Another Decade of Bests (2010-2019)

This post is the second of two parts. With hindsight and in living with particular albums for longer, we have compiled lists of our ten favourite albums for each year from 2000-2019. Perhaps these lists will be of some interest for those who wish to walk down Memory Lane, or indeed, for those who might wonder if any of these [subjective] gems passed them by (as we have discovered from comparing our respective lists). Whatever you—dear reader—might glean from our produce, we are grateful for the opportunity to indulge in our list-making and music-listening passions here.

Elijah & Greg


— E —

  1. The Age of Adz / All Delighted People EP
    Sufjan Stevens
  2. The Winter of Mixed Drinks
    Frightened Rabbit
  3. Halcyon Digest
    Deerhunter
  4. The Suburbs
    Arcade Fire
  5. Teen Dream
    Beach House
  6. InnerSpeaker
    Tame Impala
  7. High Violet
    The National
  8. This is Happening
    LCD Soundsystem
  9. Clinging to a Scheme
    The Radio Dept.
  10. The Monitor
    Titus Andronicus

— G —

  1. The Age of Adz / All Delighted People EP
    Sufjan Stevens
  2. The Suburbs
    Arcade Fire
  3. The Winter of Mixed Drinks
    Frightened Rabbit
  4. InnerSpeaker
    Tame Impala
  5. Forget
    Twin Shadow
  6. The Reluctant Graveyard
    Jeremy Messersmith
  7. High Violet
    The National
  8. Contra
    Vampire Weekend
  9. Together
    The New Pornographers
  10. So Runs the World Away
    Josh Ritter

— E —

  1. The SMiLE Sessions
    The Beach Boys
  2. Belong
    The Pains of Being Pure at Heart
  3. Dye It Blonde
    Smith Westerns
  4. Strange Mercy
    St Vincent
  5. Bon Iver
    Bon Iver
  6. Let England Shake
    PJ Harvey
  7. Humor Risk
    Cass McCombs
  8. Helplessness Blues
    Fleet Foxes
  9. The Year of Hibernation
    Youth Lagoon
  10. Hurry Up, We’re Dreaming
    M83

— G —

  1. The Last of the Country Gentlemen
    Josh T. Pearson
  2. Helplessness Blues
    Fleet Foxes
  3. 100 Acres of Sycamore
    Fionn Regan
  4. Rapproacher
    Class Actress
  5. Build a Rocket Boys!
    Elbow
  6. Strange Negotiations
    David Bazan
  7. Making Mirrors
    Gotye
  8. Endless Now
    Male Bonding
  9. The Family Tree: The Roots
    Radical Face
  10. 12 Desperate StrAight Lines
    Telekinesis

— E —

  1. Shields 
    Grizzly Bear
  2. Bloom 
    Beach House
  3. Dept. of Disappearance 
    Jason Lytle
  4. Lonerism 
    Tame Impala
  5. Silver & Gold
    Sufjan Stevens
  6. America 
    Dan Deacon
  7. ‘Allelujah! Don’t Bend! Ascend!
    Godspeed You! Black Emperor
  8. All We Love We Leave Behind 
    Converge
  9. Shrines 
    Purity Ring
  10. Sweet Heart Sweet Light 
    Spiritualized

— G —

  1. Fear Fun
    Father John Misty
  2. Silver & Gold
    Sufjan Stevens
  3. Break It Yourself
    Andrew Bird
  4. Tramp 
    Sharon Van Etten
  5. Port of Morrow 
    The Shins
  6. Adventures in Your Own Backyard 
    Patrick Watson
  7. The Idler Wheel is Wiser Than the Drive of the Screw… 
    Fiona Apple
  8. Lonerism 
    Tame Impala
  9. Through the Deep, Dark Valley 
    The Oh Hellos
  10. Who’s Feeling Young Now?
    Punch Brothers

