Not a single Lost in the Cloud post in 2015. We could give excuses, but we don’t think anyone is suffering without our ramblings (Greg and I have an audience weekly in our respective congregations…). We won’t insult our readers with elaborate promises of innumerable posts to follow in 2016. All we can do is offer you our modest annual delight, albeit a wee bit late. This being 6 January, for your Epiphanic pleasure, we hope you find some winners amongst our favourites.
Greg & Elijah
Elijah’s Top 10 Albums of 2015
10. Brace the Wave Lou Barlow — Former and present Dinosaur Jr. bassist, a songwriter so dear to the hearts of both of your Losers in the Cloud, has returned for his first studio album since 2009’s Goodnight Unknown. Admittedly, there are a few tracks that don’t stand up as well as others, but in Aristotelian fashion, the whole is greater than the sum of its parts. Several tracks might even be considered some of Barlow’s finest.
9. Fading Frontier Deerhunter — Gently, Bradford Cox pulls us into Fading Frontier. Those accustomed to the sometimes jarring brokenness of Deerhunter’s previous albums will find familiar hints in softer packages. Whilst not the greatest Deerhunter effort to date, Fading Frontier is full of excellent material, showcasing Cox’s ever-improving songwriting.
8. Weirdo Shrine La Luz — Vague references to an erotic sci-fi-horror comic? No problem. Surf rock? Even better. La Luz’ second album, Weirdo Shrine, is full of instrumental, vocal and lyrical precision, wrapped tastefully in reverb and harmony. There’s a paradoxical playfulness and seriousness to singer Shana Cleveland’s lead, which, accompanied by equally paradoxical arrangements, makes Weirdo Shrine a supremely satisfying listen and causes me to long for those autumnal twilights along the Californian coast of my youth.
7. Asunder, Sweet and Other Distress Godspeed You! Black Emperor — Neither ones for a short band name, nor short album titles nor short songs, Godspeed You! Black Emperor demonstrate once again that they’re not for settling down. The soundscapes of Asunder, Sweet and Other Distress are especially suited to a drookit trek through a Hebridean peat bog, but other contexts, such as sitting in your front room, having a shower, walking your dog or driving to work, are also suitable. Sometimes heartbreaking, sometimes distressing, sometimes triumphant and always moving, GY!BE deliver the goods.
6. Vulnicura Björk — I wouldn’t say that as of late Björk has fallen out of favour in my listening patterns, but her last two records, Volta (2007) and Biophilia (2011), left me feeling less engaged than the previous three. This may well be due more in part of my own shortcomings than those of Björk. But Vulnicura has left me with something I cannot put down. As with most, though not all of my favourite records this year, this album is a grower. Upon every listen, I discover more to love. It is a complex sonic tapestry that demands attention. Unlike so many artists, Vulnicura proves that even as she approaches 51, Björk is brimming with creativity still. She also demonstrates her willingness to engage with fresh talent, collaborating with the Haxan Cloak and Arca, among others. Oh, and check this madness out:
5. I Love You, Honeybear Father John Misty — FJM returns with a new record, but as Greg observes astutely, so returns J. Tillman’s ‘self-obsessed cynicism’. Surely there’s only so much one can take of a disaffected man, hellbent on constructing a new world around himself. But there’s another side to I Love You, Honeybear that stands out to this listener. The apocalyptic Americana bard could content himself with repeating the same winning formula with which we fell in love from Fear Fun (Greg’s top pick of 2012 and one of my honourable mentions). But he ventures elsewhere on Honeybear, bringing a fuller, heavier and more convicted sound to the record, earning him a mid-table slot on my list.
4. Viet Cong Viet Cong — This debut release from the Canadian post-punkers is most definitely a grower. The onslaught of energy is apparent from the onset, but the finesse is the wee bit that reveals itself to you upon repeated listens. In what seems like a time when so many post-punk-labelled bands churn out album upon album of the same song, Viet Cong has done something extraordinary. The ground covered in Viet Cong far exceeds its seven-tracks over 37-minutes. The third track alone gives the listener six minutes and twenty seconds of breadth – a repetitive electronic introduction lulls the listener into head swaying territory, waiting for the floor to drop from beneath you with the oncoming deconstructed harmonies that build into relative despair before the return of a dance beat. It’s really something to hear for yourself: ‘March of Progress‘.
3. Depression Cherry Beach House — Whilst finishing my doctoral dissertation this past autumn I was spending a lot of time listening to Cocteau Twins (engagement with shoegaze and dream pop formed a significant part of the third chapter). I have always sensed a kinship between Cocteau Twins and Beach House. A lad and a lass. Dreamy, simple arrangements. Idiosyncratic female vocals accompanied by reverberating and chorus-laden guitars. And although I would argue that Depression Cherry isn’t as easily consumed as Beach House’s previous albums, Cocteau Twins reminded me to be patient with their dream pop heirs. When one makes the time to absorb Depression Cherry, they will find some of Beach House’s strongest material. For example, I think that the sixth track, ‘PPP‘, is their best to date. I would encourage you to give this record a go — it’s worth every penny and every second.
