This post is the second of two parts. With hindsight and in living with particular albums for longer, we have compiled lists of our ten favourite albums for each year from 2000-2019. Perhaps these lists will be of some interest for those who wish to walk down Memory Lane, or indeed, for those who might wonder if any of these [subjective] gems passed them by (as we have discovered from comparing our respective lists). Whatever you—dear reader—might glean from our produce, we are grateful for the opportunity to indulge in our list-making and music-listening passions here.
Elijah & Greg
— E —
The Age of Adz / All Delighted People EP Sufjan Stevens
The Winter of Mixed Drinks Frightened Rabbit
Halcyon Digest Deerhunter
The Suburbs Arcade Fire
Teen Dream Beach House
InnerSpeaker Tame Impala
High Violet The National
This is Happening LCD Soundsystem
Clinging to a Scheme The Radio Dept.
The Monitor Titus Andronicus
— G —
The Age of Adz / All Delighted People EP Sufjan Stevens
The Suburbs Arcade Fire
The Winter of Mixed Drinks Frightened Rabbit
InnerSpeaker Tame Impala
Forget Twin Shadow
The Reluctant Graveyard Jeremy Messersmith
High Violet The National
Contra Vampire Weekend
Together The New Pornographers
So Runs the World Away Josh Ritter
— E —
The SMiLE Sessions The Beach Boys
Belong The Pains of Being Pure at Heart
Dye It Blonde Smith Westerns
Strange Mercy St Vincent
Bon Iver Bon Iver
Let England Shake PJ Harvey
Humor Risk Cass McCombs
Helplessness Blues Fleet Foxes
The Year of Hibernation Youth Lagoon
Hurry Up, We’re Dreaming M83
— G —
The Last of the Country Gentlemen Josh T. Pearson
Helplessness Blues Fleet Foxes
100 Acres of Sycamore Fionn Regan
Rapproacher Class Actress
Build a Rocket Boys! Elbow
Strange Negotiations David Bazan
Making Mirrors Gotye
Endless Now Male Bonding
The Family Tree: The Roots Radical Face
12 Desperate StrAight Lines Telekinesis
— E —
Shields Grizzly Bear
Bloom Beach House
Dept. of Disappearance Jason Lytle
Lonerism Tame Impala
Silver & Gold Sufjan Stevens
America Dan Deacon
‘Allelujah! Don’t Bend! Ascend! Godspeed You! Black Emperor
All We Love We Leave Behind Converge
Shrines Purity Ring
Sweet Heart Sweet Light Spiritualized
— G —
Fear Fun Father John Misty
Silver & Gold Sufjan Stevens
Break It Yourself Andrew Bird
Tramp Sharon Van Etten
Port of Morrow The Shins
Adventures in Your Own Backyard Patrick Watson
The Idler Wheel is Wiser Than the Drive of the Screw… Fiona Apple
Lonerism Tame Impala
Through the Deep, Dark Valley The Oh Hellos
Who’s Feeling Young Now? Punch Brothers
— E —
Pedestrian Verse Frightened Rabbit
Reflektor Arcade Fire
Partygoing Future Bible Heroes
m b v My Bloody Valentine
Big Wheel and Others Cass McCombs
Trouble Will Find Me The National
Wondrous Bughouse Youth Lagoon
Love’s Crushing Diamond Mutual Benefit
Monomania Deerhunter
Muchacho Phosphorescent
— G —
Pedestrian Verse Frightened Rabbit
Modern Vampires of the City Vampire Weekend
Torres Torres
The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You Neko Case
Promises The Boxer Rebellion
Trouble Will Find Me The National
The Lives Inside the Lines in Your Hand / Threeep Matt Pond PA
Alone Aboard the Ark The Leisure Society
Us Alone Hayden
Lily & Madeline / The Weight of the Globe EP Lily & Madeline
— E —
pom pom Ariel Pink
Burn Your Fire for No Witness Angel Olsen
Nobody Wants to Be Here & Nobody Wants to Leave The Twilight Sad
Lost in the Dream The War on Drugs
St Vincent St Vincent
Brothers and Sisters of the Eternal Son Damien Jurado
Some Blue Morning Adrian Crowley
Too Bright Perfume Genius
Owl John Owl John
Are We There Sharon Van Etten
— G —
Heart Murmurs Jeremy Messersmith
1000 Forms of Fear Sia
Second Sight Hey Rosetta!
