Tag: Panda Bear

Best Albums of 2011

2012 is nearly upon us, which means it’s time for our Best Albums of 2011 list here at Lost in the Cloud!  We’ve been conscientiously consuming music to both nourish our culturally gluttonous souls and to deliver a collection of what we consider to be the finest music released this year.  Last month we proudly presented our Best Songs of 2011 list and now we have painstakingly selected our top ten albums each.  In 2010, we (Greg & Elijah) shared five albums in common on our Best Albums list.  This year we have discovered that we only share one album in common, which may be an indication of our decomposing friendship (we’re only joking, of course!), but this means that while last year we shared 15 ‘best’ albums between the two of us, this year we are presenting you with a 19-album smörgåsbord!

Elijah’s Top 10 Albums of ’11

10.  Bon Iver Bon Iver — Concerning Bon Iver’s 2008 release of For Emma, Forever Ago, a friend once commented, ‘Take the reverb away and there’s nothing there.’  I couldn’t help but agree at the time.  This is my confession: I wasn’t a huge Bon Iver fan, in fact, I wasn’t a Bon Iver fan before this record.  [I can already feel the rage boiling up inside many LITC readers…]  But Bon Iver captured me in its move beyond the self-wallowing, isolated cabin chat of For Emma.  This new record is a beautiful collection of multilayered sound and place names (some real, some fictitious), standing on its own without some self-indulgent backstory (though this is not attack on Justin Vernon, who is a lovely, lovely man).  I think it could’ve done without ‘Beth/Rest’…  SONGS TO CHECK OUT: ‘Towers’, ‘Wash.’ and ‘Calgary’.

9.   Demolished Thoughts Thurston Moore — When I first heard that Beck was producing a Thurston Moore solo album I was ecstatic, but I immediately began to feed myself a significant amount of scepticism leading up to its release.  Could the actualisation of such a record truly be as great as it sounds?  Probably not.  With this dose of low expectation I found myself pleasantly taken aback by Demolished Thoughts, and my appreciation only grew with additional listens.  This album plays on Moore’s Sonic Youth strengths and—like Lou Barlow—makes me feel like it’s the mid-90s in all the best ways while not sounding like ‘that guy from Sonic Youth’s side project’.  And perhaps the early stages of Moore’s separation from his wife of 27 years, SY singer/bassist/guitarist Kim Gordon, contributed to the depth of his sometimes heartbreaking songwriting.  SONGS TO CHECK OUT: ‘Benediction’, ‘Circulation’ and ‘Mina Loy’.

8.   Dancer Equired Times New Viking — I love lo-fi and the grittiness of Born Again Revisited, number eight on my Best Albums of 2009 list, was a significant part of its ranking alone.  While this record isn’t ‘clean’ by contemporary production standards, it is far less mucky than TNV’s previous releases.  But the lo-fi onslaught isn’t the only reason why I love TNV.  Their beautifully lazy harmonies and their catchy, shoegazy simplicity are what really attract me.  I’d even say that Dancer Equired is their catchiest record to date, though I don’t suspect these songs will be employed in any television adverts any time soon.  SONGS TO CHECK OUT: ‘No Room to Live’, ‘Downtown Eastern Bloc’ and ‘Fuck Her Tears’.

7.   Helplessness Blues Fleet Foxes — Fleet Foxes once again demonstrate their command of the Americana genre.  While I was not entirely blown away by their debut record, I was able to recognise their talent and potential.  I was eager to pick up Helplessness Blues and it did not disappoint.  Principal songwriter Robin Pecknold taps into the soul of a man twice his age and delivers timeless lyrics with a well-groomed musical backbone.  SONGS TO CHECK OUT: ‘Battery Kinzie’, ‘Helplessness Blues’ and ‘Grown Ocean’.