2. Currents Tame Impala — The Perth-based psychedelic rockers have been a favourite of us here at Lost in the Cloud since we first heard Innerspeaker in 2010. Their follow-up, Lonerism (2012), also impressed (though not as much for Greg as for me). But Currents is most assuredly ‘next level’. The persistence of the phased beat remains, as do Kevin Parker’s George Harrison-esque vocals. But the band is forging new boundaries. They are demonstrating what it means to evolve as musicians and doing so with expert precision and maturity. Tame Impala have not lost their psychedelic, trance-inducing edge — they’ve just sharpened it.
1. Carrie & Lowell Sufjan Stevens — It comes as no surprise to me that both Greg and I have chosen Carrie & Lowell for this top slot. It’s hard to believe that Illinois was released over a decade ago. Many of us Sufjan-obsessed lot wondered where he would go after that album. We saw him through his early songwriting, a mixture of delicate pop folk and low-fi noise (A Sun Came, 2000), through his electronic odyssey (Enjoy Your Rabbit, 2001), through his intensely personal meditations on life in the Midwest (Greetings from Michigan, 2003), joyous folk theodicy (Seven Swans, 2004) and outright indie pop. In danger of professing what may be blasphemy to many, I was never as sold on Illinois as a whole as I had been with his previous efforts. I feared that Sufjan wouldn’t find new territory as he had during the first five years of his career. He lay silent for a while (2006’s Avalanche is composed of songs from his 2004 Illinois sessions). We who heard ‘Majesty Snowbird’ performed live braced ourselves for something extraordinary. But we were made to wait. In 2007, Stevens showed his film The B.Q.E., which was accompanied by a live orchestra. Its soundtrack was released in 2009. By his own admission, Stevens had lost his faith in the form of ‘song’. Then we heard news of an album proper to be released in 2010, which was preceded, without warning, by the All Delighted People EP. We had heard the new sound and it was glorious. Two months later we entered into the Age of Adz. Both Greg and I knew from very early on that it was our shared favourite album of 2010. Then he fell silent again. We wondered where he could go from the satisfying chaos and vulnerability of Age of Adz. Finally, nearly five years later, we got our answer. Much has been, can and should be said and written of Carrie & Lowell. A masterpiece. A revelation. A portrait of serene torture. There’s a sense of despair and hopelessness that carries throughout Carrie & Lowell, but with it is a natural sense of hope and the affirmation of life. In his essay ‘The Experience of God and the Axiology of the Impossible’, American philosopher John Caputo posits:
Hope is only hope when one hopes against hope, only when the situation is hopeless. Hope has the full force of hope only when we have first been led to the point where it is impossible to hope – and then we hope against hope, even as faith is faith in the face of the incredible. Hope is only hope when all I can do is to try to keep hope alive even though there is no hope. There is no hope, I know that and I am convinced of that, but I still hope.
In this way, I must extend my gratitude: Thank you, Sufjan, for giving us hope.
- Escape from Evil Lower Dens
- Natalie Prass Natalie Prass
- Sometimes I Sit and Think, and Sometimes I Just Sit Courtney Barnett
- New Bermuda Deafheaven
- Return to the Moon EL VY
- The Agent Intellect Protomartyr
- Have You in My Wilderness Julia Holter
Greg’s Top 10 Albums of 2015
It was lovely to find a few more albums than last year that I knew would be on this list as soon as I heard them—and I’m gratified that my and Elijah’s lists converged more this year than some. I always find myself having to catch up with some of his more esoteric choices and I hope that I am able to help any of our dear readers catch a scent of some new sonic pleasures as well. Bon appétit (wow, a muddle of metaphors if there ever was one)!
10. Times Infinity Vol. One The Dears — I do love this Canadian indie band quite a bit, even though they don’t always live up to their potential. This album feels a bit slight (supposedly there is a Vol. Two forthcoming), but honestly it’s nice to see a band not fill out an album with padding of middling material or playing a song to death with endlessly-repeated choruses at the end of a song (ok, The Dears are sometimes guilty of this). They ask in their almost funky lead single, ‘I Used to Wait for the Heavens to Fall‘: ‘Whose side are you on?’ I am on your side, Dears.
9. Return to the Moon EL VY — Part of me wanted to love this album (more Matt Berninger from The National!), part of me wanted to ignore it (don’t be unfaithful to your bandmates with some poppy, multi-instrumentalist from Oregon!). I gave it a number of focused listens & I just can’t help but get taken in by it–his lyrics, his low melodic rumblings, they are just too brilliant to neglect & the arrangements have grown on me (I wasn’t a huge fan of the title cut at first, but it’s all really quite good), even the ‘haunted house’ feel of ‘Silent Ivy Hotel‘ (love the faux-Elvira/Beetlejuice video…such a great sense of humor!!).
