It’s been over a year now since I wrote my last chapter of “Band Evangelist.” How is that even possible? Well, I suppose that sometimes there are periods of silence between the testaments, right?
In any case, here’s a run down of some of the really amazing music that is already available, or is coming out this year. So far, I think it’s going to be a banner year for us indie-disciples…and here’s the why and what for of the first part of 2013 in music (skip to the end to start playing some tunes as you read along!):
- Pedestrian Verse – Frightened Rabbit (February 1): Will definitely end up on my top 10 of the year. These guys are reaching a level of infallible music-making that should secure their place in the pantheon of rock demi-gods (though I’m a strict indie-monotheist–as in “Glory be to S-FJ-N”–there is a certainly room for a henotheistic heavenly council). Speaking of gods, FR are a bit rough on us believers on this album, as in MULTIPLE tracks talking about how hypocritical, naive, and oppressive Christians can be (a bit of cliche by this point, no?), but man can these boys write a beautiful song full of disdain. Talent oozing like oil slicks on the North Sea. Maybe the Prophet (Elijah) can give some insight into the Scottish Catholicism (?) that has turned these boys’ stomachs so deeply against Mother Kirk. PS The deluxe version of this album has some solid bonus tracks and concert DVD material.
- Country Sleep – Night Beds (February 1): I have to give full credit to my boy Wade for turning me onto this gorgeous album out of nowhere. I told him that they sounded like the prettiest of Ryan Adam’s mellow songs (at which point, he began playing a new Ryan Adams album I hadn’t heard…losing my prophetic edge here!) mixed with kind of a Bon Iver frozen hauntedness. Highly recommend a full listen to this!
- Us Alone – Hayden (February 5): I always say that Hayden is an acquired taste, so this album is not for everyone & probably not even for his fair-weather fans. More the real followers–the kind for whom his music is almost everything. But great, mature songwriting, tasteful little jams, & uniquely clever musings all around.
- The Lives Inside the Lines in Your Hand – Matt Pond (February 5): He lost the PA that used to follow his name, but he’s written an album that holds up to the best of his earlier work (Several Arrows Later, for my money). If you can’t take lovely-throated, hook-filled indie-pop with sunny melodies covering dark lyrical waters, then look elsewhere.
- guessing the others – swimming in speakers (February 5): I can’t tell you how this strange, lo-fi, folky-electronic outfit with a whimsically beautiful female lead voice came to my attention, but it has become a go-to mood elevator in the same way watching Amelie can change my perspective from cynical to wonder-filled.
- Days Into Years – Elliott Brood (February 28): Interestingly, though I am not a tremendous Ryan Adams fan, this band also reminded me of his smoky voice over Neil Young crunchy guitars and often a Band of Horses retro-rock cool. I still need to sit with this album more, but I’d give it a solid recommendation already (also thanks to Wade).
- Sub-Verses – Akron/Family (April 30): I would call myself a casual fan of this band–I have most of their albums and enjoy some tracks immensely while others are more solidly moderate. But the two songs I’ve heard from this new release (below) produced a Pavlovian reaction of aural drool leading to one-click ordering.
- Modern Vampires of the City – Vampire Weekend (May 7): I think there’s been sufficient backlash against VW that we can look past the hype, calculated affect, and branding to simply listen to some lovely tunes that integrate things like the harpischord and loopy bass lines with fragile, self-consciously hi/low lyrics that nevertheless pluck at the heartstrings.
- Trouble Will Find Me – The National (May 21): Some of you will not like Matt Berninger’s voice. That’s ok. I do & I love everything else about this fraternally-formed, preternaturally talented group. They have a musical golden touch. If this is for you, it will be the kind of trouble you would want to find you. If not, just keep walking.
- Currents – Eisley (May 28): Now I’m getting into murky waters. I haven’t followed this band of mostly female family members for a LONG time (sorry Wesley Chung), but something in me feels like this may be the album that brings me back. But don’t take my word for it–just an intuition.
- The Weight of the Globe – Lily & Madeleine (June 11): This find came to me via the Asthmatic Kitty email update (an epistle from the indie One’s priestly cult) & if the beauty of these two young ladies’ voices, melodies, and ageless lyricism doesn’t merit a head-shaking double take in any listener, then I have no ear, no eye, no soul.
- Overseas – Overseas (June 11): This is a new project with David Bazan (former frontman for Christian indie-heroes Pedro the Lion & a talented, but faithless solo performer in his own right) and some other hipster guys from bands that exceed my coolness pay-grade. Don’t know that I’m recommending this, as much as just putting it on your sonic radar.
- Kveikur – Sigur Ros (June 18): Sadly, I was not among the admirers of their most recent release, Valtari, which felt rather aimless and amorphous to me; however, supposedly they are moving to a more “direct, aggressive” style–which I’m not totally sure what that translates to (the video below doesn’t bode terribly well for me). I am a Takk/Hvarf man myself, so that’s what I’m secretly hoping for a return to.
There are a few other upcoming releases I have no details on, but believe should be amazing: a new Arcade Fire album, surely one by Neko Case, and one by the lesser known but charmingly gifted Jeremy Messersmith.
Some misses of the year so far: Josh Ritter‘s The Beast in it’s Tracks (a middling effort of post-divorce woe & rebound that’s mostly just depressing); I was utterly bored with the Thom Yorke project, Atoms for Peace; and don’t anyone tell my dear friend Matt Clatterbuck, but I sadly do not like the new Yo La Tengo either!