Brill Bruisers The New Pornographers
Stay Gold First Aid Kit
Upside Down Mountain Conor Oberst
My Favourite Faded Fantasy Damien Rice
Are We There Sharon Van Etten
The Take Off and Landing of Everything Elbow
In Conflict Owen Pallett
— E —
Carrie & Lowell Sufjan Stevens
Currents Tame Impala
viet cong Viet Cong (Preoccupations)
Depression Cherry Beach House
I Love You, Honeybear Father John Misty
Vulnicura Björk
Weirdo Shrine La Luz
Fading Frontier Deerhunter
White Men Are Black Men Too Young Fathers
Sometimes I Sit and Think, and Sometimes I Just Sit Courtney Barnett
— G —
Carrie & Lowell Sufjan Stevens
Currents Tame Impala
Teens of Style Car Seat Headrest
Vulnicura Björk
Bashed Out This is the Kit
Dear Wormwood The Oh Hellos
Depression Cherry Beach House
Brother The Brilliance
Sprinter Torres
Times Infinity Vol. One The Dears
— E —
Masterpiece Big Thief
My Woman Angel Olsen
Teens of Denial Car Seat Headrest
Painting of a Panic Attack Frightened Rabbit
Puberty 2 Mitski
A Moon Shaped Pool Radiohead
Skeleton Tree Nick Cave & the Bad Seeds
You Want it Darker Leonard Cohen
Emotions and Math Margaret Glaspy
Next Thing Frankie Cosmos
— G —
Teens of Denial Car Seat Headrest
Are You Serious Andrew Bird
Painting of a Panic Attack Frightened Rabbit
Puberty 2 Mitski
The Birds Outside Sang Florist
A Moon Shaped Pool Radiohead
Arranging Time Pete Yorn
Remember Us to Life Regina Spektor
Front Row Seat to Earth Weyes Blood
22, A Million Bon Iver
— E —
A Crow Looked at Me Mount Eerie
DAMN Kendrick Lamar
Capacity Big Thief
Planetarium Sufjan Stevens, Nico Muhly, Bryce Dessner & James McAlister
No Shape Perfume Genius
Slowdive Slowdive
Last Place Grandaddy
Sleep Well Beast The National
Powerplant Girlpool
Antisocialites Alvvays
— G —
(I Am) Origami Pt. 2 – Every Power Wide Awake John Van Deusen
Stranger in the Alps Phoebe Bridgers
Pure Comedy Father John Misty
Planetarium Sufjan Stevens, Nico Muhly, Bryce Dessner & James McAlister
Crack-Up Fleet Foxes
Swin Inside the Moon Angelo De Augustine
Sleep Well Beast The National
Ruins First Aid Kit
Mentall Illness Aimee Mann
Painted Ruins Grizzly Bear
— E —
7 Beach House
Be the Cowboy Mitski
And Nothing Hurt Spiritualized
Only Love The Armed
God’s Favorite Customer Father John Misty
You Won’t Get What YouWant Daughters
Lush Snail Mail
In a Poem Unlimited US Girls
Singularity Jon Hopkins
The Future Me Hates Me The Beths
— G —
Be the Cowboy Mitski
God’s Favorite Customer Father John Misty
Something in the Rain (OST) 이남연 & Rachel Yamagata
Lush Snail Mail
Boygenius Boygenius
7 Beach House
Big Red Machine Big Red Machine
Love is Dead Chvrches
You, Forever Sam Evian
Hell-On Neko Case
— E —
It Won/t Be Like This All the Time The Twilight Sad
All Mirrors Angel Olsen
U.F.O.F. Big Thief
Remind Me Tomorrow Sharon Van Etten
Reward Cate Le Bon
Titanic Rising Weyes Blood
Ghosteen Nick Cave & the Bad Seeds
Anima Thom Yorke
2020 Richard Dawson
Two Hands Big Thief
— G —
Forever Overhead Tim Baker
Cala Fionn Regan
Better Oblivion Community Center Better Oblivion Community Center
When we first launched Lost in the Cloud in 2010, we were on a roll from our previous blog, hoping to take LITC into different territory. One thing we carried over from our previous blog was our love for lists, especially music lists. We began Lost in the Cloud with productive intentions, but life, as it can so often do, got in the way of our keeping up with the blog.
For the first six years, we were diligent in posting the lists of our favourite albums of the year, complete with short descriptions of each. In those last couple of dwindling years, our ‘Best Albums’ lists were becoming the only new material we were producing for the blog. In time, even that dropped off of our list of priorities and Lost in the Cloud went quiet.
This year, we have decided to revisit our ‘Best Albums’ lists and to even elaborate on our whole ‘Best Albums’ corpus by travelling all the way back to the prehistoric year that was 2000. This post is part one of two. With hindsight and in living with particular albums for longer, we have compiled lists of our ten favourite albums for each year from 2000-2019. Perhaps these lists will be of some interest for those who wish to walk down Memory Lane, or indeed, for those who might wonder if any of these [subjective] gems passed them by (as we have discovered from comparing our respective lists). Whatever you—dear reader—might glean from our produce, we are grateful for the opportunity to indulge in our list-making and music-listening passions here.
Elijah & Greg
— E —
Figure 8 Elliott Smith
Kid A Radiohead
The Sophtware Slump Grandaddy
Lift Your Skinny Fists Like Antennas to Heaven Godspeed You! Black Emperor
ÁGÆTIS BYRJUN Sigur Rós
Bachelor No. 2 Aimee Mann
Winners Never Quit Pedro the Lion
Stories from the City, Stories from the Sea PJ Harvey
And Then Nothing Turned Itself Inside-Out Yo La Tengo
Rising Tide Sunny Day Real Estate
— G —
Kid A Radiohead
Figure 8 Elliott Smith
Bachelor No. 2 Aimee Mann
All That You Can’t Leave Behind U2
ÁGÆTIS BYRJUN Sigur Rós
Fever & Mirrors Bright Eyes
Heartbreaker Ryan Adams
Rising Tide Sunny Day Real Estate
Winners Never Quit Pedro the Lion
MASS ROMANTIC The New Pornographers
— E —
Amnesiac Radiohead
Jane Doe Converge
The Glow, Pt. 2 The Microphones
White Blood Cells The White Stripes