8. Sprinter Torres — Her 2013 self-titled album would have come close to making my list that year if I’d heard it in time (that was such an AMAZING year of music!!), this album is a wholly other turn. When I heard it (on Amazon Prime Music no less), I immediately thought of the early PJ Harvey (it turns out she has a member of Harvey’s old band playing & producing!) and even the primal punk power of the young Sinead O’Connor. Supposedly, the album is about her rejection of Christian faith/upbringing (I need to listen more carefully to the lyrics to sort it all out), but she is IN CONTROL HERE—tight arrangements, in-your-face snarls & howls, layers of harmony on top of crunchy guitars…check out ‘Sprinter.’
7. Brother The Brilliance — This is a Christian group and we use a number of their songs in worship services at my church, so it may seem strange a bit odd here. But honestly, this band, more than any other Christian worship group ever, makes it eminently beautiful at every level—haunting melodies on cello & piano laid down beneath a voice filled with tenderness and longing (there’s a good deal of the spare instrumentation reminiscent of Sufjan Stevens here, so that’s probably part of my affection…though the Age of Adz-y synth bleep-bloops on ‘Love Remains’ is a bit much). Exhibit A: ‘Does Your Heart Break?‘ (note the Elliott Smith shout-out near the end of the song—which is only instrumental on the YouTube video link there, but they actually sing ‘everything means nothing to me’ on the album). The lyrics are poignant & filled with questions of God such as ‘Are you watching as your children die?’ (some of which I take theological issue with, but still think are legitimate forms of lamenting confusion). So many amazing songs here—their whole catalog is filled with this level of quality.
6. Depression Cherry Beach House — Just listen to it. The opening Phillip Glass by way of Mazzy Star track is only the beginning. There’s part of me that realizes that this is just a guy & girl in a studio with a drum machine & a bunch of keyboards & some guitars, but it comes out so transcendent, so ethereal…it’s musical alchemy. Don’t know what else to say. (I would allow you to skip the second song with its shoegazy sort of distorted acoustic guitar, but that would be the one exception).
5. Dear Wormwood The Oh Hellos — Discovered this band through a free download of their album Through the Deep, Dark Valley on NoiseTrade (which sadly usually has more misses than hits for me) a couple years back and felt like I’d been given a bag of gold. I ordered this album sight unseen (and I suppose more importantly, sound unheard) and here it is, right at the top. It’s an immediate masterpiece, not an album of songs per se, but an ALBUM’s album. You should listen to the whole thing to understand it. I found myself choking up on the title track—’I know who I am know and all that you made of me / I know who you are now, and I name you my enemy’—the triumph of pursuing the good over giving in to the evil that can worm its way into our lives.
4. Bashed Out This Is the Kit — Matt Berninger wasn’t the only one playing around outside of The National this year. The Dessner bros are producing & playing on this album. This album came out of nowhere for me. I saw somewhere that Elbow’s Guy Garvey had recommended this album, so I downloaded it. Then fell in love with this album. It is like being inside the head of someone who is so true and kind and lovely; such a captivating vocalist, with layers of sounds and lovely tunes surrounding it. This is an intuitive recommendation—my affection for this album may translate for you. No worries. I’m just so glad I found this band. A good entry point might be ‘Silver John,’ but it’s not really representative of the whole album.
3. Vulnicura Björk — While I followed Björk pretty faithfully through the Sugar Cubes and early solo years, her albums got a bit too out there for me (conventional sort that I am). But this, while wildly experimental at times, is undoubtedly a work of genius. It’s a cathartically painful account of a relational break-up, but it is a masterpiece of exploring the loss with perfectly apt musical accompaniment & vocalization. I feel so terrible for her, but as often happens, hard lives make great art. You have to make the time to listen to the whole album in one sitting—it’s profound, heartbreaking, and epic.
2. Currents Tame Impala — Another break-up album, but this time from the one who left (I think!) rather than the one who was left (a la Björk). I secretly think that the one-man band that is Kevin Parker challenged himself to take a bunch of non-cool musical materials (the most cheesy 80’s synth sounds conceivable—think Spandau Ballet, handclaps, falsettos) and make the most awesome album imaginable. Beggaring belief, he succeeded. A few little filler tracks aside, this is a record of the highest level of song-writing ability and musicianship possible.
1. Carrie & Lowell Sufjan Stevens — So much has been said and written about this album. I don’t think I can even describe what this album means to me. Loss, longing, despair, regret captured by God’s own bard.