— E —

  1. Pedestrian Verse
    Frightened Rabbit
  2. Reflektor 
    Arcade Fire
  3. Partygoing 
    Future Bible Heroes
  4. m b v
    My Bloody Valentine
  5. Big Wheel and Others 
    Cass McCombs
  6. Trouble Will Find Me 
    The National
  7. Wondrous Bughouse 
    Youth Lagoon
  8. Love’s Crushing Diamond 
    Mutual Benefit
  9. Monomania 
    Deerhunter
  10. Muchacho
    Phosphorescent

— G —

  1. Pedestrian Verse
    Frightened Rabbit
  2. Modern Vampires of the City
    Vampire Weekend
  3. Torres
    Torres
  4. The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You
    Neko Case
  5. Promises
    The Boxer Rebellion
  6. Trouble Will Find Me
    The National
  7. The Lives Inside the Lines in Your Hand / Threeep
    Matt Pond PA
  8. Alone Aboard the Ark
    The Leisure Society
  9. Us Alone
    Hayden
  10. Lily & Madeline / The Weight of the Globe EP
    Lily & Madeline

— E —

  1. pom pom
    Ariel Pink
  2. Burn Your Fire for No Witness
    Angel Olsen
  3. Nobody Wants to Be Here & Nobody Wants to Leave
    The Twilight Sad
  4. Lost in the Dream
    The War on Drugs
  5. St Vincent
    St Vincent
  6. Brothers and Sisters of the Eternal Son
    Damien Jurado
  7. Some Blue Morning
    Adrian Crowley
  8. Too Bright
    Perfume Genius
  9. Owl John
    Owl John
  10. Are We There
    Sharon Van Etten

— G —

  1. Heart Murmurs
    Jeremy Messersmith
  2. 1000 Forms of Fear
    Sia
  3. Second Sight
    Hey Rosetta!
  4. Brill Bruisers
    The New Pornographers
  5. Stay Gold
    First Aid Kit
  6. Upside Down Mountain
    Conor Oberst
  7. My Favourite Faded Fantasy
    Damien Rice
  8. Are We There
    Sharon Van Etten
  9. The Take Off and Landing of Everything
    Elbow
  10. In Conflict
    Owen Pallett

— E —

  1. Carrie & Lowell 
    Sufjan Stevens
  2. Currents 
    Tame Impala
  3. viet cong
    Viet Cong (Preoccupations)
  4. Depression Cherry 
    Beach House
  5. I Love You, Honeybear 
    Father John Misty
  6. Vulnicura 
    Björk
  7. Weirdo Shrine 
    La Luz
  8. Fading Frontier 
    Deerhunter
  9. White Men Are Black Men Too
    Young Fathers
  10. Sometimes I Sit and Think, and Sometimes I Just Sit
    Courtney Barnett

— G —

  1. Carrie & Lowell
    Sufjan Stevens
  2. Currents
    Tame Impala
  3. Teens of Style
    Car Seat Headrest
  4. Vulnicura
    Björk
  5. Bashed Out
    This is the Kit
  6. Dear Wormwood
    The Oh Hellos
  7. Depression Cherry
    Beach House
  8. Brother
    The Brilliance
  9. Sprinter
    Torres
  10. Times Infinity Vol. One
    The Dears

— E —

  1. Masterpiece 
    Big Thief
  2. My Woman 
    Angel Olsen
  3. Teens of Denial 
    Car Seat Headrest
  4. Painting of a Panic Attack 
    Frightened Rabbit
  5. Puberty 2 
    Mitski
  6. A Moon Shaped Pool 
    Radiohead
  7. Skeleton Tree 
    Nick Cave & the Bad Seeds
  8. You Want it Darker 
    Leonard Cohen
  9. Emotions and Math
    Margaret Glaspy
  10. Next Thing 
    Frankie Cosmos