Blue Screen Life Pinback
Hot Shots II The Beta Band
Vespertine Björk
“Love and Theft” Bob Dylan
The Photo Album Death Cab for Cutie
Discovery Daft Punk
— G —
The Texas-Jerusalem Crossroads Lift to Experience
Oh, Inverted World The Shins
Asleep in the back Elbow
Musicforthemorningafter Pete Yorn
Origin of Symmetry Muse
The Invisible Band Travis
The Only Reason I Feel Secure Pedro the Lion
Skyscraper National Park Hayden
The Photo Album Death Cab for Cutie
AMNESIAC Radiohead
— E —
Control Pedro the Lion
Turn on the Bright Lights Interpol
Fantastic Damage El-P
Alice / Blood Money Tom Waits
The Creek Drank the Cradle Iron & Wine
Sea Change Beck
Unfortunately We’re Not Robots Curl Up & Die
[A→B] Life mewithoutYou
We Are the Only Friends We Have Piebald
Give Up Postal Service
— G —
Control Pedro the Lion
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground Bright Eyes
The Creek Drank the Cradle Iron & Wine
Sea Change Beck
The Last Broadcast Doves
Give Up Postal Service
A Rush of Blood to the Head Coldplay
Yankee Hotel Foxtrot Wilco
Turn on the Bright Lights Interpol
The Seamonsters The Seamonsters
— E —
Greetings from Michigan: The Great Lakes State Sufjan Stevens
The Ugly Organ Cursive
Hail to the Thief Radiohead
The Earth is Not a Cold Dead Place Explosions in the Sky
Sumday Grandaddy
You Forgot it in People Broken Social Scene
Dear Catastrophe Waitress Belle & Sebastian
Monday at the Hug & Pint Arab Strap
Frail Words Collapse As I Lay Dying
Happy Songs for Happy People Mogwai
— G —
Greetings from Michigan: The Great Lakes State Sufjan Stevens
Hail to the Thief Radiohead
Cast of Thousands Elbow
Absolution Muse
Final Straw Snow Patrol
Marvelous ThingsEP Eisley
O Damien Rice
Transatlanticism Death Cab for Cutie
Log 22 Bettie Serveert
Desprate Youth, Blood Thirsty Babes TV on the Radio
— E —
From a Basement on a Hill Elliott Smith
Funeral Arcade Fire
Seven Swans Sufjan Stevens
Antics Interpol
You Are the Quarry Morrissey
Sung Tongs Animal Collective
Achilles Heel Pedro the Lion
Our Endless Numbered Days Iron & Wine
A Cass McCombs
How It Ends DeVotchKa
— G —
Sung Tongs Animal Collective
From a Basement on a Hill Elliott Smith
Antics Interpol
Seven Swans Sufjan Stevens
Achilles Heel Pedro the Lion
Our Endless Numbered Days Iron & Wine
FUNERAL Arcade Fire
The Autumns The Autumns
How It Ends DeVotchKa
Turning Tide The Seamonsters
— E —
Illinois Sufjan Stevens
The One Above All, The End of All That Is Curl Up & Die
Emoh Lou Barlow
Takk... Sigur Rós
Feels Animal Collective
LCD Soundsystem LCD Soundsystem
Headphones Headphones
And the Glass Handed Kites Mew
Guero Beck
Surf Roddy Frame
— G —
Illinois Sufjan Stevens
Takk... Sigur Rós
Several Arrows Later Matt Pond PA
Silent Alarm Bloc Party
Feels Animal Collective
Emoh Lou Barlow
Andrew Bird & the Mysterious Production of Eggs Andrew Bird
I’m Wide Awake It’s Morning Bright Eyes
Headphones Headphones
Pixel Revolt John Vanderslice
— E —
Yellow House Grizzly Bear
The Avalanche Sufjan Stevens
Happy Hollow Cursive
No Heroes Converge
Everything All the Time Band of Horses
Victory for the Comic Muse The Divine Comedy
Orphans: Brawlers, Bawlers & Bastards Tom Waits
Sing the Greys Frightened Rabbit
Brother, Sister mewithoutYou
The Eraser Thom Yorke
— G —
The Avalanche Sufjan Stevens
Gang of Losers The Dears
The End of History Fionn Regan
The Eraser Thom Yorke
Begin to Hope Regina Spektor
Everything All the Time Band of Horses
Sing the Greys Frightened Rabbit
The Cost The Frames
Fox Confessor Brings the Flood Neko Case
Camping by the Railroad Tracks in December Harmony and Pollution
— E —
Neon Bible Arcade Fire
In Rainbows Radiohead
Sound of Silver LCD Soundsystem
Fourteen Autumns and Fifteen Winters The Twilight Sad
Strawberry Jam Animal Collective
White Chalk PJ Harvey
Cease to Begin Band of Horses
Dance Tonight! Revolution Tomorrow! Orchid
The Shepherd’s Dog Iron & Wine
Person pitch Panda Bear
— G —
In Rainbows Radiohead
Strawberry Jam Animal Collective
Boxer The National
A Few More Published Studies The XYZ Affair
Wincing the Night Away The Shins
PERSON PITCH Panda Bear
Cease to Begin Band of Horses
A WEEKEND IN THE CITY Bloc Party
Voxtrot Voxtrot
Neon Bible Arcade Fire
— E —
The Midnight Organ Fight Frightened Rabbit
Songs in A&E Spiritualized
Fleet Foxes Fleet Foxes
In Ear Park Department of Eagles
Dig That Treasure Cryptacize
Dropping the Writ Cass McCombs
Microcastle Deerhunter
Everything That Happens Will Happen Today David Byrne & Brian Eno
In Ghost Colours Cut Copy
Rip It Off Times New Viking
— G —
The Midnight Organ Fight Frightened Rabbit
Fleet Foxes Fleet Foxes
The Seldom Seen Kid Elbow
Vampire Weekend Vampire Weekend
Með Suð Í Eyrum Við Spilum Endalaust Sigur Rós
Dropping the Writ Cass McCombs
Words & Music Aqualung
In Ear Park Department of Eagles
At War with Walls & Mazes Son Lux
@#%&*! Smilers Aimee Mann
— E —
Veckatimest Grizzly Bear
Merriweather Post Pavilion Animal Collective
Axe to Fall Converge
Album Girls
Forget the Night Ahead The Twilight Sad
Logos Atlas Sound
These Four Walls We Were Promised Jetpacks
Mythomania Cryptacize
The Pains of Being Pure at Heart The Pains of Being Pure at Heart
It’s been over a year now since I wrote my last chapter of “Band Evangelist.” How is that even possible? Well, I suppose that sometimes there are periods of silence between the testaments, right?