- Brace the Wave Lou Barlow (I love Lou and was so delighted to see him live this year, but this album didn’t measure up to his previous solo work for me)
- I Love You, Honeybear Father John Misty (it’s quite a good album, I’m just so sick of his self-obsessed cynicism)
- The Waterfall My Morning Jacket (really good, I just didn’t listen to it enough to evaluate)
- Love Songs for Robots Patrick Watson (always worth listening to)
- Star Wars Wilco (I only started listening to this last week. It’s REALLY good. Too late to include, but may have made the cut)
2012 is nearly upon us, which means it’s time for our Best Albums of 2011 list here at Lost in the Cloud! We’ve been conscientiously consuming music to both nourish our culturally gluttonous souls and to deliver a collection of what we consider to be the finest music released this year. Last month we proudly presented our Best Songs of 2011 list and now we have painstakingly selected our top ten albums each. In 2010, we (Greg & Elijah) shared five albums in common on our Best Albums list. This year we have discovered that we only share one album in common, which may be an indication of our decomposing friendship (we’re only joking, of course!), but this means that while last year we shared 15 ‘best’ albums between the two of us, this year we are presenting you with a 19-album smörgåsbord!
Elijah’s Top 10 Albums of ’11
10. Bon Iver Bon Iver — Concerning Bon Iver’s 2008 release of For Emma, Forever Ago, a friend once commented, ‘Take the reverb away and there’s nothing there.’ I couldn’t help but agree at the time. This is my confession: I wasn’t a huge Bon Iver fan, in fact, I wasn’t a Bon Iver fan before this record. [I can already feel the rage boiling up inside many LITC readers…] But Bon Iver captured me in its move beyond the self-wallowing, isolated cabin chat of For Emma. This new record is a beautiful collection of multilayered sound and place names (some real, some fictitious), standing on its own without some self-indulgent backstory (though this is not attack on Justin Vernon, who is a lovely, lovely man). I think it could’ve done without ‘Beth/Rest’… SONGS TO CHECK OUT: ‘Towers’, ‘Wash.’ and ‘Calgary’.
9. Demolished Thoughts Thurston Moore — When I first heard that Beck was producing a Thurston Moore solo album I was ecstatic, but I immediately began to feed myself a significant amount of scepticism leading up to its release. Could the actualisation of such a record truly be as great as it sounds? Probably not. With this dose of low expectation I found myself pleasantly taken aback by Demolished Thoughts, and my appreciation only grew with additional listens. This album plays on Moore’s Sonic Youth strengths and—like Lou Barlow—makes me feel like it’s the mid-90s in all the best ways while not sounding like ‘that guy from Sonic Youth’s side project’. And perhaps the early stages of Moore’s separation from his wife of 27 years, SY singer/bassist/guitarist Kim Gordon, contributed to the depth of his sometimes heartbreaking songwriting. SONGS TO CHECK OUT: ‘Benediction’, ‘Circulation’ and ‘Mina Loy’.
8. Dancer Equired Times New Viking — I love lo-fi and the grittiness of Born Again Revisited, number eight on my Best Albums of 2009 list, was a significant part of its ranking alone. While this record isn’t ‘clean’ by contemporary production standards, it is far less mucky than TNV’s previous releases. But the lo-fi onslaught isn’t the only reason why I love TNV. Their beautifully lazy harmonies and their catchy, shoegazy simplicity are what really attract me. I’d even say that Dancer Equired is their catchiest record to date, though I don’t suspect these songs will be employed in any television adverts any time soon. SONGS TO CHECK OUT: ‘No Room to Live’, ‘Downtown Eastern Bloc’ and ‘Fuck Her Tears’.
7. Helplessness Blues Fleet Foxes — Fleet Foxes once again demonstrate their command of the Americana genre. While I was not entirely blown away by their debut record, I was able to recognise their talent and potential. I was eager to pick up Helplessness Blues and it did not disappoint. Principal songwriter Robin Pecknold taps into the soul of a man twice his age and delivers timeless lyrics with a well-groomed musical backbone. SONGS TO CHECK OUT: ‘Battery Kinzie’, ‘Helplessness Blues’ and ‘Grown Ocean’.
6. Strange Mercy St Vincent — Annie Clark takes a step in the right direction with Strange Mercy. Building upon her previous efforts, Clark explores both the cheery and dark on Strange Mercy (I find ‘Cruel’ and its accompanying video especially haunting). As a whole, and perhaps because of this ‘darker’ element, the album is more engaging than her previous material. While more sonically stripped-down than Actor (an honourable mention from 2009’s list), Strange Mercy somehow feels fuller and more mature. SONGS TO CHECK OUT: ‘Chloe in the Afternoon’, ‘Surgeon’ and ‘Dilettante’ (not picked merely because of the ‘Elijah’ mentioned…).
5. Father, Son, Holy Ghost Girls — About Father, Son, Holy Ghost, I will first say that I found this record a bit of a disappointment, but disappointment is a relative word. Unlike most other sophomore records in which I prepared myself for disappointment with low expectations, I actually suspected that this new Girls record would be my number one pick before even listening to it. Upon further listens I only grew more fond of their previous record, Album, ranked number six on my Best Albums of 2009 list, and last year’s EP, Broken Dreams Club, was equally impressive. But generally speaking, Father, Son, Holy Ghost is an excellent record. While I wouldn’t consider it a significant improvement on Album I also wouldn’t consider it any sort of regression. Unlike the front-heavy Album, Father, Son, Holy Ghost builds up into its eight-minute ‘Forgiveness’ before bringing us back down for the final two tracks. Like Album, this record does a fine job of holding in tension both the child and adult that is singer/guitar Christopher Owens, and it is certainly worth its place on this Best of 2011 list. SONGS TO CHECK OUT: ‘Honey Bunny’, ‘My Ma’ and ‘Forgiveness’.