Question: Did anyone get the new My Bloody Valentine? Low’s The Invisible Way? The new Strokes? Iron + Wine? If so, what do you think? I’d love to hear your thoughts and recommendations!!
swimming in speakers:
Lily & Madeline:
Dear faithful LITC readers,
Our favourite post of the year is here! We apologise that it’s taken so long, but think of it as a late Christmas gift. As with previous years, we’ve included our respective Top 10 Albums of the year as well as some honourable mentions and some not so honourable ones. Feel free to share your favourite records of the year in the comments section. Maybe you’ll even discover some unknown treasures within our lists. Take care, readers. See you in 2013.
Elijah & Greg
Elijah’s Top 10 Albums of 2012
10. Valtari Sigur Rós — Whilst I loved 2005′s Takk…, I found that 2008′s Með suð í eyrum við spilum endalaust left much to be desired. Valtari leans more toward Sigur Rós’ earlier style, a more ambient and reflective record although I’d hesitate before calling it ‘samey’. Incredible tracks like ‘Varúð’ and ‘Varðeldur’, some of the finest I’ve ever heard from the Iceland post-rock legends kept me from pushing this record out of the top ten. For this record the band also came up with they’ve called the ‘Valtari Mystery Film Experiment‘ in which they employed twelve filmmakers to make music videos for the album based upon what the song brought to their minds and without the final approval from Sigur Rós. See ‘Varúð’ below, created by Inga Birgisdóttir, who designed the album cover and also directed the video for ‘Ekki Múkk’:
9. Gentle Stream The Amazing — This was the first record of 2012 that really caught me by surprise. Released in Sweden in 2011, Gentle Stream proves to be just that, a gentle yet wide stream of quality, what I would describe as a subtle mixture between Simon & Garfunkel and Dinosaur Jr. Like their previous releases, The Amazing and Wait for Light to Come, there are still hints of psych rock (influenced by the presence of various members of Dungen) and classic rock and the finished product it is most satisfying.
8. All We Love We Leave Behind Converge — Before I listened to this record, I didn’t want to include Converge in this list because it’s starting to look like whenever a few of my favourite artists make a new album they inevitably end up on my ‘Best Albums’ list. For those who know how I rate music, it’s unlikely that the top four will come as any surprise this year. But give me some credit; I can betray bands I love when they make subpar records – like Animal Collective’s Centipede Hz or my ‘dishonourable mentions’ below. Or last year when I resisted We Were Promised Jetpacks’ In the Pit of the Stomach, Atlas Sound’s Parallax, David Bazan’s Strange Negotiations, DeVotchKa’s 100 Lovers, Danielson’s Best of Gloucester County, etc. See, so when I include one of my favourite bands in my top ten I really mean it!
All that being said, I didn’t want to include Converge this year, so when I heard the first track, ‘Aimless Arrow’, I was relieved and heartbroken simultaneously. I would consider the track their weakest opener to date (especially compared to their last record’s first track, ‘Darkhorse‘), and with its hints of ‘screamo’ and melodic hardcore (don’t worry, there’s no ‘singing’ on this track), I was fearful of listening to the rest of the record. But the eight tracks to follow are all heavy, quality tunes! The rest of the record features some spoken word, which works on top of the slow, thoughtful guitar work by Kurt Ballou. But my heart was nearly torn in two upon listening to the tenth track, ‘Coral Blue’. It’s not all that frightening until the chorus, which isn’t quite ‘screamo annoying’, but more confusing for those who listen to Converge. Thankfully, that’s the extent of this ‘singing’ charade on All We Love We Leave Behind. It closes out with the sufficiently epic title track and sufficiently heavy ‘Predatory Glow’. No, on the whole this was no serious transition for Converge, but I wouldn’t have it any other way. They tried that on You Fail Me and they failed me indeed.
7. Sweet Heart Sweet Light Spiritualized — I know, great cover, right? OK, it’s probably one of the worst album covers this year, but don’t let that put you off! This here is an excellent record. Jason Pierce, also known as J. Spaceman, the creative force behind all of Spiritualized’s incarnations over the last 22 years, wrote the album whilst undergoing serious medical treatment for his liver, which was left in a sore state as a result of many years of drug use, both prescribed and recreational. But unlike 2008’s Songs in A&E, which was also inspired by a serious medical emergency (aspiration pneumonia and periorbital cellulitis), Sweet Heart Sweet Light is a much more hopeful, inspiring record, somewhat in the vein of 1997’s Ladies and Gentlemen We are Floating in Space.
6. ‘Allelujah! Don’t Bend! Ascend! Godspeed You! Black Emperor — This is the Canadian post-rockers’ first record since 2002′s Yanqui U.X.O., and whilst I found Yanqui rather uninspiring after 2000′s masterpiece Lift Your Skinny Fists Like Antennas to Heaven, ‘Allelujah! is a return to form and then some. Godspeed has a rare skill (shared with Sufjan Stevens) for making 20+ minute songs engaging throughout. The tracks are engrossing and become, as the album title suggests, transcendent objets d’art, ushering the listener into heavy aural ascension.