In any case, here’s a run down of some of the really amazing music that is already available, or is coming out this year. So far, I think it’s going to be a banner year for us indie-disciples…and here’s the why and what for of the first part of 2013 in music (skip to the end to start playing some tunes as you read along!):
Pedestrian Verse – Frightened Rabbit (February 1): Will definitely end up on my top 10 of the year. These guys are reaching a level of infallible music-making that should secure their place in the pantheon of rock demi-gods (though I’m a strict indie-monotheist–as in “Glory be to S-FJ-N”–there is a certainly room for a henotheistic heavenly council). Speaking of gods, FR are a bit rough on us believers on this album, as in MULTIPLE tracks talking about how hypocritical, naive, and oppressive Christians can be (a bit of cliche by this point, no?), but man can these boys write a beautiful song full of disdain. Talent oozing like oil slicks on the North Sea. Maybe the Prophet (Elijah) can give some insight into the Scottish Catholicism (?) that has turned these boys’ stomachs so deeply against Mother Kirk. PS The deluxe version of this album has some solid bonus tracks and concert DVD material.
Country Sleep – Night Beds (February 1): I have to give full credit to my boy Wade for turning me onto this gorgeous album out of nowhere. I told him that they sounded like the prettiest of Ryan Adam’s mellow songs (at which point, he began playing a new Ryan Adams album I hadn’t heard…losing my prophetic edge here!) mixed with kind of a Bon Iver frozen hauntedness. Highly recommend a full listen to this!
Us Alone – Hayden (February 5): I always say that Hayden is an acquired taste, so this album is not for everyone & probably not even for his fair-weather fans. More the real followers–the kind for whom his music is almost everything. But great, mature songwriting, tasteful little jams, & uniquely clever musings all around.
The Lives Inside the Lines in Your Hand – Matt Pond (February 5): He lost the PA that used to follow his name, but he’s written an album that holds up to the best of his earlier work (Several Arrows Later, for my money). If you can’t take lovely-throated, hook-filled indie-pop with sunny melodies covering dark lyrical waters, then look elsewhere.
guessing the others – swimming in speakers (February 5): I can’t tell you how this strange, lo-fi, folky-electronic outfit with a whimsically beautiful female lead voice came to my attention, but it has become a go-to mood elevator in the same way watching Amelie can change my perspective from cynical to wonder-filled.
Days Into Years – Elliott Brood (February 28): Interestingly, though I am not a tremendous Ryan Adams fan, this band also reminded me of his smoky voice over Neil Young crunchy guitars and often a Band of Horses retro-rock cool. I still need to sit with this album more, but I’d give it a solid recommendation already (also thanks to Wade).
Sub-Verses – Akron/Family (April 30): I would call myself a casual fan of this band–I have most of their albums and enjoy some tracks immensely while others are more solidly moderate. But the two songs I’ve heard from this new release (below) produced a Pavlovian reaction of aural drool leading to one-click ordering.
Modern Vampires of the City – Vampire Weekend (May 7): I think there’s been sufficient backlash against VW that we can look past the hype, calculated affect, and branding to simply listen to some lovely tunes that integrate things like the harpischord and loopy bass lines with fragile, self-consciously hi/low lyrics that nevertheless pluck at the heartstrings.
Trouble Will Find Me – The National (May 21): Some of you will not like Matt Berninger’s voice. That’s ok. I do & I love everything else about this fraternally-formed, preternaturally talented group. They have a musical golden touch. If this is for you, it will be the kind of trouble you would want to find you. If not, just keep walking.
Currents – Eisley (May 28): Now I’m getting into murky waters. I haven’t followed this band of mostly female family members for a LONG time (sorry Wesley Chung), but something in me feels like this may be the album that brings me back. But don’t take my word for it–just an intuition.
The Weight of the Globe – Lily & Madeleine (June 11): This find came to me via the Asthmatic Kitty email update (an epistle from the indie One’s priestly cult) & if the beauty of these two young ladies’ voices, melodies, and ageless lyricism doesn’t merit a head-shaking double take in any listener, then I have no ear, no eye, no soul.
Overseas – Overseas (June 11): This is a new project with David Bazan (former frontman for Christian indie-heroes Pedro the Lion & a talented, but faithless solo performer in his own right) and some other hipster guys from bands that exceed my coolness pay-grade. Don’t know that I’m recommending this, as much as just putting it on your sonic radar.
Kveikur – Sigur Ros (June 18): Sadly, I was not among the admirers of their most recent release, Valtari, which felt rather aimless and amorphous to me; however, supposedly they are moving to a more “direct, aggressive” style–which I’m not totally sure what that translates to (the video below doesn’t bode terribly well for me). I am a Takk/Hvarf man myself, so that’s what I’m secretly hoping for a return to.
There are a few other upcoming releases I have no details on, but believe should be amazing: a new Arcade Fire album, surely one by Neko Case, and one by the lesser known but charmingly gifted Jeremy Messersmith.
Some misses of the year so far: Josh Ritter‘s The Beast in it’s Tracks (a middling effort of post-divorce woe & rebound that’s mostly just depressing); I was utterly bored with the Thom Yorke project, Atoms for Peace; and don’t anyone tell my dear friend Matt Clatterbuck, but I sadly do not like the new Yo La Tengo either!