4. The Year of Hibernation Youth Lagoon — For me, The Year of Hibernation was 2011’s most striking discovery. Having heard the album without having previously known anything about its creator I was shocked to find that Youth Lagoon is just one person, Idaho-based Trevor Powers, and that Mr Powers is only 22 years old (which causes me to ask the question, ‘Elijah, what are you doing with your life‽’). The Year of Hibernation, recorded for next to nothing by a 22-year-old in his bedroom in Idaho, offers far more than the sum of its parts. SONGS TO CHECK OUT: ‘Posters’, ’17’ and ‘Montana’.
3. Let England Shake PJ Harvey — PJ Harvey has released some excellent records – Dry, Rid of Me, Is This Desire?, etc. But Let England Shake—which earned Harvey her second Mercury Award—may very well be her strongest. While neither as dark nor necessarily as ‘personal’ as some of her previous efforts, this album is brimming with creativity. Harvey did her homework for this record, which explores some contemporary conflicts in British history, ranging from the Gallipoli campaign to the more recent wars in Afghanistan and Iraq. Without coming across as a ‘topical’ or ‘protest’ album, Harvey paints a critical and sober picture of Western military domination and its consequences both domestically and abroad. The music’s excellent too (Harvey picks up an autoharp for this record!). SONGS TO CHECK OUT: ‘Let England Shake’, ‘The Last Living Rose’ and ‘Hanging in the Wire’.
2. Dye It Blonde Smith Westerns — What can I say, I’m a fan of good pop music. This record is just one of several that caught me entirely by surprise this year. While I had heard and enjoyed Smith Westerns’ first release, The Smith Westerns, it did not strike me in a way that would compel me to consider it one of my favourite records of 2009. But this record demonstrates significant pop songwriting maturation, songwriting the vein of—dare I say—The Beatles (specifically King George). SONGS TO CHECK OUT: ‘Weekend’, ‘All Die Young’ and ‘Smile’.
1. Belong The Pains of Being Pure at Heart — After their debut record (which was an honourable mention on my Best Albums of 2009 list) I had no idea where PoBPaH (some acronym is necessary with such an obnoxiously long name) might go. They had successfully composed an album in the style of 1980s Brit-pop with their first record. I expected any subsequent releases to merely replicate that formula with varied success. But this record is a witness to PoBPaH’s evolution into a true force to be reckoned with. If we’re grouping the sound by decade, Belong showcases more of a 90s alt-rock feel than its predecessor. While it’s unlikely to be found in the top spot on many other ‘Best Albums of 2011’ lists, I’ve only grown more fond of this record over the course of 2011 and can safely say that as a whole it is my favourite. SONGS TO CHECK OUT: ‘Belong’, ‘Anne with an E’ and ‘My Terrible Friend’.
Elijah’s Honourable mentions
Because there were so many great albums this year (though I must confess, none quite as great as last year’s Age of Adz), I’ve taken the liberty of sharing an additional 15 albums that I believe are worth owning:
- Bad As Me Tom Waits — An excellent piece of music, though I can’t say more excellent than anything released in the last decade.
- Hurry Up, We’re Dreaming M83 — Over 70 minutes long, much of which can be considered music.
- Burst Apart The Antlers
- Wit’s End & Humor Risk Cass McCombs — Both of these records were released this year and each features songs that I believe are among McCombs best (such as ‘County Line’ and ‘Buried Alive’ from Wit’s End and ‘To Every Man his Chimera’, but ‘Love Thine Enemy’ from Humor Risk) it’s a bit scattered.
- The Last of the Country Gentlemen Josh T Pearson — Raw emotion in the form of heavenly songs, but they are gut-wrenching and tend to be quite lengthy.
- Degeneration Street The Dears
- Days Real Estate — While I truly enjoy this record, I believe it’s a wee bit hyped, but that’s just one man’s opinion.
- Best of Gloucester County Danielson
- Strange Negotiations David Bazan
- The King of Limbs Radiohead — Has some amazing tracks (see ‘Lotus Flower’ and ‘Codex’), though ultimately it felt like an EP.
- 100 Lovers DeVotchKa
Elijah’s Biggest Disappointments of ’11
- Parallax Atlas Sound — I am a huge fan of Bradford Cox and his band, Deerhunter, and solo project, Atlas Sound. Cox’s first Atlas Sound release, Logos, placed ninth on my Best Albums of 2009 list and Deerhunter’s excellent Halcyon Digest placed third on my Best Albums of 2010 list. While Parallax has received a fair amount of praise from critics I find that it only has a few songs that rise to the high standard set by Cox’s other efforts: ‘Mona Lisa’, ‘Angel is Broken’ and ‘Lightworks’.