— G —

  1. Teens of Denial
    Car Seat Headrest
  2. Are You Serious
    Andrew Bird
  3. Painting of a Panic Attack
    Frightened Rabbit
  4. Puberty 2
    Mitski
  5. The Birds Outside Sang
    Florist
  6. A Moon Shaped Pool
    Radiohead
  7. Arranging Time
    Pete Yorn
  8. Remember Us to Life
    Regina Spektor
  9. Front Row Seat to Earth
    Weyes Blood
  10. 22, A Million
    Bon Iver

— E —

  1. A Crow Looked at Me
    Mount Eerie
  2. DAMN
    Kendrick Lamar
  3. Capacity
    Big Thief
  4. Planetarium
    Sufjan Stevens, Nico Muhly, Bryce Dessner & James McAlister
  5. No Shape
    Perfume Genius
  6. Slowdive
    Slowdive
  7. Last Place
    Grandaddy
  8. Sleep Well Beast
    The National
  9. Powerplant
    Girlpool
  10. Antisocialites
    Alvvays

— G —

  1. (I Am) Origami Pt. 2 – Every Power Wide Awake
    John Van Deusen
  2. Stranger in the Alps
    Phoebe Bridgers
  3. Pure Comedy
    Father John Misty
  4. Planetarium
    Sufjan Stevens, Nico Muhly, Bryce Dessner & James McAlister
  5. Crack-Up
    Fleet Foxes
  6. Swin Inside the Moon
    Angelo De Augustine
  7. Sleep Well Beast
    The National
  8. Ruins
    First Aid Kit
  9. Mentall Illness
    Aimee Mann
  10. Painted Ruins
    Grizzly Bear

— E —

  1. 7
    Beach House
  2. Be the Cowboy
    Mitski
  3. And Nothing Hurt
    Spiritualized
  4. Only Love
    The Armed
  5. God’s Favorite Customer
    Father John Misty
  6. You Won’t Get What You Want
    Daughters
  7. Lush
    Snail Mail
  8. In a Poem Unlimited
    US Girls
  9. Singularity
    Jon Hopkins
  10. The Future Me Hates Me
    The Beths

— G —

  1. Be the Cowboy
    Mitski
  2. God’s Favorite Customer
    Father John Misty
  3. Something in the Rain (OST)
    이남연 & Rachel Yamagata
  4. Lush
    Snail Mail
  5. Boygenius
    Boygenius
  6. 7
    Beach House
  7. Big Red Machine
    Big Red Machine
  8. Love is Dead
    Chvrches
  9. You, Forever
    Sam Evian
  10. Hell-On
    Neko Case

— E —

  1. It Won/t Be Like This All the Time
    The Twilight Sad
  2. All Mirrors
    Angel Olsen
  3. U.F.O.F.
    Big Thief
  4. Remind Me Tomorrow
    Sharon Van Etten
  5. Reward
    Cate Le Bon
  6. Titanic Rising
    Weyes Blood
  7. Ghosteen
    Nick Cave & the Bad Seeds
  8. Anima
    Thom Yorke
  9. 2020
    Richard Dawson
  10. Two Hands
    Big Thief

— G —

  1. Forever Overhead
    Tim Baker
  2. Cala
    Fionn Regan
  3. Better Oblivion Community Center
    Better Oblivion Community Center
  4. My Finest Work Yet
    Andrew Bird
  5. Titanic Rising
    Weyes Blood
  6. Tomb
    Angelo De Augustine
  7. Father of the Bride
    Vampire Weekend
  8. Remind Me Tomorrow
    Sharon Van Etten
  9. Anima
    Thom Yorke
  10. Immunity
    Clairo

See our lists from 2000-2009 here.






A Decade of Bests (2000-2009)

When we first launched Lost in the Cloud in 2010, we were on a roll from our previous blog, hoping to take LITC into different territory. One thing we carried over from our previous blog was our love for lists, especially music lists. We began Lost in the Cloud with productive intentions, but life, as it can so often do, got in the way of our keeping up with the blog.