Question: Did anyone get the new My Bloody Valentine? Low’s The Invisible Way? The new Strokes? Iron + Wine? If so, what do you think? I’d love to hear your thoughts and recommendations!!
Our favourite post of the year is here! We apologise that it’s taken so long, but think of it as a late Christmas gift. As with previous years, we’ve included our respective Top 10 Albums of the year as well as some honourable mentions and some not so honourable ones. Feel free to share your favourite records of the year in the comments section. Maybe you’ll even discover some unknown treasures within our lists. Take care, readers. See you in 2013.
Love,
Elijah & Greg
+++++
Elijah’s Top 10 Albums of 2012
10. ValtariSigur Rós — Whilst I loved 2005’s Takk…, I found that 2008’s Með suð í eyrum við spilum endalaust left much to be desired. Valtari leans more toward Sigur Rós’ earlier style, a more ambient and reflective record although I’d hesitate before calling it ‘samey’. Incredible tracks like ‘Varúð’ and ‘Varðeldur’, some of the finest I’ve ever heard from the Iceland post-rock legends kept me from pushing this record out of the top ten. For this record the band also came up with they’ve called the ‘Valtari Mystery Film Experiment‘ in which they employed twelve filmmakers to make music videos for the album based upon what the song brought to their minds and without the final approval from Sigur Rós. See ‘Varúð’ below, created by Inga Birgisdóttir, who designed the album cover and also directed the video for ‘Ekki Múkk’:
+++++
9. Gentle StreamThe Amazing — This was the first record of 2012 that really caught me by surprise. Released in Sweden in 2011, Gentle Stream proves to be just that, a gentle yet wide stream of quality, what I would describe as a subtle mixture between Simon & Garfunkel and Dinosaur Jr. Like their previous releases, The Amazing and Wait for Light to Come, there are still hints of psych rock (influenced by the presence of various members of Dungen) and classic rock and the finished product it is most satisfying.
+++++
8. All We Love We Leave BehindConverge — Before I listened to this record, I didn’t want to include Converge in this list because it’s starting to look like whenever a few of my favourite artists make a new album they inevitably end up on my ‘Best Albums’ list. For those who know how I rate music, it’s unlikely that the top four will come as any surprise this year. But give me some credit; I can betray bands I love when they make subpar records – like Animal Collective’s Centipede Hz or my ‘dishonourable mentions’ below. Or last year when I resisted We Were Promised Jetpacks’ In the Pit of the Stomach, Atlas Sound’s Parallax, David Bazan’s Strange Negotiations, DeVotchKa’s 100 Lovers, Danielson’s Best of Gloucester County, etc. See, so when I include one of my favourite bands in my top ten I really mean it!
All that being said, I didn’t want to include Converge this year, so when I heard the first track, ‘Aimless Arrow’, I was relieved and heartbroken simultaneously. I would consider the track their weakest opener to date (especially compared to their last record’s first track, ‘Darkhorse‘), and with its hints of ‘screamo’ and melodic hardcore (don’t worry, there’s no ‘singing’ on this track), I was fearful of listening to the rest of the record. But the eight tracks to follow are all heavy, quality tunes! The rest of the record features some spoken word, which works on top of the slow, thoughtful guitar work by Kurt Ballou. But my heart was nearly torn in two upon listening to the tenth track, ‘Coral Blue’. It’s not all that frightening until the chorus, which isn’t quite ‘screamo annoying’, but more confusing for those who listen to Converge. Thankfully, that’s the extent of this ‘singing’ charade on All We Love We Leave Behind. It closes out with the sufficiently epic title track and sufficiently heavy ‘Predatory Glow’. No, on the whole this was no serious transition for Converge, but I wouldn’t have it any other way. They tried that on You Fail Me and they failed me indeed.
+++++
7. Sweet Heart Sweet LightSpiritualized — I know, great cover, right? OK, it’s probably one of the worst album covers this year, but don’t let that put you off! This here is an excellent record. Jason Pierce, also known as J. Spaceman, the creative force behind all of Spiritualized’s incarnations over the last 22 years, wrote the album whilst undergoing serious medical treatment for his liver, which was left in a sore state as a result of many years of drug use, both prescribed and recreational. But unlike 2008’s Songs in A&E, which was also inspired by a serious medical emergency (aspiration pneumonia and periorbital cellulitis), Sweet Heart Sweet Light is a much more hopeful, inspiring record, somewhat in the vein of 1997’s Ladies and Gentlemen We are Floating in Space.
+++++
6. ‘Allelujah! Don’t Bend! Ascend!Godspeed You! Black Emperor — This is the Canadian post-rockers’ first record since 2002’s Yanqui U.X.O., and whilst I found Yanqui rather uninspiring after 2000’s masterpiece Lift Your Skinny Fists Like Antennas to Heaven, ‘Allelujah! is a return to form and then some. Godspeed has a rare skill (shared with Sufjan Stevens) for making 20+ minute songs engaging throughout. The tracks are engrossing and become, as the album title suggests, transcendent objets d’art, ushering the listener into heavy aural ascension.