5. America Dan Deacon — I appreciated Dan Deacon’s music before (his 2009 release, Bromst was among my honourable mentions that year), but this record caught me by surprise. The opener, ‘Guilford Avenue Bridge’, is a buzzy digital number, which flows into the two subsequent tracks until Deacon decided to change the pace with ‘Prettyboy’, which seems to ruin the rhythm of the album, that is until we’re brought back into the jam with ‘Crash Jam’. The highlight of the album is the four-part ‘USA’ opus below:
4. Lonerism Tame Impala — Tame Impala’s last record, Innerspeaker, which came to me as such a surprise thanks to Greg’s preaching of the gospel, ranked 6th on my Best Albums of 2010 list, so in my desire to not be let down, I was suspecting that the follow-up wouldn’t be as good. As with their previous material, Lonerism draws much from the past (‘Feels Like We Only Go Backwards‘ could’ve been part of Magical Mystery Tour, right between ‘Blue Jay Way‘ and ‘Your Mother Should Know‘, or it could’ve totally replaced the latter and I wouldn’t have minded), but always with a sense of artistic integrity and completeness. Thank you, Tame Impala, for defying the awfulness of your band name yet again and coming up with another excellent piece of psychadelic groove rock! Oh and isn’t it groovy!
3. Bloom Beach House — After their excellent third album, Teen Dream (which ranked 8th in my Top 10 Albums of 2010), I expected Beach House to lose steam. Every subsequent record was getting better and no band can keep that up. Well, this loss of steam will have to wait until their next record, because I’d say that Bloom might very well be their best record to date. Whilst their sound remains distinctively ‘Beach House’ (those keyboard and guitar-driven dream pop soundscapes and that husky female voice), the songwriting in Bloom has taken a step forward. And even though this record demands more time and attention than their previous releases, the payoff is tenfold. And how amazing is this Ghostbusters-inspired video for ‘Lazuli’?
2. Dept. of Disappearance Jason Lytle — This was an exciting year for us Grandaddy fans: the band reunited after six years apart! And very fortunately for us, the excitement didn’t end there. Grandaddy principal songwriter, lead singer and guitarist, Jason Lytle, has kept busy since the break up in 2006. In fact, Grandaddy’s final record, 2005′s Just Like the Fambly Cat, was written and recorded entirely by Lytle. After the break up, a move inspired by lack of commercial success, Lytle relocated from California to Montana and toured with Rusty Miller in support of Just Like the Fambly Cat. In 2009, Lytle released his first solo record, Yours Truly the Commuter and followed that with an EP, Merry X-mas. Lytle and former drummer of Grandaddy, Aaron Burtch, joined with members of Earlimart to form the band Admiral Radley, who released their debut record, I Heart California, in 2010. Each of these incarnations were superb (I Heart California was an honourable mention in my Best Albums of 2010 list), but none seemed to capture the magic that Lytle’s earlier work possessed in great measure. Until now. It’s safe to say that Dept. of Disappearance is a grower, but there was enough of pure goodness present from the first listen to keep me going. Each track is excellent, and some are among the best Lytle’s ever written, such as the title track, ‘Matterhorn’, ‘Last Problem of the Alps’, ‘Somewhere There’s a Someone’ (below), ‘Gimme Click Gimme Grid’ and ‘Elko in the Rain’.
1. Shields Grizzly Bear — I won’t make excuses or defend my pick despite the fact that Grizzly Bear’s previous record was my number one album of 2009. Shields is just that good. Still present are the Grizzly Bear trademarks we know and love, but this record is the band’s most aggressive and coherent to date. At times it is far darker than their previous material (‘Speak in Rounds’), yet it still takes the listener into the clouds (‘Half Gate’). In the midst of this more aggressive direction, Grizzly Bear also ventures into the realm of more accessible pop music, music that isn’t as dissonant as their previous releases yet retains its creative bearings. On top of all of their unique qualities as proficient musicians and songwriters, Grizzly Bear demonstrate a continuing process of maturation, one that solidifies them as—in this listener’s opinion—one of the best bands of their generation.
Elijah’s honourable mentions
- Silver & Gold Sufjan Stevens — A massive five-disc, 58-song, 2.7-hour Christmas feast!
- Shrines Purity Ring
- Fear Fun Father John Misty
- Information Retrieved Pinback
- Cancer 4 Cure El-P
- Love This Giant David Byrne & St Vincent
- Tramp Sharon Van Etten
- The Seer Swans
- Tempest Bob Dylan
- Coexist The xx
Elijah’s dishonourable mentions
- Mirage Rock Band of Horses
- Silver Age Bob Mould
Greg’s Top 10 Albums of 2012
Another conflicted year of listening for me: some of my favorite bands put out albums I thought were shite (Animal Collective, Sigur Rós) and other bands that I expected more from turned out mediocre fare (Passion Pit, The Avett Brothers). Then there were the albums that had real moments of brilliance on them…but which couldn’t sustain that level of greatness throughout the entire record. The following albums didn’t break into my top ten, but you should definitely check out the songs indicated:
- Bloom Beach House — ‘Myth’, ‘The Hours’, ‘Irene’
- Charmer Aimee Mann — ‘Labrador’, ‘Soon Enough’, ‘Slip and Roll’
- Confess Twin Shadow — ‘Golden Light’, ‘Five Seconds’, ‘Be Mine Tonight’
- Lonerism Tame Impala — ‘Feels Like We Only Go Backwards’, ‘Elephant’, ‘Sun’s Coming Up’
- Shields Grizzly Bear — ‘Yet Again’, ‘Gun-Shy’, ‘Half Gate’
- Time Capsules II Oberhofer — ‘HEART’, ‘I Could Go’, ‘oOoO’; also did a great cover of Kanye West’s ‘Runaway‘
10. Young Man Follow Future of Forestry — I don’t mind if I lose all indie credibility for putting a Christian, anthem rock band on my top ten. This album falls somewhere in between Delirious?/Phil Wickham and post-Pop U2/Snow Patrol (right now, Elijah is raising his eyebrows/giving me a look of consternation/experiencing a slight taste of bile in the mouth). I know that there’s a strong hint of songwriting formulae, mixed with sentimental emotionalism, strategic falsetto insertion, and derivative production sleight-of-hand, but I can’t help it…I eat it up. This is my sonic Kryptonite. It moves me and I can’t help loving it. So there you go.
