork
- The history of music in the recording era
- Incredibly arid climates
- Incredibly wet climates
- Innocent Smith’s Musical Circus/Parkside Upper Quads Philharmonic Orchestra
- Joshua Tree National Park
- The City of Los Angeles
- Millionaire shortbread
- Moleskine journals
- Nice ‘N’ Sleazy
- The NRSV translation of the Bible*
- The number ‘44’
- The Parish Church of the Holy Trinity, St Andrews
- People (especially those who are humble, patient and tender)*
- Printed media (books/book covers, street literature, record sleeves, etc.)
- Road trips in California
- St Mary’s College
- Sequoia & King’s Canyon National Park
- Single malt whisky*
- Urban exploration
- Vegan Express, Los Angeles
- The wisdom of my elders
- Wormit Parish Church
- Writing music with Greg & Justin
- Writing utensils (STABILO point 88s; Dixon Ticonderoga Mediums; Staedtler Noris HB 2s; Pilot G-2 0.38s and 05s)
- Handwritten correspondence*
Among other things, Greg loves…
- American Romanticism
- Archives Bookshop (In Christ is a close second!)*
- Backyard time with an 18 yr. old bottle of Glenfiddich & thoughtful conversation with authentic men (whether in La Mirada, Long Beach, or Marina Del Rey)*
- Banksy’s wit*
- BBC adaptations of classic works of literature, particularly of Jane Austen, Elizabeth Gaskell & Charles Dickens
- Bic black “round stic Grip pens”, fine point
- Biola Residence Life & Hope North RAs
- The BioLogos Forum
- British spelling and punctuation
- Cambria, CA (especially Supper Club vacations)
- Close reading of the Bible, literature & pop culture*
- Craig Thompson’s artwork, most notably in his graphic novel, Blankets
- Deep bass notes and thick kick drum sounds
- Delicious Library
- Domenico’s Pizza
- Drawings by and notes from my kids
- Elijah Wade & PUQ performing at Punk N’ Pie (which I believe is the same as Elijah’s #24)…twas a most epic performance (x 2)
- Extraordinary moments (car crashes, explosions, injury to the groin shots) caught on video, displayed on YouTube/Failblog.com/Spike TV
- Footnotes (digressive comments or noteworthy book references)
- Fuller Theological Seminary
- God’s covenants (though not necessarily in a Reformed “Covenantalism” sense)*
- Grace Brethren Church facilities crew, mid-90′s (including “crass Fridays” with Mark & Bill)
- Indie music, in most of its hybridisations*
- The iPhone (particularly playing Skee Ball with my kids and Words With Friends with Mark, David & Matt B.; and occasionally, Tim)
- Magazine subscriptions (currently down to four since Paste went belly up – The Week, Entertainment Weekly, The Atlantic, Christianity Today – but once as high as fourteen)
- Making mix CDs*
- Mixing cereals (current favorite = Crispex & Honey Smacks)
- Moby Books Illustrated Classics
- The Muckenthaler Mansion (where I married the most wonderful girl)
- Multiple-view books on theological topics
- The number ‘22‘
- The paintings of Patty Wickman & Mark Tansey
- People who ask good questions in conversation
- The Perry Bible Fellowship*
- Postconservative evangelical theology
- Powell’s Books (and Portland, OR in general)
- Questioning things*
- The Radical Reformation
- Redeemer Church
- Short story, novel, screenplay, lyric, or poem concepts & bits
- Thinking about impossible endeavours (e.g. making a film of the whole Bible)
- Trader Joe’s Dark Chocolate Caramels
- Weather in the high 60’s-low 70’s & overcast/cloudy
- A wide selection of beverages in the fridge (including Coke, Cherry Coke, Coke Zero, Peach Snapple, Arizona Green Tea & Henry Weinhard’s* root beer)
- Wind rustling through tree branches
- Writing on Lost in the Cloud*
- Zappos.com (Michele hates that I love this…like 2 pair of shoes for $250 hates it)
An obituary would be rather unnecessary as there are so many about. Even if I wanted to write one there is no proper way to explain how the world is any different without J.D. Salinger – the highly secretive author had not published anything since 1965. I had hoped to meet him at some point, a child-like hope in the face of high improbability, which has now effectively morphed into impossibility. Salinger now dwells among the likes of William Faulkner, Flannery O’Connor and John Gardner – the American writers with whom I would love more than nearly anything to have a conversation, but never will. I’m certain that Greg shares my sentiments.