6.   Strange Mercy St Vincent — Annie Clark takes a step in the right direction with Strange Mercy.  Building upon her previous efforts, Clark explores both the cheery and dark on Strange Mercy (I find ‘Cruel’ and its accompanying video especially haunting).  As a whole, and perhaps because of this ‘darker’ element, the album is more engaging than her previous material.  While more sonically stripped-down than Actor (an honourable mention from 2009’s list), Strange Mercy somehow feels fuller and more mature.  SONGS TO CHECK OUT: ‘Chloe in the Afternoon’, ‘Surgeon’ and ‘Dilettante’ (not picked merely because of the ‘Elijah’ mentioned…).

5.   Father, Son, Holy Ghost Girls — About Father, Son, Holy Ghost, I will first say that I found this record a bit of a disappointment, but disappointment is a relative word.  Unlike most other sophomore records in which I prepared myself for disappointment with low expectations, I actually suspected that this new Girls record would be my number one pick before even listening to it.  Upon further listens I only grew more fond of their previous record, Album, ranked number six on my Best Albums of 2009 list, and last year’s EP, Broken Dreams Club, was equally impressive.  But generally speaking, Father, Son, Holy Ghost is an excellent record.  While I wouldn’t consider it a significant improvement on Album I also wouldn’t consider it any sort of regression.  Unlike the front-heavy Album, Father, Son, Holy Ghost builds up into its eight-minute ‘Forgiveness’ before bringing us back down for the final two tracks.  Like Album, this record does a fine job of holding in tension both the child and adult that is singer/guitar Christopher Owens, and it is certainly worth its place on this Best of 2011 list.  SONGS TO CHECK OUT: ‘Honey Bunny’, ‘My Ma’ and ‘Forgiveness’.

4.   The Year of Hibernation Youth Lagoon — For me, The Year of Hibernation was 2011’s most striking discovery.  Having heard the album without having previously known anything about its creator I was shocked to find that Youth Lagoon is just one person, Idaho-based Trevor Powers, and that Mr Powers is only 22 years old (which causes me to ask the question, ‘Elijah, what are you doing with your life‽’).  The Year of Hibernation, recorded for next to nothing by a 22-year-old in his bedroom in Idaho, offers far more than the sum of its parts.  SONGS TO CHECK OUT: ‘Posters’, ’17’ and ‘Montana’.

3.   Let England Shake PJ Harvey — PJ Harvey has released some excellent records – Dry, Rid of Me, Is This Desire?, etc.  But Let England Shake—which earned Harvey her second Mercury Award—may very well be her strongest.  While neither as dark nor necessarily as ‘personal’ as some of her previous efforts, this album is brimming with creativity.  Harvey did her homework for this record, which explores some contemporary conflicts in British history, ranging from the Gallipoli campaign to the more recent wars in Afghanistan and Iraq.  Without coming across as a ‘topical’ or ‘protest’ album, Harvey paints a critical and sober picture of Western military domination and its consequences both domestically and abroad.  The music’s excellent too (Harvey picks up an autoharp for this record!).  SONGS TO CHECK OUT: ‘Let England Shake’, ‘The Last Living Rose’ and ‘Hanging in the Wire’.

2.   Dye It Blonde Smith Westerns — What can I say, I’m a fan of good pop music.  This record is just one of several that caught me entirely by surprise this year.  While I had heard and enjoyed Smith Westerns’ first release, The Smith Westerns, it did not strike me in a way that would compel me to consider it one of my favourite records of 2009.  But this record demonstrates significant pop songwriting maturation, songwriting the vein of—dare I say—The Beatles (specifically King George).  SONGS TO CHECK OUT: ‘Weekend’, ‘All Die Young’ and ‘Smile’.

1.   Belong The Pains of Being Pure at Heart — After their debut record (which was an honourable mention on my Best Albums of 2009 list) I had no idea where PoBPaH (some acronym is necessary with such an obnoxiously long name) might go.  They had successfully composed an album in the style of 1980s Brit-pop with their first record.  I expected any subsequent releases to merely replicate that formula with varied success.  But this record is a witness to PoBPaH’s evolution into a true force to be reckoned with.  If we’re grouping the sound by decade, Belong showcases more of a 90s alt-rock feel than its predecessor.  While it’s unlikely to be found in the top spot on many other ‘Best Albums of 2011’ lists, I’ve only grown more fond of this record over the course of 2011 and can safely say that as a whole it is my favourite.  SONGS TO CHECK OUT: ‘Belong’, ‘Anne with an E’ and ‘My Terrible Friend’.