- Noel Gallagher’s High Flying Birds Noel Gallagher’s High Flying Birds — I bought this record on a whim with the hope that Noel would offer something better than Liam’s Beady Eye project. Unfortunately my foray into bestselling music was a tremendous let down. Noel was the musical brains behind Oasis, but he’s capable of so much more than this record.
Greg’s Top 10 Albums of ’11
This has been a strange year in music for me. A while back, I wrote a post about a number of albums coming out this year by bands whom I loved—four of which have ended up on this list. Yet, due to a phenomenon that I am calling “the tragedy of unanticipated mediocrity,” a number of the other albums were crushing disappointments: boring, lifeless, and one-dimensional. Even the ones that made the list (or almost made it—Low‘s C’mon) were a mixed bag, in which the album was only saved because the highs were so high that they overshadowed the lows. This type of confounded expectations from bands that I dearly adore, like Bright Eyes, Radiohead, Cass McCombs (who had TWO swings for the fence, yet almost completely struck out), Panda Bear and, to a lesser extent (in terms of my adoration), DeVotchKa, We Were Promised Jetpacks, and Norman Blake’s new band, Jonny, elicited a certain measure of disorientation and disillusionment–if I couldn’t trust Radiohead to make even a passably good album (which I felt The King of Limbs wasn’t–not even a strong EP’s worth of songs) and the Bright Eyes “comeback” LP (which some critics called their definitive work) turned out to be a messy collection of B-side material strung together with clips of some bizarre, deluded pseudo-preacher, then what sense was there in the world at all? This was my year of losing faith in the old (indie) gods…
Another surprising feature of my picks for this year was the number that reflected some subgenre of electronic music, a style for which I have never had any great affection but which I have been developing a taste for due to albums from Passion Pit, the last few Animal Collective releases, and especially Twin Shadow, whose album was on last year’s Best Albums post. I guess an old dog can learn to appreciate some new high-pitched whistles!
10. 12 Desperate Straight Lines Telekinesis — This album could end up much higher upon my favorites of the year, but to be completely honest, I just downloaded the full album today (this bumped off Low’s C’mon for the last spot on the list here…sad, but what can be done with a half-great album). This is super duper INDIE-POP/ROCK, but it’s so well crafted, exhilarating, and above all KOOL AS ALL GET OUT! This is this year’s Fang Island for my money. A jolt of propulsive rhythms (the singer is the drummer!), thick driving bass lines, and Jeff Tweedy-esque vocals. SONGS TO CHECK OUT: “You Turn Clear in the Sun,” “Dirty Thing,” “Car Crash,” and “Country Lane.”
9. Burst Apart The Antlers — The Antlers and Bon Iver have a few things in common, to my mind. First, the falsetto. Second, the emergence of both bands in the last few years with epic debut albums (though there were apparently a few prior albums for The Antlers, Hospice was what put them on the aural map) that reflected a profound life-change quite beautifully. Third, second albums that are much richer tonally, more diverse and layered, and resemble a flower opening up. That being said, in the contest between the two albums this year, The Antlers’ Burst Apart win hands down (though Bon Iver is a strong honourable mention). SONGS TO CHECK OUT: “I Don’t Want Love,” “Parentheses,” and “No Widows.”
8. Rapprocher Class Actress — Some of the appeal of this album has to be found in the way that the synthesizer settings, drum tracks, and melodic pop songwriting takes me on a nostalgia trip back to another time: the mid-1980’s. Seriously, we’re talking ABC, Pet Shop Boys, early Madonna, and some synthpop artists that are buried so deep in my subconscious that I am afraid to call them up, lest I find myself swept back into that age of longing, confusion, and heartache. This album is half irresistible loveliness and the other half, resistible attempts at the former. Still, if you skip some of the tracks in the middle, you will have a nearly quintessential example of the sythnaissance that is happening in music today. SONGS TO CHECK OUT: “Keep You” (which is PERFECT!), “Love Me Like You Used To,” “Weekend,” and “Missed.”
7. Build a Rocket Boys! Elbow — I wanted to love this album so much. Yet it took a while to grow on me and still hasn’t completely won me over. Still, Guy Garvey is the king of melancholic nostalgia & lyrical subversion and the band are in top form musically in the more mellow of their modes. SONGS TO CHECK OUT: “Lippy Kids” (another eternally perfect song), “The Night Will Always Win,” and “Open Arms.” (PS. Am I the only one who hears the intro theme from PRI’s program “The World” in the track “With Love” on this album?)
6. Last of the Country Gentlemen Josh T. Pearson — Sorry about that girl’s lack of a shirt. Josh T. Pearson is a strange and incredible man, about whom Elijah and I have written here so I need not say more. SONGS TO CHECK OUT: It’s only 7 songs…pretty much all of them.