Salinger was a genius storyteller. Perhaps this is due to the way in which he so precisely enters into the minds of his exquisitely developed characters (and in doing so makes his way into our minds). Salinger often employed a special tactic in his writing which keeps it dynamic and captivating: he wrote almost exclusively about or from the perspective of the young. Part of this approach is reflected in the fact that Salinger’s rhetoric never stoops to exhaust his vocabulary. While this has been used by critics to reduce Salinger’s audience to those in their teens and early twenties, I believe his writing very deliberately utilises the perspective of the young in order to communicate the constant liminality of life and the tension it brings. In such a way, when we read Salinger’s works we are not reading mere stories, but we are invited into a tangible and magical world that can make even the most common event beautiful, profound, revelatory and sacred.
Thanks for sharing, JDS.
Nine Stories (1953) – For years it’s been a dream of mine to write a screenplay for a feature film version of ‘The Laughing Man’.
Thank you Elijah for noting with such tenderness the passing of Salinger. I hope it’s not presumptuous to add some memories. J.D. Salinger was quite a significant figure in my development as a human being. The scarlet and yellow-covered Catcher in the Rye holds a magical fascination in my memory – it was a sacred text to my best friend Wade and I. We even wrote a play together that was performed at my high school called ‘The Whole Aquarium’ as an exercise in adoring emulation of CITR. My first year in college, I remember wandering through the bookstore at CSULB and finding a copy of Franny & Zooey. I can clearly see myself reading it on the slope of lawn below the science buildings and thinking, “I don’t care about college–this is all that I want to understand.” His Nine Stories was an endless source of wonder and contemplation for my pensive post-adolescent musings – particularly ‘Just Before the War with the Eskimos,’ ‘The Laughing Man,” and ‘For Esme – With Love & Squalor’.
I wrote a number of papers exploring Salinger’s stories as an undergrad; I just found one in my files which analyzes the story ‘A Perfect Day for Bananafish’ as a narrative version of the Zen Buddhist koan, “designed to activate spiritual insight in the mind of an ideal reader.” In my analysis, I saw the little girl Sharon Lipshutz, whom Seymour claims to “like…so much” as the ideal reader, being that she is “never mean or unkind” – unlike the critics and lit. profs who took apart & psychoanalyzed Salinger’s stories to death – and I posited that her name may represent a reader who simply keeps their “lips shut,” personifying quiet reflection.
Salinger wondered in the dedication of his novella Raise High the Roof Beam, Carpenters “if there was an amateur reader still left in the world” and if so, he gave them his “untellable affection and gratitude.” I hope I never become too sophisticated of a reader to deserve these blessings, but I know that I will always remain deeply grateful for the power and influence of Salinger’s works on sensitizing my soul to the small delights, oblique insights and deep longing, never to be fulfilled in this broken world, found in his stories.
J.D. Salinger (1919 – 2010)
An article from The Onion.
The end of the decade has resulted in a number of best of the decade lists. We’ve kind of OD’d on best of lists here already, but Elijah and I wanted to throw in our votes for those works of culture from the 2000′s WE think will/should stand the test of time.
I feel somewhat presumptuous putting this out there, as if my vote actually mattered, but what I have found is that my friends, acquaintances, and YOU dear reader, often find your interest piqued by something that has been declared “the best.” I know that some of Elijah’s musical selections caused me to listen to albums I had not heeded before…so perhaps you may find something here that causes you to want to experience, reconsider or even maybe avoid (?) the following creative endeavors. Hope you enjoy…see you next decade!
Albums (Greg | Elijah)
- Illinois/The Avalanche (2005/2006) Sufjan Stevens | Kid A/Amnesiac (2000/2001) Radiohead
- The Texas Jerusalem Crossroads (2001) Lift to Experience | Greetings From Michigan: The Great Lakes State (2003) Sufjan Stevens
- In Rainbows/Bonus Disc (2007) Radiohead | Figure 8 (2000) Elliott Smith
- The Midnight Organ Fight (2008) Frightened Rabbit | The Sophtware Slump (2000) Grandaddy