9. Milk Famous White Rabbits — This was a late addition to the list. I had loved the track “Everyone Can’t Be Confused” earlier in the year, but never got around to purchasing the whole album. Two weeks ago, I finally got it and have enjoyed the carefully orchestrated arrangement and production of each song immensely. As I began reading reviews, many of which were not kind, there was some talk about the band selling out and transforming into Spoon-lite (one of that band’s members produced the album). I actually can’t stand Spoon, but I love these guys!
8. The Idler Wheel Is Wiser Than The Driver Of The Screw And Whipping Cords Will Serve You More Than Ropes Will Ever Do Fiona Apple — I’ll be honest, I’m not such a fan of the craziness that exists inside this woman’s head, but her startlingly stark songwriting, passionate confessionalism, and uncompromising originality make this album a work of undeniable greatness.
7. Port of Morrow The Shins — There may be some measure of sentiment and nostalgia in this pick. The 2001 album Oh, Inverted World was a life-changer for me (a moment captured and corrupted in Zach Braff’s film Garden State) and I can hear echoes of those glorious times in songs like “It’s Only Life,” “No Way Down,” and “For a Fool.” For those purists who find this a shameless exploitation of The Shins brand (being that only one member of the original band plays on this album), a stance which I myself initially considered, I respectfully disagree. The magic is still here…
6. Adventures in Your Own Backyard Patrick Watson — Watson is one of those artists whose voice alone puts him into a category of talent and beauty that should earn accolades–but he is also a brilliant songwriter and musician whose idiosyncratic vision comes into its own on this release. If you’ve never listened to his work before, his catalog is well worth exploring, including his work with The Cinematic Orchestra.
5. Heaven The Walkmen — This band has been loitering in the periphery of my musical tastes for a while–a great song here or there, but no album that absolutely blew me away. Until now…you MUST listen to this record.
4. Tramp Sharon Van Etten — Such fine, delicate songwriting; beautiful, haunting, and frequently spare instrumentation to accompany her striking, melancholy voice; and brilliant production & instrumental assistance from The National’s Aaron Dessner (who better be working on a new album himself!). I love so many of these songs with an affection that is reserved for a select few artists. Listen to the song belong and try not to simultaneously smile AND ache:
3. Break It Yourself Andrew Bird — I wrote about this album earlier in the year, wondering if it would grow on me more and more. Boy, did it ever. As I said before, Andrew Bird cannot make a bad album, but here, he’s certainly made a great one. I think it really comes alive after the first 1/3 of the album is over, so don’t give up on it if you don’t immediately sense the genius.
2. Silver and Gold Sufjan Stevens — I’m considering this a 2013 release, even though it is a collection of EP’s that Sufjan had privately given out to friends and family over the last five or six years. Of course I love it—I’m a Sufjanite through and through. But beyond my dedication to the man, this really is a beautiful collection of 58 songs that I think transcend the holiday season itself and act as a meditation on the human condition as a whole, refracted through the hopes and disappointments that we connect to a particular time of year and experience of faith, family, community, and tradition. There are haunting covers of Christmas & holiday classics (“I’ll Be Home for Christmas,” “Joy to the World,” “Let It Snow!” and “Silent Night”), worshipful church hymns simply arranged and devoutly performed (“Ah Holy Jesus,” “Lift Up Your Heads Ye Mighty Gates,” and “Break Forth O Beauteous Heavenly Light”), and Sufjan originals or adaptations that stand up to any of his other records (“Justice Delivers Its Death,” “Christmas in the Room,” “The Midnight Clear,” “Angels We Have Heard on High,” and “The Child with the Star on His Head”) along with a myriad of lovely instrumental meditations (my favorites include “Make Haste to See the Baby,” “Go Nightly Cares,” and “Even the Earth Will Perish and the Universe Give Way”), crazy experimental electronica (not my favorite genre but occasionally delightful), and simple fun communal musical merry-making. It’s also fun to view the collection in tandem with the albums he was working on during these years (The BQE and The Age of Adz). You can actually download some of the best tracks for free on Sufjan’s Noisetrade page—and that is a truly wonderful gift from the greatest artist of our age.
1. Fear Fun Father John Misty — One day this year, I was listening to an unbelievably compelling live set of songs on KCRW by a band whose name I somehow kept missing. I finally went onto the station website and discovered that it was Father John Misty. This is the first release under this band name by J. Tillman, former drummer from Fleet Foxes. I had some of his previous solo releases post-FF, which were pretty average folkish meanderings. But this! On this album, Tillman discovers some kind of alchemy that turns his melancholy into the rarest kind of beauty and wonder. His songs sound like they were written 40 or 30 or 20 years ago—any age but now, yet they simultaneously capture the hidden spirit of some mystical contemporary world surrounding us that we may not perceive. Even the songs I don’t absolutely “like” have a tangible genius to them. I didn’t want to like this album—the creepy cover, the hipster pedigree, the critical darlingness of it. But, for me, in 2012, this was it.