4. Helplessness Blues Fleet Foxes — Finally, no nudity on the cover. I’m with Elijah on this, so you may see his write-up above.
3. The Devil’s Walk Apparat — The fact that this album has not received any more attention this year makes me want to cry like a man at a Twilight screening. It is simply amazing, so lovely, so hauntingly textured, the very best kind of electronic music and with a voice sweet as a mature Jeff Buckley. I don’t really know anything about this band—which I think may actually be only one person, but you really owe it to yourself, and to the entire human race, to check the first few tracks out and see if you don’t buy it.
2. Degeneration Street The Dears — Oh how I wanted this to be my number one album. I am such a tremendous fan of songwriter/singer Murray Lightburn, but The Dears last album was deeply underwhelming and I feared that the bands best days were behind them (I’ve said it many times here, but their Gang of Losers is one of the best albums in existence). And then, Degeneration Street appeared and I saw that they were back in every possible way (well, maybe some of the lyrics don’t quite meet the very highest standards). I love this album—so very much. I hope you would too. Give it a chance. They deserve to be topping lists all over the world, yet have been absent for all I can ascertain. Tragic.
1. Making Mirrors Gotye — I did NOT want for this to be my top album. I actually resisted it quite vociferously. “Gotye”—what kind of name is that?—and he looks like he would be a percussionist in Phish and he’s playing with all of these genres that I don’t even like—soul, electro-reggae, a kind of Peter Gabriel-esque “world pop” or something—and I think that this album is actually kind of…popular in some places in the world (imagine a pair of hipster glasses on Brando’s Col. Kurtz as he mutters, “The horror…the horror!”). Yet, in the end, the singular talent of this guy (and his accomplices, particularly whomever is playing drums) broke through all of my resistance. You may entirely disagree with me. Heck, part of ME disagrees with me. Yet, the other part won and convinced my fingers that the only place to put this album was at the very top. You may listen to it here and decide for yourself. (Also, I think the last song is about a cat dying, and it makes me tear up.)
Greg’s Honourable mentions
In anticipation of our favourite annual post here at LITC—Best Albums of such-and-such year—we are proud to share fifty tracks that we think are the best released this year. Trust us, there was so much good music released this year that we found picking our fifty favourite tracks to be a rather excruciating process. We’d also love to hear about any songs that you feel should not have been left off of this list in the comments section! So without further ado, here are our fifty favourite tracks from 2011 (in alphabetical order):
- ‘All the Sand in All the Sea’ DeVotchKa 100 Lovers
- ‘Angel Is Broken’ Atlas Sound Parallax
- ‘Animal’ Neon Trees Habits
- ‘Ash/Black Veil’ Apparat The Devil’s Walk
- ‘Battery Kinzie’ Fleet Foxes Helplessness Blues
- ‘Belong’ The Pains of Being Pure at Heart Belong
- ‘Circulation’ Thurston Moore Demolished Thoughts
- ‘Codex’ Radiohead The King Of Limbs
- ‘Country Dumb’ Josh T. Pearson Last of the Country Gentlemen
- ‘Cruel’ St Vincent Strange Mercy
- ‘Days’ The Drums Portamento
- ‘Degeneration Street’ The Dears Degeneration Street
- ‘Don’t Move’ Phantogram Nightlife EP
- ‘Downtown Eastern Bloc’ Times New Viking Dancer Equired
- ‘5 Chords’ The Dears Degeneration Street
- ‘Fuck This Place’ Frightened Rabbit A Frightened Rabbit EP
- ‘Galactic Tides’ The Dears Degeneration Street
- ‘Heaven’s Gonna Happen Now’ The Pains of Being Pure at Heart Belong
- ‘Helplessness Blues’ Fleet Foxes Helplessness Blues
- ‘Honey Bunny’ Girls Father, Son, Holy Ghost
- ‘I Don’t Want Love’ The Antlers Burst Apart
- ‘Keep You’ Class Actress Rapprocher
- ‘The King’ RAMESH The King
- ‘The Last Living Rose’ PJ Harvey Let England Shake
- ‘Lippy Kids’ Elbow Build A Rocket Boys!