Elijah’s Honourable mentions

Because there were so many great albums this year (though I must confess, none quite as great as last year’s Age of Adz), I’ve taken the liberty of sharing an additional 15 albums that I believe are worth owning:

Elijah’s Biggest Disappointments of ’11

  • Parallax Atlas Sound — I am a huge fan of Bradford Cox and his band, Deerhunter, and solo project, Atlas Sound.  Cox’s first Atlas Sound release, Logos, placed ninth on my Best Albums of 2009 list and Deerhunter’s excellent Halcyon Digest placed third on my Best Albums of 2010 list.  While Parallax has received a fair amount of praise from critics I find that it only has a few songs that rise to the high standard set by Cox’s other efforts: ‘Mona Lisa’, ‘Angel is Broken’ and ‘Lightworks’.
  • Noel Gallagher’s High Flying Birds Noel Gallagher’s High Flying Birds — I bought this record on a whim with the hope that Noel would offer something better than Liam’s Beady Eye project.  Unfortunately my foray into bestselling music was a tremendous let down.  Noel was the musical brains behind Oasis, but he’s capable of so much more than this record.

+++++

Greg’s Top 10 Albums of ’11

This has been a strange year in music for me.  A while back, I wrote a post about a number of albums coming out this year by bands whom I loved—four of which have ended up on this list.  Yet, due to a phenomenon that I am calling “the tragedy of unanticipated mediocrity,” a number of the other albums were crushing disappointments: boring, lifeless, and one-dimensional.  Even the ones that made the list (or almost made it—Low‘s C’mon) were a mixed bag, in which the album was only saved because the highs were so high that they overshadowed the lows.  This type of confounded expectations from bands that I dearly adore, like Bright Eyes, Radiohead, Cass McCombs (who had TWO swings for the fence, yet almost completely struck out), Panda Bear and, to a lesser extent (in terms of my adoration), DeVotchKa, We Were Promised Jetpacks, and Norman Blake’s new band, Jonny, elicited a certain measure of disorientation and disillusionment–if I couldn’t trust Radiohead to make even a passably good album (which I felt The King of Limbs wasn’t–not even a strong EP’s worth of songs) and the Bright Eyes “comeback” LP (which some critics called their definitive work) turned out to be a messy collection of B-side material strung together with clips of some bizarre, deluded pseudo-preacher, then what sense was there in the world at all? This was my year of losing faith in the old (indie) gods…

Another surprising feature of my picks for this year was the number that reflected some subgenre of electronic music, a style for which I have never had any great affection but which I have been developing a taste for due to albums from Passion Pit, the last few Animal Collective releases, and especially Twin Shadow, whose album was on last year’s Best Albums post.  I guess an old dog can learn to appreciate some new high-pitched whistles!

10.   12 Desperate Straight Lines Telekinesis — This album could end up much higher upon my favorites of the year, but to be completely honest, I just downloaded the full album today (this bumped off Low’s C’mon for the last spot on the list here…sad, but what can be done with a half-great album).  This is super duper INDIE-POP/ROCK, but it’s so well crafted, exhilarating, and above all KOOL AS ALL GET OUT!  This is this year’s Fang Island for my money.  A jolt of propulsive rhythms (the singer is the drummer!), thick driving bass lines, and Jeff Tweedy-esque vocals.  SONGS TO CHECK OUT: “You Turn Clear in the Sun,” “Dirty Thing,” “Car Crash,” and “Country Lane.”