Greg’s honourable mentions (albums)
- Among the Leaves Sun Kil Moon — Such lovely instrumentation and melodies; such bothersome narcissistic lyrics
- Born to Die Lana Del Rey — I think one is not supposed to like this album due to its contrivances, over-production, other myriad reasons—nevertheless, I found it strangely compelling in a fashion from start to finish
- Lonesome Dreams Lord Huron — Quality folk/Americana
- Strange Land Yellow Ostrich — This ended up on exactly no one’s top ten—yet really quite a solid indie rock record!
- Who’s Feeling Young Now Punch Brothers — Not enough substance to crack the top 10, but some real winning songwriting here, with a eminently listenable sound throughout
Greg’s honourable mentions (EPs)
In anticipation of our favourite annual post here at LITC—Best Albums of such-and-such year—we are proud to share fifty tracks that we think are the best released this year. Trust us, there was so much good music released this year that we found picking our fifty favourite tracks to be a rather excruciating process. We’d also love to hear about any songs that you feel should not have been left off of this list in the comments section! So without further ado, here are our fifty favourite tracks from 2011 (in alphabetical order):
- ‘All the Sand in All the Sea’ DeVotchKa 100 Lovers
- ‘Angel Is Broken’ Atlas Sound Parallax
- ‘Animal’ Neon Trees Habits
- ‘Ash/Black Veil’ Apparat The Devil’s Walk
- ‘Battery Kinzie’ Fleet Foxes Helplessness Blues
- ‘Belong’ The Pains of Being Pure at Heart Belong
- ‘Circulation’ Thurston Moore Demolished Thoughts
- ‘Codex’ Radiohead The King Of Limbs
- ‘Country Dumb’ Josh T. Pearson Last of the Country Gentlemen
- ‘Cruel’ St Vincent Strange Mercy
- ‘Days’ The Drums Portamento
- ‘Degeneration Street’ The Dears Degeneration Street
- ‘Don’t Move’ Phantogram Nightlife EP
- ‘Downtown Eastern Bloc’ Times New Viking Dancer Equired
- ‘5 Chords’ The Dears Degeneration Street
- ‘Fuck This Place’ Frightened Rabbit A Frightened Rabbit EP
- ‘Galactic Tides’ The Dears Degeneration Street
- ‘Heaven’s Gonna Happen Now’ The Pains of Being Pure at Heart Belong
- ‘Helplessness Blues’ Fleet Foxes Helplessness Blues
- ‘Honey Bunny’ Girls Father, Son, Holy Ghost
- ‘I Don’t Want Love’ The Antlers Burst Apart
- ‘Keep You’ Class Actress Rapprocher
- ‘The King’ RAMESH The King
- ‘The Last Living Rose’ PJ Harvey Let England Shake
- ‘Lippy Kids’ Elbow Build A Rocket Boys!
- ‘Montana’ Youth Lagoon Youth Lagoon
- ‘Municipality’ Real Estate Days
- ‘No Room to Live’ Times New Viking Dancer Equired
- ‘No Widows’ The Antlers Burst Apart
- ‘People’ David Bazan Strange Negotiations
- ‘Save Me’ Gotye Making Mirrors
- ‘Scottish Winds’ Frightened Rabbit A Frightened Rabbit EP
- ‘17’ Youth Lagoon Youth Lagoon
- ‘Smile’ Smith Westerns Dye It Blonde
- ‘Somebody That I Used to Know’ Gotye (ft. Kimbra) Making Mirrors
- ‘Song Of Los’ Apparat The Devil’s Walk
- ‘Steve McQueen’ M83 Hurry Up, We’re Dreaming
- ‘Strange Negotiations’ David Bazan Strange Negotiations
- ‘Sweetheart I Aint Your Christ’ Josh T. Pearson Last of the Country Gentlemen
- ‘Tatooine’ Jeremy Messersmith Tatooine Single
- ‘To Every Man His Chimera’ Cass McCombs Humor Risk
- ‘Trembling Hands’ Explosions in the Sky Take Care, Take Care, Take Care
- ‘Try to Sleep’ Low C’mon
- ‘Under My Nose’ Fucked Up David Comes to Life
- ‘Video Games’ Lana Del Rey Video Games
- ‘Wait’ Alberta Cross The Rolling Thunder EP
- ‘Wash’ Bon Iver Bon Iver
- ‘Weekend’ Class Actress Rapprocher
- ‘Weekend’ Smith Westerns Dye It Blonde
- ‘Your Eyes’ Bombay Bicycle Club A Different Kind of Fix
If you’d like to check out these tracks for temporary review before you go out and buy the single or the record, you may click here to have a listen.
Keep a lookout for our upcoming Best Albums of 2011 post!
The year is rapidly drawing to a close, which means that it is time for our favourite annual post here at LITC: OUR BEST OF ALBUMS LIST. This has been a very satisfying year for music. Not much is needed by way of introduction, so let’s just jump into it. As may be expected, we (Elijah & Greg) have several albums in common among our top ten. We will first share our overlap.
Shared entries from Elijah & Greg’s Top 10 Albums of ’10
- InnerSpeaker Tame Impala (Greg) — This is a band where every ingredient (vocals, instruments, lyrics, production, etc.) makes an essential and vital contribution to the final result–remove any element and the entire sound would collapse. Everything I like about ‘classic rock’ (a hideous term that conjures up images of some white trash hessian screaming out ‘FREE BIRD!’) is to be found on this album, yet, to my ear, it in no way feels dated. It’s often uncomplicated, but as if the band simply understood exactly what needed to go where to make each song perfectly what it eventually was meant to become (goodness there were a great many adverbs in that sentence!).
