Tag: Cryptacize

It’s late August and I’ve already got a top ten list for the best albums of the year.  As I pointed out in an entry last year, it isn’t really my thing to jump on ‘new’ music per se.  I am typically balancing myself between ‘new’ music and ‘old’ music that’s ‘new’ to me.  This year I wanted to challenge myself to listen to more “new” music (i.e. music that has been/will be released in 2009).

With the trusty aid of music blogs, Lala, random databases, and Greg I’ve been able to become exposed to a larger body of ‘new’ music this year and I decided that before I leave to Scotland and my postgraduate occupation with a large number of books, I would compile a list of my top ten albums of the year.  Who knows, maybe this will be my final top ten list for the year (though it has been altered a bit even in the last 24 hours).

10.  Cass McCombs—Catacombs
Cass McCombs reminds me of T Bone Burnett and Neil Young more than ever.  He remains very unpretentious and sincere, perhaps on this album more than his previous records.  Two tracks to reel you in: “You Saved My Life,” & “Lionkiller Got Married.”

9.  Andrew Bird—Noble Beast
I really thought I would hate this album.  I’m not much of a fan of Andrew Bird’s music.  I’ve never enjoyed his voice.  Perhaps Noble Beast’s inclusion on this list is a response to how much I tolerated it as opposed to how much I loved it.  But I am leaning more toward its inclusion because I thoroughly enjoy listening to this album.  Two tracks to reel you in: “Masterswarm,” & “Not a Robot, But a Ghost.”

8.  Cryptacize—Mythomania
This album was very surprising.  I hadn’t been very impressed with Chris Cohen’s work with Curtains on Asthmatic Kitty, so I didn’t expect a lot.  I saw Cryptasize for the first time with Danielson last November and they didn’t leave a very strong impression, but this album really brings out their strengths.  It has a great mood—unpredictable but not irritating (like the Dirty Projectors’ new album…).  Two tracks to reel you in: “Blue Tears,” & “Gotta Get Into That Feeling.”

7.  We Were Promised Jetpacks—These Four Walls
Thanks to Sgt. Grumbles for this suggestion a couple months back.  It reminds me of high school, in the best way possible.  Enjoy the lovely accent, the token glockenspiel, and the incredible sincerity—one of the most important qualities I look for in an artist.  Two tracks to reel you in: “It’s Thunder And It’s Lightning,” & “An Almighty Thud.”

6.  The Pains of Being Pure at Heart—The Pains of Being Pure at Heart
American faux-Brit pop never felt so great!  It’s delightfully reminiscent of The Smiths, Jesus & Mary Chain, and My Bloody Valentine.  Two tracks to reel you in: “Young Adult Friction,” & “A Teenager In Love.”  Note: the album cover bears a ridiculously close resemblance to Belle & Sebastian’s 2006 album, The Life Pursuit:

5.  Sunset Rubdown—Dragonslayer
This album is a great step forward for Sunset Rubdown.  It’s not obnoxiously poppy like Shut Up I Am Dreaming tended to be.  There’s a lot going on musically, yet no component is overpowered by another within a song.  Two tracks to reel you in: “Silver Moons,” & “Idiot Heart.”

4.  Camera Obscura—My Maudlin Career
Let’s face it, I’m a sucker for Scotch indie-pop.  This is probably my favorite release from Camera Obscura.  Maybe I love it so much because Belle & Sebastian hasn’t released an LP since 2006.  Even if there is a hint of my love for B & S in this pick, the album (and the band) stands on its own through musical precision and artistic maturity.  Thank you Tracyanne Campbell for your exceptional wit.  Two tracks to reel you in: “French Navy,” & “My Maudlin Career.”

3.  Cursive—Mama, I’m Swollen
Mama, I’m Swollen probably seems to be an odd pick for this number three slot, but I will always have a soft spot for Cursive.  This is not to say that this album is undeserving of praise.  Cursive is not interested in being another experimental freak-folk-electro-post-rock-cross-genre-remixed piece of overproduced crap like so many other groups are becoming (namely Dirty Projectors).  They are faithful to their expressive indie roots, this album being far less poppy than Happy Hollow.  It reminds me of Domestica even.  Tim Kasher is still obsessed with refuting a theistic/morally superior worldview, but he does it with so much passion and angst I can’t help but be stirred.  Cursive encourages us to realize the failure of our Enlightenment/modern ideals and to accept our animalistic/primitive nature.  I don’t buy it but not because it’s not packaged well.  Two tracks to reel you in: “From the Hips,” & “Let Me Up.”

2. Animal Collective—Merriweather Post Pavilion
Though it is more accessible (think Pet Sounds) than their entire repertoire (a bad start in my odd musical sense), this album is very unique, big (to the point of breathtaking at times), and yet more cohesive with itself than any other Animal Collective album.  The songs don’t leave you asking, “When is this going to end/how does that even fit?”  Two tracks to reel you in: “My Girls,” & “Summertime Clothes.”

1.  Grizzly Bear—Veckatimest
My first listen of this record was a positive, but not profound experience.  Only two tracks really stuck out to me: “Two Weeks,” and “While You Wait for the Others.”  I was even a little disappointed with the album version of “While You Wait for the Others,” at first (compared to their incredible live performance I saw on Morning Becomes Eclectic last year).  I sat with the album for another month and at that point it hit me.  This is by far (maybe I’ll get harassed for saying that) Grizzly Bear’s best record.  By best I mean that they demonstrate great maturity and excellence both in writing and execution, two points that have always seemed to miss one another by an ever-so-slight degree.  This record is certain to remain among my favorites unless I fully give myself over to jazz-fusion or something.  Two tracks to reel you in: “Two Weeks,” & “I Live With You.”

Compilations worth mentioning
Let It Roll: Songs by George Harrison – a compilation of George Harrison’s solo music spanning his entire post-Beatle career.
Dark Was the Night – a compilation release benefiting the Red Hot Organization.
Royal City – a Royal City B-side compilation released by Asthmatic Kitty.
God Help the Girl – a music/film project written Stuart Murdoch, the singer of Belle & Sebastian.  Members of Belle & Sebastian with guest vocalists.  CD Booklet features a short story that goes with the music.

Honorable mention
Lou Barlow—Goodnight Unknown
David Bazan—Curse Your Branches
Castanets—Texas Rose, the Beasts, and the Thaw
Dan Deacon—Bromst
The Decemberists (primarily because of Shara Worden’s contribution)—The Hazards of Love
Passion Pit—Manners
St. Vincent—Actor
Wye Oak—The Knot

Look out for
Converge—Axe to Fall (20 October)
Atlas Sound—Logos (20 October)

Why does anyone like
Dirty Projectors—Bitte Orca – It could’ve been so great, but it’s incredibly obnoxious.