9.   Burst Apart The Antlers — The Antlers and Bon Iver have a few things in common, to my mind.  First, the falsetto.  Second, the emergence of both bands in the last few years with epic debut albums (though there were apparently a few prior albums for The Antlers, Hospice was what put them on the aural map) that reflected a profound life-change quite beautifully.  Third, second albums that are much richer tonally, more diverse and layered, and resemble a flower opening up.  That being said, in the contest between the two albums this year, The Antlers’ Burst Apart win hands down (though Bon Iver is a strong honourable mention).  SONGS TO CHECK OUT: “I Don’t Want Love,” “Parentheses,” and “No Widows.”

8.   Rapprocher Class Actress — Some of the appeal of this album has to be found in the way that the synthesizer settings, drum tracks, and melodic pop songwriting takes me on a nostalgia trip back to another time: the mid-1980’s.  Seriously, we’re talking ABC, Pet Shop Boys, early Madonna, and some synthpop artists that are buried so deep in my subconscious that I am afraid to call them up, lest I find myself swept back into that age of longing, confusion, and heartache.  This album is half irresistible loveliness and the other half, resistible attempts at the former.  Still, if you skip some of the tracks in the middle, you will have a nearly quintessential example of the sythnaissance that is happening in music today.  SONGS TO CHECK OUT: “Keep You” (which is PERFECT!), “Love Me Like You Used To,” “Weekend,” and “Missed.”

7.   Build a Rocket Boys! Elbow — I wanted to love this album so much.  Yet it took a while to grow on me and still hasn’t completely won me over.  Still, Guy Garvey is the king of melancholic nostalgia & lyrical subversion and the band are in top form musically in the more mellow of their modes.  SONGS TO CHECK OUT: “Lippy Kids” (another eternally perfect song), “The Night Will Always Win,” and “Open Arms.”  (PS. Am I the only one who hears the intro theme from PRI’s program “The World” in the track “With Love” on this album?)

6.   Last of the Country Gentlemen Josh T. Pearson — Sorry about that girl’s lack of a shirt.  Josh T. Pearson is a strange and incredible man, about whom Elijah and I have written here so I need not say more.  SONGS TO CHECK OUT: It’s only 7 songs…pretty much all of them.

5.   Strange Negotiations David Bazan — Wrote about this album in detail here, including best tracks.  (And sorry for that girl’s lack of pants.)

4.   Helplessness Blues Fleet Foxes — Finally, no nudity on the cover.  I’m with Elijah on this, so you may see his write-up above.

3.   The Devil’s Walk Apparat — The fact that this album has not received any more attention this year makes me want to cry like a man at a Twilight screening.  It is simply amazing, so lovely, so hauntingly textured, the very best kind of electronic music and with a voice sweet as a mature Jeff Buckley.  I don’t really know anything about this band—which I think may actually be only one person, but you really owe it to yourself, and to the entire human race, to check the first few tracks out and see if you don’t buy it.

2.   Degeneration Street The Dears — Oh how I wanted this to be my number one album.  I am such a tremendous fan of songwriter/singer Murray Lightburn, but The Dears last album was deeply underwhelming and I feared that the bands best days were behind them (I’ve said it many times here, but their Gang of Losers is one of the best albums in existence).  And then, Degeneration Street appeared and I saw that they were back in every possible way (well, maybe some of the lyrics don’t quite meet the very highest standards).  I love this album—so very much.  I hope you would too.  Give it a chance.  They deserve to be topping lists all over the world, yet have been absent for all I can ascertain.  Tragic.

1.   Making Mirrors Gotye — I did NOT want for this to be my top album.  I actually resisted it quite vociferously.  “Gotye”—what kind of name is that?—and he looks like he would be a percussionist in Phish and he’s playing with all of these genres that I don’t even like—soul, electro-reggae, a kind of Peter Gabriel-esque “world pop” or something—and I think that this album is actually kind of…popular in some places in the world (imagine a pair of hipster glasses on Brando’s Col. Kurtz as he mutters, “The horror…the horror!”).  Yet, in the end, the singular talent of this guy (and his accomplices, particularly whomever is playing drums) broke through all of my resistance.  You may entirely disagree with me.  Heck, part of ME disagrees with me.  Yet, the other part won and convinced my fingers that the only place to put this album was at the very top.  You may listen to it here and decide for yourself.  (Also, I think the last song is about a cat dying, and it makes me tear up.)