+++++
5. AmericaDan Deacon — I appreciated Dan Deacon’s music before (his 2009 release, Bromst was among my honourable mentions that year), but this record caught me by surprise. The opener, ‘Guilford Avenue Bridge’, is a buzzy digital number, which flows into the two subsequent tracks until Deacon decided to change the pace with ‘Prettyboy’, which seems to ruin the rhythm of the album, that is until we’re brought back into the jam with ‘Crash Jam’. The highlight of the album is the four-part ‘USA’ opus below:
+++++
4. LonerismTame Impala — Tame Impala’s last record, Innerspeaker, which came to me as such a surprise thanks to Greg’s preaching of the gospel, ranked 6th on my Best Albums of 2010 list, so in my desire to not be let down, I was suspecting that the follow-up wouldn’t be as good. As with Kevin Parker’s previous material, Lonerism draws much from the past (‘Feels Like We Only Go Backwards‘ could’ve been part of Magical Mystery Tour, right between ‘Blue Jay Way‘ and ‘Your Mother Should Know‘, or it could’ve totally replaced the latter and I wouldn’t have minded), but always with a sense of artistic integrity and completeness. Thank you, Tame Impala, for defying the mediocrity of your stage name name yet again and coming up with another excellent piece of psychadelic groove rock! Oh and isn’t it groovy!
+++++
3. BloomBeach House — After their excellent third album, Teen Dream(which ranked 8th in my Top 10 Albums of 2010), I expected Beach House to lose steam. Every subsequent record was getting better and no band can keep that up. Well, this loss of steam will have to wait until their next record, because I’d say that Bloom might very well be their best record to date. Whilst their sound remains distinctively ‘Beach House’ (those keyboard and guitar-driven dream pop soundscapes and that husky female voice), the songwriting in Bloom has taken a step forward. And even though this record demands more time and attention than their previous releases, the payoff is tenfold. And how amazing is this Ghostbusters-inspired video for ‘Lazuli’?
+++++
2. Dept. of DisappearanceJason Lytle — This was an exciting year for us Grandaddy fans: the band reunited after six years apart! And very fortunately for us, the excitement didn’t end there. Grandaddy principal songwriter, lead singer and guitarist, Jason Lytle, has kept busy since the break up in 2006. In fact, Grandaddy’s final record, 2005’s Just Like the Fambly Cat, was written and recorded entirely by Lytle. After the break up, a move inspired by lack of commercial success, Lytle relocated from California to Montana and toured with Rusty Miller in support of Just Like the Fambly Cat. In 2009, Lytle released his first solo record, Yours Truly the Commuter and followed that with an EP, Merry X-mas. Lytle and former drummer of Grandaddy, Aaron Burtch, joined with members of Earlimart to form the band Admiral Radley, who released their debut record, I Heart California, in 2010. Each of these incarnations were superb (I Heart California was an honourable mention in my Best Albums of 2010 list), but none seemed to capture the magic that Lytle’s earlier work possessed in great measure. Until now. It’s safe to say that Dept. of Disappearance is a grower, but there was enough of pure goodness present from the first listen to keep me going. Each track is excellent, and some are among the best Lytle’s ever written, such as the title track, ‘Matterhorn’, ‘Last Problem of the Alps’, ‘Somewhere There’s a Someone’ (below), ‘Gimme Click Gimme Grid’ and ‘Elko in the Rain’.
+++++
1. ShieldsGrizzly Bear — I won’t make excuses or defend my pick despite the fact that Grizzly Bear’s previous record was my number one album of 2009. Shields is just that good. Still present are the Grizzly Bear trademarks we know and love, but this record is the band’s most aggressive and coherent to date. At times it is far darker than their previous material (‘Speak in Rounds’), yet it still takes the listener into the clouds (‘Half Gate’). In the midst of this more aggressive direction, Grizzly Bear also ventures into the realm of more accessible pop music, music that isn’t as dissonant as their previous releases yet retains its creative bearings. On top of all of their unique qualities as proficient musicians and songwriters, Grizzly Bear demonstrate a continuing process of maturation, one that solidifies them as—in this listener’s opinion—one of the best bands of their generation.
Another conflicted year of listening for me: some of my favorite bands put out albums I thought were shite (Animal Collective, Sigur Rós) and other bands that I expected more from turned out mediocre fare (Passion Pit, The Avett Brothers). Then there were the albums that had real moments of brilliance on them…but which couldn’t sustain that level of greatness throughout the entire record. The following albums didn’t break into my top ten, but you should definitely check out the songs indicated:
Bloom Beach House — ‘Myth’, ‘The Hours’, ‘Irene’
Charmer Aimee Mann — ‘Labrador’, ‘Soon Enough’, ‘Slip and Roll’
Time Capsules II Oberhofer — ‘HEART’, ‘I Could Go’, ‘oOoO’; also did a great cover of Kanye West’s ‘Runaway‘
+++++
10. Young Man FollowFuture of Forestry — I don’t mind if I lose all indie credibility for putting a Christian, anthem rock band on my top ten. This album falls somewhere in between Delirious?/Phil Wickham and post-Pop U2/Snow Patrol (right now, Elijah is raising his eyebrows/giving me a look of consternation/experiencing a slight taste of bile in the mouth). I know that there’s a strong hint of songwriting formulae, mixed with sentimental emotionalism, strategic falsetto insertion, and derivative production sleight-of-hand, but I can’t help it…I eat it up. This is my sonic Kryptonite. It moves me and I can’t help loving it. So there you go.
+++++
9. Milk FamousWhite Rabbits — This was a late addition to the list. I had loved the track “Everyone Can’t Be Confused” earlier in the year, but never got around to purchasing the whole album. Two weeks ago, I finally got it and have enjoyed the carefully orchestrated arrangement and production of each song immensely. As I began reading reviews, many of which were not kind, there was some talk about the band selling out and transforming into Spoon-lite (one of that band’s members produced the album). I actually can’t stand Spoon, but I love these guys!