For the first six years, we were diligent in posting the lists of our favourite albums of the year, complete with short descriptions of each. In those last couple of dwindling years, our ‘Best Albums’ lists were becoming the only new material we were producing for the blog. In time, even that dropped off of our list of priorities and Lost in the Cloud went quiet.

This year, we have decided to revisit our ‘Best Albums’ lists and to even elaborate on our whole ‘Best Albums’ corpus by travelling all the way back to the prehistoric year that was 2000. This post is part one of two. With hindsight and in living with particular albums for longer, we have compiled lists of our ten favourite albums for each year from 2000-2019. Perhaps these lists will be of some interest for those who wish to walk down Memory Lane, or indeed, for those who might wonder if any of these [subjective] gems passed them by (as we have discovered from comparing our respective lists). Whatever you—dear reader—might glean from our produce, we are grateful for the opportunity to indulge in our list-making and music-listening passions here.

Elijah & Greg


— E —

  1. Figure 8
    Elliott Smith
  2. Kid A
    Radiohead
  3. The Sophtware Slump
    Grandaddy
  4. Lift Your Skinny Fists Like Antennas to Heaven
    Godspeed You! Black Emperor
  5. ÁGÆTIS BYRJUN
    Sigur Rós
  6. Bachelor No. 2
    Aimee Mann
  7. Winners Never Quit
    Pedro the Lion
  8. Stories from the City, Stories from the Sea
    PJ Harvey
  9. And Then Nothing Turned Itself Inside-Out
    Yo La Tengo
  10. Rising Tide
    Sunny Day Real Estate

— G —

  1. Kid A
    Radiohead
  2. Figure 8
    Elliott Smith
  3. Bachelor No. 2
    Aimee Mann
  4. All That You Can’t Leave Behind
    U2
  5. ÁGÆTIS BYRJUN
    Sigur Rós
  6. Fever & Mirrors
    Bright Eyes
  7. Heartbreaker
    Ryan Adams
  8. Rising Tide
    Sunny Day Real Estate
  9. Winners Never Quit
    Pedro the Lion
  10. MASS ROMANTIC
    The New Pornographers

— E —

  1. Amnesiac
    Radiohead
  2. Jane Doe
    Converge
  3. The Glow, Pt. 2
    The Microphones
  4. White Blood Cells
    The White Stripes
  5. Blue Screen Life
    Pinback
  6. Hot Shots II
    The Beta Band
  7. Vespertine
    Björk
  8. “Love and Theft”
    Bob Dylan
  9. The Photo Album
    Death Cab for Cutie
  10. Discovery
    Daft Punk

— G —

  1. The Texas-Jerusalem Crossroads
    Lift to Experience
  2. Oh, Inverted World
    The Shins
  3. Asleep in the back
    Elbow
  4. Musicforthemorningafter
    Pete Yorn
  5. Origin of Symmetry
    Muse
  6. The Invisible Band
    Travis
  7. The Only Reason I Feel Secure
    Pedro the Lion
  8. Skyscraper National Park
    Hayden
  9. The Photo Album
    Death Cab for Cutie
  10. AMNESIAC
    Radiohead

— E —

  1. Control 
    Pedro the Lion
  2. Turn on the Bright Lights 
    Interpol
  3. Fantastic Damage 
    El-P
  4. Alice / Blood Money
    Tom Waits
  5. The Creek Drank the Cradle
    Iron & Wine
  6. Sea Change
    Beck
  7. Unfortunately We’re Not Robots
    Curl Up & Die
  8. [AB] Life
    mewithoutYou
  9. We Are the Only Friends We Have
    Piebald
  10. Give Up
    Postal Service

— G —

  1. Control
    Pedro the Lion
  2. Lifted or The Story Is in the Soil, Keep Your Ear to the Ground
    Bright Eyes
  3. The Creek Drank the Cradle
    Iron & Wine
  4. Sea Change
    Beck
  5. The Last Broadcast 
    Doves
  6. Give Up 
    Postal Service
  7. A Rush of Blood to the Head 
    Coldplay
  8. Yankee Hotel Foxtrot
    Wilco
  9. Turn on the Bright Lights 
    Interpol
  10. The Seamonsters
    The Seamonsters