- Greetings From Michigan: The Great Lakes State (2003) Sufjan Stevens | Fold Your Hands Child, You Walk Like a Peasant (2000) Belle & Sebastian
- Figure 8 (2000) Elliott Smith | Songs in A & E (2008) Spiritualized
- Kid A/Amnesiac (2000/2001) Radiohead | Jane Doe (2001) Converge
- Lifted, Or The Story Is In The Soil, Keep Your Ear To The Ground (2002) Bright Eyes | Turn On the Bright Lights (2002) Interpol
- Feels (2005) Animal Collective | Illinois/The Avalanche (2005/2006) Sufjan Stevens
- Funeral (2004) The Arcade Fire | Blood Money (2002) Tom Waits
- Takk (2005) Sigur Rós | Control (2002) Pedro the Lion
- Boxer (2007) The National | Veckatimest (2009) Grizzly Bear
- Asleep in the Back (2001) Elbow | We Are the Only Friends We Have (2002) Piebald
- A Rush of Blood to the Head (2002) Coldplay | The Midnight Organ Fight (2008) Frightened Rabbit
- Merriweather Post Pavilion (2009) Animal Collective | Hot Shots II (2001) The Beta Band
- Gang of Losers (2006) The Dears | The Life Pursuit (2006) Belle & Sebastian
- Control (2002) Pedro the Lion | Tyrannosaurus Hives (2004) The Hives
- The Last Broadcast (2002) Doves | The Argument (2000) Fugazi
- The Invisible Band (2001) Travis | Hail to the Thief (2003) Radiohead
- Oh, Inverted World (2001) The Shins | Sea Change (2002) Beck
- Retreiver (2004) Ron Sexsmith | How It Ends (2004) DeVotchKa
Books (there were so many that we didn’t read [Elijah read only a handful of novels from the 2000s], so this list is incredibly subjective and limited in scope)
- Cloud Atlas (2004) David Mitchell
- House of Leaves (2000) Mark Z. Danielewski
- 2666 (2004) Roberto Bolaño
- Atonement (2001) Ian McEwan
- The Book of Illusions (2002) Paul Auster
- Black Swan Green (2007) David Mitchell
- American Gods (2001) Neil Gaiman
- Thinks (2001) David Lodge
- The City & The City (2009) China Mieville
- Blankets (2003) Craig Thompson, graphic novel
- A Heartbreaking Work of Staggering Genius (2000) Dave Eggers, memoir
- The Book of Other People (2007) ed. Zadie Smith, story collection
- The Perry Bible Fellowship: The Trial of Colonel Sweeto and Other Stories (2007) Nicholas Gurewitch, comic collection
- Box Office Poison (2001) Alex Robinson, graphic novel
- The Rough Guide to Cult Fiction (2005) literary survey
- Wall and Piece (2005) Banksy, art collection
- Free of Charge (2006) Miroslav Volf
- Jesus of Nazareth (2008) Pope Benedict XVI
- The Sacredness of Questioning Everything (2009) David Dark
- Renewing the Center (2000) Stanley Grenz
- Across the Spectrum (2002) Gregory Boyd & Paul Eddy
- The Mosaic of Christian Belief (2002) Roger Olson
- The Shaping of Things to Come (2003) Michael Frost & Alan Hirsch
- These last three Tom Wright books are included for their effective introductory appeal rather than any necessary anticipation of ‘classic’ status.
- Paul: In Fresh Perspective (2005) N. T. (Tom) Wright
- Simply Christian (2006) N. T. (Tom) Wright
- Justification: God’s Plan & Paul’s Vision (2009) N. T. (Tom) Wright
Film (G | E)
- Eternal Sunshine of the Spotless Mind (2004) Michel Gondry | ditto
- Amelie (2001) Jean-Pierre Jeunet | Lord of the Rings (2001-03) Peter Jackson
- Children of Men (2006) Alfonso Cuarón | There Will Be Blood (2007) P. T. Anderson
- Lord of the Rings (2001-03) Peter Jackson | The Pianist (2002) Roman Polanski
- The New World (2005) Terrance Malick | Dancer in the Dark (2000) Lars von Trier
- Fantastic Mr. Fox (2009) Wes Anderson | The Royal Tennenbaums (2001) Wes Anderson
- All the Real Girls (2002) David Gordon Green | Memento (2000) Christopher Nolan
- Waltz with Bashir (2008) Ari Folman | Adaptation (2002) Spike Jonze
- In the Mood For Love (2000) Kar Wai Wong | Big Fish (2003) Tim Burton
- Crouching Tiger, Hidden Dragon (2001) Ang Lee | ditto
- The Assassination of Jesse James By the Coward Robert Ford (2007) Andrew Dominik | Zodiac (2007) David Fincher
- WALL-E (2008) Andrew Stanton | The Proposition (2005) John Hillcoat
- There Will Be Blood (2007) P. T. Anderson | Fantastic Mr. Fox (2009) Wes Anderson
- Memento (2000) Christopher Nolan | The Prestige (2006) Christopher Nolan
- Pan’s Labyrinth (2006) Guillermo del Toro | Elephant (2003) Gus Van Sant
- The Royal Tennenbaums (2001) Wes Anderson | A Beautiful Mind (2001) Ron Howard
- The Proposition (2005) John Hillcoat | Pan’s Labyrinth (2006) Guillermo del Toro
- The Prestige (2006) Christopher Nolan | About Schmidt (2002) Alexander Payne
- The Lives of Others (2007) Florian Henckel von Donnersmarck | Capote (2005) Bennett Miller
- Moulin Rouge (2001) Baz Luhrmann | Lost in Translation (2003) Sofia Coppola
- Donnie Darko (2001) Richard Kelly | American Splendor (2003) Shari Springer Berman & Robert Pulcini