7. Port of MorrowThe Shins — There may be some measure of sentiment and nostalgia in this pick. The 2001 album Oh, Inverted World was a life-changer for me (a moment captured and corrupted in Zach Braff’s film Garden State) and I can hear echoes of those glorious times in songs like “It’s Only Life,” “No Way Down,” and “For a Fool.” For those purists who find this a shameless exploitation of The Shins brand (being that only one member of the original band plays on this album), a stance which I myself initially considered, I respectfully disagree. The magic is still here…
+++++
6. Adventures in Your Own BackyardPatrick Watson — Watson is one of those artists whose voice alone puts him into a category of talent and beauty that should earn accolades–but he is also a brilliant songwriter and musician whose idiosyncratic vision comes into its own on this release. If you’ve never listened to his work before, his catalog is well worth exploring, including his work with The Cinematic Orchestra.
+++++
5. HeavenThe Walkmen — This band has been loitering in the periphery of my musical tastes for a while–a great song here or there, but no album that absolutely blew me away. Until now…you MUST listen to this record.
+++++
4. TrampSharon Van Etten — Such fine, delicate songwriting; beautiful, haunting, and frequently spare instrumentation to accompany her striking, melancholy voice; and brilliant production & instrumental assistance from The National’s Aaron Dessner (who better be working on a new album himself!). I love so many of these songs with an affection that is reserved for a select few artists. Listen to the song belong and try not to simultaneously smile AND ache:
+++++
3. Break It YourselfAndrew Bird — I wrote about this album earlier in the year, wondering if it would grow on me more and more. Boy, did it ever. As I said before, Andrew Bird cannot make a bad album, but here, he’s certainly made a great one. I think it really comes alive after the first 1/3 of the album is over, so don’t give up on it if you don’t immediately sense the genius.
+++++
2. Silver and GoldSufjan Stevens — I’m considering this a 2013 release, even though it is a collection of EP’s that Sufjan had privately given out to friends and family over the last five or six years. Of course I love it—I’m a Sufjanite through and through. But beyond my dedication to the man, this really is a beautiful collection of 58 songs that I think transcend the holiday season itself and act as a meditation on the human condition as a whole, refracted through the hopes and disappointments that we connect to a particular time of year and experience of faith, family, community, and tradition. There are haunting covers of Christmas & holiday classics (“I’ll Be Home for Christmas,” “Joy to the World,” “Let It Snow!” and “Silent Night”), worshipful church hymns simply arranged and devoutly performed (“Ah Holy Jesus,” “Lift Up Your Heads Ye Mighty Gates,” and “Break Forth O Beauteous Heavenly Light”), and Sufjan originals or adaptations that stand up to any of his other records (“Justice Delivers Its Death,” “Christmas in the Room,” “The Midnight Clear,” “Angels We Have Heard on High,” and “The Child with the Star on His Head”) along with a myriad of lovely instrumental meditations (my favorites include “Make Haste to See the Baby,” “Go Nightly Cares,” and “Even the Earth Will Perish and the Universe Give Way”), crazy experimental electronica (not my favorite genre but occasionally delightful), and simple fun communal musical merry-making. It’s also fun to view the collection in tandem with the albums he was working on during these years (The BQE and TheAge of Adz). You can actually download some of the best tracks for free on Sufjan’s Noisetrade page—and that is a truly wonderful gift from the greatest artist of our age.
+++++
1. Fear FunFather John Misty — One day this year, I was listening to an unbelievably compelling live set of songs on KCRW by a band whose name I somehow kept missing. I finally went onto the station website and discovered that it was Father John Misty. This is the first release under this band name by J. Tillman, former drummer from Fleet Foxes. I had some of his previous solo releases post-FF, which were pretty average folkish meanderings. But this! On this album, Tillman discovers some kind of alchemy that turns his melancholy into the rarest kind of beauty and wonder. His songs sound like they were written 40 or 30 or 20 years ago—any age but now, yet they simultaneously capture the hidden spirit of some mystical contemporary world surrounding us that we may not perceive. Even the songs I don’t absolutely “like” have a tangible genius to them. I didn’t want to like this album—the creepy cover, the hipster pedigree, the critical darlingness of it. But, for me, in 2012, this was it.
+++++
Greg’s honourable mentions (albums)
Among the Leaves Sun Kil Moon — Such lovely instrumentation and melodies; such bothersome narcissistic lyrics
Born to Die Lana Del Rey — I think one is not supposed to like this album due to its contrivances, over-production, other myriad reasons—nevertheless, I found it strangely compelling in a fashion from start to finish
Strange Land Yellow Ostrich — This ended up on exactly no one’s top ten—yet really quite a solid indie rock record!
Who’s Feeling Young Now Punch Brothers — Not enough substance to crack the top 10, but some real winning songwriting here, with a eminently listenable sound throughout
I have neglected my musical prophetic calling as of late, but LO, I have returned to separate the melodic wheat from the chaff and to baptize you in the tuneful rivers of new music (the evangelist metaphor is wearing thin, I know). I have put together a mix of some of the latest songs to catch my ear–cleverly entitled “2012: My Own Apocalypse”–but since sharing music online is a dangerous pastime, I will simply offer to send you a link to the songs (if you know me, shoot me an email; if you don’t know me, post in the comments section and I should be able to see your email…AND make sure you are not an undercover agent of the RIAA!). Most of the following artists I’ve highlighted have a track on this mix…
To begin with, two years ago, in my first “Band Evangelist” post, I lamented the break-up of a band that I believed had great potential to be among the indie greats: The XYZ Affair. Well, the singer of that band has just released a free 5-song EP under the moniker Leonard Friend. It’s a bit more quasi-ironic 80’s electronic poppy than I might wish, but this singer/songwriter’s talent cannot be hidden under a bush & heck, it’s FREE!