Greg’s Honourable mentions

  • 100 Lovers DeVotchKa — There are a number of quite good songs here.
  • Bon Iver Bon Iver
  • C’mon Low
  • Portamento The Drums — Another singer/drummer act with some great tracks.
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Band Evangelist, ch. 3

BEHOLD, the kingdom of heavenly music has come near!!  I come to you once again with the proclamation of good taste, so that you may keep your ears open for bands that are bearing good fruit–and I’m talking about music that will baptize you with the Indie Spirit!!

A voice calling out in the sonic wilderness…

–The Dears/Degeneration Street (February 15):  The Dears are among that coterie of artists whom I will probably always follow, based upon the brilliant songsmithery of Murray Lightburn (the Afro-Canadian Morrissey), most gloriously displayed in their impeccable 2006 album Gang of Losers.  Their last outing, Missiles, was a bit hit-and-miss, but I have greater expectations for this new album based on what I’ve heard so far.  Download free song here, along with pre-order information. [UPDATE:  The whole album is streaming here!]

–Bright Eyes/The People’s Key (February 15):  Supposedly, this may be one of Conor Oberst’s greatest albums, solo or with Bright Eyes (I am partial to their 2002 masterpiece Lifted).  I am going to wait to hear this when I get the physical CD in my hands (I’m old-skool like that).  You can stream the full album at NPR’s webpage.

–Elbow/build a rocket boys (March 7):  Ah, there is an eternal soft spot in my heart for this band…their last album, The Seldom Seen Kid, was a masterpiece, though previous efforts have been spotty.  I have no idea what this album will sound like, but on faith, I’ve ordered the deluxe import edition on Amazon.  Not sure if there will be an American release or what…

–Josh T. Pearson/The Last of the Country Gentlemen (March 29):  Pearson was the genius behind the one-album legendary band Lift to Experience (The Texas-Jerusalem Crossroads was #2 on my top albums of the 2000’s).  This guy has a haunting magnetism in his voice, lyrics, composition, and instrumentation that is rare as a blue rose–I’m hoping to see him live in Scotland at the end of March as his shows are apparently life-changing.  You may get a free download of an alternate take from the album here for the simple price of your email address. [Update:  there is a version with bonus CD available on Rough Trade! And here‘s another free download.]

–Cass McCombs/Wit’s End (April 12):  This guy always intrigues me–I can’t quite place his genre–it seems at moments that he belongs to another time–but I am fascinated by the unique and enigmatic work he consistently puts out.  You may check out a track here.

–Low/C’mon (April 12):  Slowcore gods (they’re Mormon, so I guess that’s not as blasphemous to say) that have long been able to produce hauntingly beautiful songs with nary an excessive note in the mix.  Download the lovely track “Try to Sleep” here.

–Panda Bear/Tomboy (April 12):  I’m not quite sure if this will live up to some of the work he’s done in the past & most likely cannot touch his contributions to Animal Collective‘s albums (if you’re unfamiliar with them, I’d recommend Feels & Merriweather Post Pavilion).  I’ve got the title track and it has a fun groove, if not rather loose and loopish.

–Fleet Foxes/Helplessness Blues (May 3):  After all the hype died down, I found that I really did like these guys quite a great deal (as well as side projects White Antelope & J. Tillman).  From the sound of it, this is going to be lush lovely in the same vein as their eponymous LP.  Download the title track of the new album here.

There you have it, 8 amazing releases in just a few months time.  I really couldn’t be happier for the state of music in 2011 (supposedly Radiohead has a new album that should be coming out this year, as well as a new U2 album–don’t roll your eyes, and a new Coldplay album–ok, you can roll your eyes now, but I’m sure I’ll still buy it).

Any other impending recommendations that I’ve missed?

[Update:  The Low Anthem, whose previous album Oh My God, Charlie Darwin was brilliantly lovely and intriguing, has a new work, Smart Flesh, coming out on February 22, which can be streamed in full here]