- High Violet The National (Elijah) — The National caught me by surprise this year. I was not as big a fan of 2007′s Boxer, unlike Greg and many of my other highly revered friends. But from the first note of the first track, ‘Terrible Love’, I was entranced. This album is incredible on the first listen, but is also a ‘grower’, with its share of immediately outstanding tracks and tracks that reveal their ultimate reward after a series of faithful listens. There’s something pure and straightforward about High Violet that seldom makes its way into indie playlists these days. Also, listen for Sufjan Stevens’ contribution on the excellent track ‘Afraid Of Everyone’.
- The Suburbs Arcade Fire (Greg) — I admired their first album immensely; their second was a mixed bag. I assumed that this would be continuing in that downward trajectory. I was wrong. This is a masterpiece. I originally felt like there was something derivative about the genres of various songs (Byrds here, ABBA there), but ultimately, I took this to be part of their apocalyptic vision of a decaying world of garden cities where ‘the music divides us into tribes’. Win Butler is one of the best living songwriters…
- The Winter of Mixed Drinks Frightened Rabbit (Greg) — My expectations were unreasonably high for this album (their last was my favorite album of 2008). FRabbit surpassed them. So much greatness to be found. Aside from ‘Man / Bag of Sand’ (which was reminiscent of another filler-esque reprise, ‘Extrasupervery’ on their previous record), there is nary a miss to be found. This kind of material is paving the way for a career that will end up with FR being among the great bands of all time. (Elijah adds: FR’s principal songwriter Scott Hutchison wrote this record over the course of two weeks in Crail, Fife, near my home in St Andrews, so the tone of the whole record gives me a warm feeling of geographic familiarity.)
- The Age of Adz & All Delighted People EP Sufjan Stevens (Elijah) — Our Sufjan thirst twas quenched this year and our cup runneth over. Not only did the contemporary musical genius release a surprise EP, but also a mind-blowing full length — a grand total of two hours, fourteen minutes, and eighteen seconds of new and very worthwhile Sufjan material (though among other Adz tracks, a version of ‘The Owl And The Tanager’ from ADP was publicly performed in 2007). Several months ago, Greg wrote a great piece analysing The Age of Adz. This album is strikingly personal and apocalyptic, and musically Sufjan is pushing the boundaries of pop, perhaps alienating those who are looking for the ‘older stuff’ (or more correctly, the ‘mid-career stuff’, namely Illinoise – A Sun Came is very much the progenitor of The Age of Adz). Sufjan has written his best record to date (and Adz‘ ‘I Want to Be Well’ might be my favourite Sufjan song of all time), which has brought about several modifications to our preexistent lists: The Age of Adz has been added to my Top 50 Albums list (displacing Black Flag’s hardcore punk gem, Damaged for the time being) and as an artist, Sufjan has surpassed The Smiths, Radiohead and Belle & Sebastian in my Top 20 Bands list. (Greg adds: This album is a museum worthy work of art. [Elijah adds: Here, here!])
Elijah’s Top 10 Albums of ’10
10. Belle and Sebastian Write About Love Belle & Sebastian — If the listener is looking exclusively for a return to form, an album resembling Tigermilk, If You’re Feeling Sinister or The Boy With the Arab Strap, he or she will be let down by Write About Love. It is evident that B&S have grown up a bit over the last 1.5 decades and don’t want to keep writing the same albums, something which we cannot blame them for, can we? But this record doesn’t need to be exhaustively defended – it stands well on its own. Its slightly less poppy than their previous release, 2006′s The Life Pursuit, finding a medium between 2000′s Fold Your Hands Child, You Walk Like A Peasant and The Life Pursuit, as if in the place of 2003′s Dear Catastrophe Waitress (which is also an incredible record). Ultimately, Write About Love is a success if we are willing to see something that isn’t pre-2000 B&S as such. It is an excellent record that certainly improves with every listen.
9. King of the Beach Wavves — For those who have not previously seen this album cover, yes, that is a cat wearing a marijuana leaf-laden hat smoking a joint. But at least he has an all-seeing eye necklace, right? Maybe it will come as no surprise that Nathan Williams, leader and creative force behind Wavves, had a serious drug/alcohol-induced freakout during a concert in Spain last year, causing the other two members of the band to quit. Fortunately for Williams (and for us as listeners), the late Jay Reatard’s backing band (Billy Hayes and Stephen Pope) decided to join Nathan’s group and Wavves was reincarnated to give us the incredibly catchy (I mean, REALLY CATCHY), garage rocky, King of the Beach. Billy has since left the band.
8. Teen Dream Beach House — This record is one of a number of surprises for me this year. Prior to this record I did not find Beach House especially engaging, which delayed my purchase of Teen Dream until Greg included the new version ‘Used to Be’ (the old version was released as a single in 2008 following Devotion) on a mix he made for me. This is an incredibly original record, superior to Beach House’s previous releases, which are rendered mediocre in light of Teen Dream. Singer Victoria Legrand’s vocals power this record into the realm of the serene and sublime. While some tracks are stronger than others (like ‘Zebra’, ‘Norway’, ‘Used to Be’, and ’10 Mile Stereo’), this is an amazing record as a whole.