Another singer/songwriter–Ramesh Srivastava–from a similarly lamented & potentially epic indie band that broke up several years ago–Voxtrot–has just released a few new songs as well, which can be heard for now at his website (the song “The King” was on my best of 2010 mix). I think Ramesh may someday rise again like the phoenix to the heights he reached with Voxtrot (whose must-have songs include “The Start of Something,” “Fast Asleep,” “Firecracker;” their self-titled album from 2007 is worth a purchase, though not essential), but for now, these few songs are all we have to remind us of what could’ve been.
Some of the kings & queens of indie-dom from years past also have new albums out/coming out that must be reckoned with:
Andrew Bird/Break It Yourself(out now):I did buy it & I do like it thus far. I’m sure it will grow on me even more (straightaway, I was taken with the penultimate 3 tracks quite a bit). The man is so multi-talented (composing melancholic melodies, playing guitar/violin/violin like a guitar/whistling, etc.), he cannot make a “bad album,” but to be honest, I think he could stand to have a producer other than himself (it lacks a sonic fullness and critical perspective that a talented outsider could have brought), he should focus his lyrical impressionism just a bit, and, this sounds harsh, but he needs to drop his brushes/soft kick drum percussionist Martin Dosh, who, while an incredibly talented musician himself, I think, brings out a soft-rock mildness and self-indulgence in the Bird that keeps him from attaining his full greatness on record (when they play live together, as a two-piece, they are able to create an entire symphony of sounds through looping).
The Shins/Port of Morrow (out now): After a few listens, I am uncertain what I will ultimately think of these 10 tracks. Having loved the early Shins, it is hard to see this new line-up, sans any other original member than singer/songwriter James Mercer, as anything more than just Mercer resurrecting a “brand” that’s proven to sell records. But his voice & lyrics are so great to hear again (though the instrumentation on this album may have been a bit OVER-produced) and the old sparkle does emerge in some of the attempts to recapture the old Shins magic (much more glimmer than I found in the Mercer/Dangermouse collaboration, Broken Bells).
Daniel Rossen/Silent Hour/Golden Mile (out now): This lovely throated & absurdly brilliant songwriter from Grizzly Bear and Department of Eagles has released a five-song EP that I have found wonderfully enchanting, lovely to the bones, and all other kinds of goodness. Yep, you should buy it!
Sigur Rós/Valtari (May 29): Now I have to admit that I am getting my hopes up ionospherically high for this forthcoming album–to the point that I do not want to hear any tracks until I have the album in my hands. I was personally disappointed with singer/composer Jonsi‘s recent solo release, so I’m hopelandic (or Vonlenska, if you prefer) for a aural reconciliation between my fey Nordic friend and me.
Regina Spektor/What We Saw from the Cheap Seats (May 29): I’m not totally sure what to think of this quirkstress any more. I did love so much of her last album, Far, but the initial single for this album, “All the Rowboats,” is cloyingly precious (oh, poor paintings that want to escape from their museum prisons) and I fear the worst. Still, she does have heaps of talent, a golden ear for melodies (until she kills them with an intentionally dissonant note to the throat), and a certain sweet naivete, so I’m certain I will give it a listen.
Other releases of note to check out or watch for include: White Rabbits/Milk Famous (out now)–I don’t know much about them, but I love the song “Everyone Can’t Be Confused,” Damien Jurado/Maraqopa (out now)–“Museum of Flight” is pretty as all get out, Rufus Wainwright/Out of the Game (April 23), Silversun Pickups/Neck of the Woods (May 8), BeachHouse/Bloom (May 15)–the song “Myth” from this album is soaringly lovely, Best Coast/The Only Place (May 15)–get a free song off the album here, The Walkmen/Heaven (June 5), and a new Passion Pit album in June. Post in the comments about any albums I missed!
SO those are releases from the KNOWN bands…but let me list out a few NEW (to me & perhaps you?) acts that I’d like to commend to you all:
Sharon Van Etten/Tramp: This singer-songwriter caught my ear with “Serpents” before I’d heard that The National‘s Aaron Dessner had played on/produced her album (which is reason enough to take note). Her voice is a mix between Cat Power, Kathleen Edwards, and Sarah Jaffe (who also shares a similar composing style & sound). This woman has an incredible future ahead of her. I’ve been playing this album non-stop of late.
Yellow Ostrich/Strange Land: This LP is the apotheosis of indie-songsmithery. Haunting at points (“Up in the Mountains,” “Wear Suits”), darkly epic at others (“Marathon Runner”) and hopping off walls at yet many other points.
Pandercakes/Paint By Numbers EP: I don’t quite remember how I heard about this band, but you can download some songs here. Read this music blog to find out more about their sound, which I like immensely–densely layered & yet fun and catchy at the same time.
Oberhofer/Time Capsules II: I have only listened to one song of of this album (“Heart”) but it has set expectations quite high. This song is a mix of Animal Collective, Explosions in the Sky, Page France, and Muse (the piano parts)–to my ears at least. This kid is the next generation of indie genius.
Dry the River/Shallow Bed: A friend with impeccable taste just turned me on to this band via a set on KCRW. Check out this quote from their online bio:
“This five-piece band has all the hallmarks of the latest folk sensation: elemental name, beards, acoustic guitars, even a violinist. But what sets Dry the River apart is a background in hardcore and post-punk bands, hence the tattoos, lyrics that read like a Steinbeck novel and a sonic palette that sweeps from gentle to giant like an incoming storm.”
Well, that should keep your ears busy for a short while…until our next gathering at the edge of the river, let the “Glory Hallelujah’s” roll!
What follows is my unsolicited list of the finest 10 music albums of this year. Full disclosure: I have a rather limited musical palate and have been called a bit “elitist” when it comes to music (i.e. all tastes are not equally valid), so I apologize ahead of time for any arrogant presumptions or pretentious hype.