- ‘Montana’ Youth Lagoon Youth Lagoon
- ‘Municipality’ Real Estate Days
- ‘No Room to Live’ Times New Viking Dancer Equired
- ‘No Widows’ The Antlers Burst Apart
- ‘People’ David Bazan Strange Negotiations
- ‘Save Me’ Gotye Making Mirrors
- ‘Scottish Winds’ Frightened Rabbit A Frightened Rabbit EP
- ‘17’ Youth Lagoon Youth Lagoon
- ‘Smile’ Smith Westerns Dye It Blonde
- ‘Somebody That I Used to Know’ Gotye (ft. Kimbra) Making Mirrors
- ‘Song Of Los’ Apparat The Devil’s Walk
- ‘Steve McQueen’ M83 Hurry Up, We’re Dreaming
- ‘Strange Negotiations’ David Bazan Strange Negotiations
- ‘Sweetheart I Aint Your Christ’ Josh T. Pearson Last of the Country Gentlemen
- ‘Tatooine’ Jeremy Messersmith Tatooine Single
- ‘To Every Man His Chimera’ Cass McCombs Humor Risk
- ‘Trembling Hands’ Explosions in the Sky Take Care, Take Care, Take Care
- ‘Try to Sleep’ Low C’mon
- ‘Under My Nose’ Fucked Up David Comes to Life
- ‘Video Games’ Lana Del Rey Video Games
- ‘Wait’ Alberta Cross The Rolling Thunder EP
- ‘Wash’ Bon Iver Bon Iver
- ‘Weekend’ Class Actress Rapprocher
- ‘Weekend’ Smith Westerns Dye It Blonde
- ‘Your Eyes’ Bombay Bicycle Club A Different Kind of Fix
If you’d like to check out these tracks for temporary review before you go out and buy the single or the record, you may click here to have a listen.
Keep a lookout for our upcoming Best Albums of 2011 post!
BEHOLD, the kingdom of heavenly music has come near!! I come to you once again with the proclamation of good taste, so that you may keep your ears open for bands that are bearing good fruit–and I’m talking about music that will baptize you with the Indie Spirit!!
–The Dears/Degeneration Street (February 15): The Dears are among that coterie of artists whom I will probably always follow, based upon the brilliant songsmithery of Murray Lightburn (the Afro-Canadian Morrissey), most gloriously displayed in their impeccable 2006 album Gang of Losers. Their last outing, Missiles, was a bit hit-and-miss, but I have greater expectations for this new album based on what I’ve heard so far. Download free song here, along with pre-order information. [UPDATE: The whole album is streaming here!]
–Bright Eyes/The People’s Key (February 15): Supposedly, this may be one of Conor Oberst’s greatest albums, solo or with Bright Eyes (I am partial to their 2002 masterpiece Lifted). I am going to wait to hear this when I get the physical CD in my hands (I’m old-skool like that). You can stream the full album at NPR’s webpage.
–Elbow/build a rocket boys (March 7): Ah, there is an eternal soft spot in my heart for this band…their last album, The Seldom Seen Kid, was a masterpiece, though previous efforts have been spotty. I have no idea what this album will sound like, but on faith, I’ve ordered the deluxe import edition on Amazon. Not sure if there will be an American release or what…
–Josh T. Pearson/The Last of the Country Gentlemen (March 29): Pearson was the genius behind the one-album legendary band Lift to Experience (The Texas-Jerusalem Crossroads was #2 on my top albums of the 2000’s). This guy has a haunting magnetism in his voice, lyrics, composition, and instrumentation that is rare as a blue rose–I’m hoping to see him live in Scotland at the end of March as his shows are apparently life-changing. You may get a free download of an alternate take from the album here for the simple price of your email address. [Update: there is a version with bonus CD available on Rough Trade! And here‘s another free download.]
–Cass McCombs/Wit’s End (April 12): This guy always intrigues me–I can’t quite place his genre–it seems at moments that he belongs to another time–but I am fascinated by the unique and enigmatic work he consistently puts out. You may check out a track here.
–Low/C’mon (April 12): Slowcore gods (they’re Mormon, so I guess that’s not as blasphemous to say) that have long been able to produce hauntingly beautiful songs with nary an excessive note in the mix. Download the lovely track “Try to Sleep” here.
–Panda Bear/Tomboy (April 12): I’m not quite sure if this will live up to some of the work he’s done in the past & most likely cannot touch his contributions to Animal Collective‘s albums (if you’re unfamiliar with them, I’d recommend Feels & Merriweather Post Pavilion). I’ve got the title track and it has a fun groove, if not rather loose and loopish.
–Fleet Foxes/Helplessness Blues (May 3): After all the hype died down, I found that I really did like these guys quite a great deal (as well as side projects White Antelope & J. Tillman). From the sound of it, this is going to be lush lovely in the same vein as their eponymous LP. Download the title track of the new album here.
There you have it, 8 amazing releases in just a few months time. I really couldn’t be happier for the state of music in 2011 (supposedly Radiohead has a new album that should be coming out this year, as well as a new U2 album–don’t roll your eyes, and a new Coldplay album–ok, you can roll your eyes now, but I’m sure I’ll still buy it).
Any other impending recommendations that I’ve missed?
[Update: The Low Anthem, whose previous album Oh My God, Charlie Darwin was brilliantly lovely and intriguing, has a new work, Smart Flesh, coming out on February 22, which can be streamed in full here]
What follows is my unsolicited list of the finest 10 music albums of this year. Full disclosure: I have a rather limited musical palate and have been called a bit “elitist” when it comes to music (i.e. all tastes are not equally valid), so I apologize ahead of time for any arrogant presumptions or pretentious hype.