7. This is Happening LCD Soundsystem — Much like the case of Beach House with Teen Dream, I never found LCD Soundsystem’s music to capture my interest before this record. James Murphy has been at it for ages, and while 2007′s Sound of Silver was a critical and commercial success for his LCD Soundsystem, This is Happening demonstrates a finesse that secures his place as a veteran. This record is both very raw (‘Drunk Girls’) and sophisticated (‘Somebody’s Calling Me’), which combine to give us a incredibly interesting, fun, catchy, and pretensionless album. I also hear a lot of tasteful 1974-77 Eno-esque sound on this record (like ‘All I Want’ and ‘Somebody’s Calling Me’), which pleases me to no end.
6. The Suburbs Arcade Fire
5. InnerSpeaker Tame Impala
4. High Violet The National
3. The Winter of Mixed Drinks Frightened Rabbit
2. Halcyon Digest Deerhunter — Back in September I wrote concerning this record, ‘The album as a whole is excellent and it will surely find a place near the top of my favourite records released this year.’ I’m not merely placing Halcyon Digest at number two to save face so that no one can condemn me with, ‘Elijah gives disingenuous praise.’ No, every single track is an amazing audio experience, and as a whole they function as a battering ram made up of all that is good in independent music, breaking down the doors of pretension by merely doing what they love – and doing it well. Deerhunter makes their last two records (2008′s Microcastle and 2007′s Cryptograms) while brilliant in their own right, sound like mere warm-up sessions for Halcyon Digest. Bradford Cox—whose solo record as Atlas Sound, Logos, was my ninth-favourite record last year—and Lockett Pundt deliver with their unique sense of melody and lyrical strength (even in Bradford’s stream-of-consciousness manner).
Elijah’s Honourable mentions
- Boys Outside Steve Mason (of The Beta Band)
- The Changing of the Guard Starflyer 59 (which improves over time)
- Crazy For You Best Coast (useless fact: Best Coast’s Bethany Cosentino is in a relationship with Wavves’ Nathan Williams, and the covers of Crazy For You and King of the Beach both feature cats)
- Crystal Castles (II) Crystal Castles
- Daughters Daughters
- Everything In Between No Age
- I Heart California Admiral Radley (featuring Jason Lytle of Grandaddy)
- Hidden These New Puritans
- Looks Like a Flood, Feels Like a Drought Preacher’s Sons
Greg’s Top 10 Albums of ’10
10. Contra Vampire Weekend — I’ll be honest…I didn’t want for this album to make my list. Vampire Weekend has such a hipster aura that I tend to avert my eyes. In fact, their first single, ‘Horchata’, with its contrived, graceless rhymes (balaclava, Aranciata, Masada) and reek of Paul Simon’s Anglo-appropriation of world music nearly drove me away from the album. But the melodies…ahh, the melodies are sublime, and the singer (Ezra something?) has a delivery of lilts and arcs that makes me love his intention despite the ostentation of his diction, and, really, they pull off the ethno-musical robbery just as ‘Al’ did so many years before (he said I could call him that). Recommended tracks: ‘Run’, ‘Giving Up the Gun’, ‘I Think Ur a Contra’.
9. Fang Island Fang Island — This is a last minute addition (sadly bumping off Josh Ritter’s album, which has some tremendously lovely cuts). But this album is so DELICIOUSLY HOOKY and DELIRIOUSLY FUN that I had to include it. Like a synthesis of early Muse & Weezer playing the old Disneyland Electric Light Parade possessed by the spirit of Brian Wilson. If you don’t enjoy it, I would recommend a good proctologist.
8. Heartland Owen Pallett — This guy was a discovery made driving along a dark road one night listening to KCRW. I used Shazam to figure out who he was, then weeks later remembered to check him out/download the album (at some point, I will need to own a physical copy of this album for the brilliant cover art). I was a bit put off by some of the dissonance on this album at first…but I could immediately sense a lyrical/melodic/arranging genius at work, so I listened to it many more times. It’s one of the most stylistically original and creative albums I’ve come across in years & there’s something about his voice and words that reveals a profoundly singular craftsman, in the manner of Sufjan and Andrew Bird. Recommended tracks: ‘Keep the Dog Quiet’, ‘E Is For Estranged’, ‘What Do You Think Will Happen’.
7. InnerSpeaker Tame Impala
6. Forget Twin Shadow — If you like the Smiths & have any nostalgia for 80′s pop music songcraft, combined with a generally melancholic outlook on life, you will love this album. If not, you will hate it. It’s so distinctive, it is sure to have a polarizing effect–it almost has some sort of mystical power over me. I don’t know what he’s talking about half of the time, but it feels like he is singing my deepest emotions. Recommended tracks: I happen to think that ‘Tyrant Destroyed’ and ‘Castles in the Snow’ are two of the best songs I’ve heard all year.
5. Together The New Pornographers — I’ve followed the NP’s for a while, often finding inspired songwriting/performing genius mixed in with merely human tune smith ‘capability’; however on this album, the genius overshadows the capability by 11 to 1. There are a number of songwriters in the band–one of whose style I have little accord with (see ‘Daughters of Sorrow’), but the rest of the songs have enough buoyant loveliness to keep the Titanic afloat. Recommended tracks: ALL, except the above track and ‘If You Can’t See My Mirrors’.
4. High Violet The National
3. The Suburbs Arcade Fire
2. The Winter of Mixed Drinks Frightened Rabbit
Greg’s Honourable Mentions
- Go Jónsi
- Green Grow the Rushes EP John Vanderslice (it was free online!)
- July Flame Laura Veirs
- Light Chasers Cloud Cult
- Lisbon The Walkmen
- Pharmacy of Love Bettie Serveert
- Suburban Nature Sarah Jaffe (this could have been on the list, but I only own two songs from it, both of which are amazing…PLEASE check her out!)
- So Runs the World Away Josh Ritter (bumped off the list at the last minute, but check out ‘Change of Time’, ‘The Curse’, ‘See How Man Was Made’, and ‘Another New World’)
- The Universe Is Laughing The Guggenheim Grotto
Before I move into the Top 10 of my Top 20 Bands, I feel the need to mention ten significant bands that might have been part of my ‘cut’ at various points in recent history, but just didn’t make it into my Top 20 this time around. (Perhaps this could be seen as my ’21-30′.)
- Frightened Rabbit – Let’s see how the whole longevity thing plays out – the first two records have been a steady improvement from ‘incredible’ to ‘phenomenal’.
- Pedro the Lion/David Bazan – Excellent songwriting, but albums are often incoherent with themselves.
- Cass McCombs – There’s a quality to Cass McCombs that convinces me he’s one of the greatest living songwriters.
- Starflyer 59 – Something’s absent on most of their recent material…
- Grizzly Bear – Also needing a bit of longevity – It feels strange to consider Grizzly Bear one of my favourite bands, but they most certainly are.
- Deerhunter – Let’s hope they keep up this steam…
- Brian Eno – Mostly hit, but sometimes miss.
- Camera Obscura – There’s something to this group that keeps me listening, but I am hoping for something to make them stand out.
- Cursive – Maybe it’s because they still haven’t grown up?
- Curl Up & Die – I wish they had made more material before disbanding.
Perhaps you are thinking, ‘Who can beat the bands above along with Spiritualized, The Kinks, The Velvet Underground, Tom Waits, The Beach Boys, The Beatles and Neil Young?’ I hope not to disappoint, but prepare to find out just how bad my taste actually is in the coming week…
A while back, I came out as a self-proclaimed prophet of musically anointed ones…only to go into a period of silence worthy of the inter-testamental era (part of which was due to school and the other part due to a slightly incapacitating disability in my left hand which keeps me from typing with ease). In any case, I have come back out of the wilderness, having exhausted ways to prepare locust with honey, and am here to declare some praise-worthy tunes for those with ears to hear.
To begin by updating you from my last post:
- Lightspeed Champion: middling effort, almost a bit too melodramatic/fussy
- Sleeping States: downloaded a few songs (on par with lo-fi homemade genius of former recordings), but still don’t own the whole album
- The XYZ Affair: unknown what will happen to the album they had in the works
What about the album from Frightened Rabbit? Well, that brings me to the shortlist of albums that WILL LIKELY BE on my best of 2010 list. FR’s album is INCREDIBLY GREAT–on par with their unbelievably brilliant last album & a sign of their lasting power. So, the short list? In no order other than as they come to me:
- Frightened Rabbit/The Winter of Mixed Drinks
- Titus Andronicus/The Monitor (these guys are like a mix of Joe Strummer/Shane MacGowan, early Dinosaur Jr., the high points of Rancid, and some kind of American conspiratorialism welded together–it’s kind of a marriage of classic rock n’ roll and alternative/indie via a variety of road stops…the only problem is that they have an occasional tendency to repeat some lyrics ad infinitum, which is a pet peeve of mine, and the punk ethos requires that some of the singing is off key, which is hard to listen to when you have perfect pitch)–I have to give a shout out to Rob Kirkendall for hooking me up with these guys
- Tame Impala/InnerSpeaker: first off: their name is lame impala. But their sound, the tones and eras and magic and youth and coolness they emit, is so GORGEOUSLY CLASSIC (if you love the Beatles, the vocalist channels John & George’s best qualities; if you love classic rock, they have instrumentation that brings to mind the Who, Jimi Hendrix [but not the guitar], The Edgar Winter Group, etc.; definite psychedelia [though I can’t cite any particular groups), but yet in spite of all this, it doesn’t feel derivative but somehow distinctively of this time–as if all that had never existed and they just invented it…
- The National/High Violet: you already have this
- The New Pornographers/Together: you SHOULD already have this. Half of it is my favorite album of the year…Neko Case IS the Midas touch, but everyone in this supergroup is talented beyond measure
- Owen Pallett/Heartland: now this guy is a true discovery. I’ve heard he did some orchestration for indie bands (Arcade Fire, etc.), but all I really know about him is from this album. He is a musical brother to Andrew Bird, a cousin of Sufjan, from the genus of chamber-pop…lovely, fascinating, highly original. Often, a song intentionally veers toward the brink of dissonance, but it never goes over
- Josh Ritter/So Runs the World Away: I need a few more listens to definitively place this album on the list, but it has potential
Some varying levels of disappointment: Band of Horses, Broken Bells, Jonsi (is that ok to admit? I love him still…), Teenage Fanclub (embarrassingly weak), She & Him. Disagree? Feel free to prove me wrong in the comments!
I don’t really have any prophecies at the moment…maybe The Walkmen, Cloud Cult, Interpol in September/October? I could use YOUR recommendations if you have any. Until later…
What follows is my unsolicited list of the finest 10 music albums of this year. Full disclosure: I have a rather limited musical palate and have been called a bit “elitist” when it comes to music (i.e. all tastes are not equally valid), so I apologize ahead of time for any arrogant presumptions or pretentious hype.