— E —

  1. Greetings from Michigan: The Great Lakes State 
    Sufjan Stevens
  2. The Ugly Organ 
    Cursive
  3. Hail to the Thief 
    Radiohead
  4. The Earth is Not a Cold Dead Place 
    Explosions in the Sky
  5. Sumday
    Grandaddy
  6. You Forgot it in People 
    Broken Social Scene
  7. Dear Catastrophe Waitress 
    Belle & Sebastian
  8. Monday at the Hug & Pint 
    Arab Strap
  9. Frail Words Collapse 
    As I Lay Dying
  10. Happy Songs for Happy People
    Mogwai

— G —

  1. Greetings from Michigan: The Great Lakes State 
    Sufjan Stevens
  2. Hail to the Thief
    Radiohead
  3. Cast of Thousands
    Elbow
  4. Absolution
    Muse
  5. Final Straw
    Snow Patrol
  6. Marvelous Things EP
    Eisley
  7. O
    Damien Rice
  8. Transatlanticism
    Death Cab for Cutie
  9. Log 22
    Bettie Serveert
  10. Desprate Youth, Blood Thirsty Babes
    TV on the Radio

— E —

  1. From a Basement on a Hill
    Elliott Smith
  2. Funeral
    Arcade Fire
  3. Seven Swans
    Sufjan Stevens
  4. Antics
    Interpol
  5. You Are the Quarry
    Morrissey
  6. Sung Tongs
    Animal Collective
  7. Achilles Heel
    Pedro the Lion
  8. Our Endless Numbered Days
    Iron & Wine
  9. A
    Cass McCombs
  10. How It Ends
    DeVotchKa

— G —

  1. Sung Tongs
    Animal Collective
  2. From a Basement on a Hill
    Elliott Smith
  3. Antics
    Interpol
  4. Seven Swans
    Sufjan Stevens
  5. Achilles Heel
    Pedro the Lion
  6. Our Endless Numbered Days
    Iron & Wine
  7. FUNERAL
    Arcade Fire
  8. The Autumns
    The Autumns
  9. How It Ends
    DeVotchKa
  10. Turning Tide
    The Seamonsters

— E —

  1. Illinois 
    Sufjan Stevens
  2. The One Above All, The End of All That Is 
    Curl Up & Die
  3. Emoh 
    Lou Barlow
  4. Takk...
    Sigur Rós
  5. Feels 
    Animal Collective
  6. LCD Soundsystem 
    LCD Soundsystem
  7. Headphones 
    Headphones
  8. And the Glass Handed Kites 
    Mew
  9. Guero 
    Beck
  10. Surf
    Roddy Frame

— G —

  1. Illinois
    Sufjan Stevens
  2. Takk...
    Sigur Rós
  3. Several Arrows Later
    Matt Pond PA
  4. Silent Alarm
    Bloc Party
  5. Feels
    Animal Collective
  6. Emoh
    Lou Barlow
  7. Andrew Bird & the Mysterious Production of Eggs
    Andrew Bird
  8. I’m Wide Awake It’s Morning
    Bright Eyes
  9. Headphones
    Headphones
  10. Pixel Revolt
    John Vanderslice

— E —

  1. Yellow House 
    Grizzly Bear
  2. The Avalanche 
    Sufjan Stevens
  3. Happy Hollow
    Cursive
  4. No Heroes 
    Converge
  5. Everything All the Time 
    Band of Horses
  6. Victory for the Comic Muse 
    The Divine Comedy
  7. Orphans: Brawlers, Bawlers & Bastards 
    Tom Waits
  8. Sing the Greys 
    Frightened Rabbit
  9. Brother, Sister
    mewithoutYou
  10. The Eraser 
    Thom Yorke

— G —

  1. The Avalanche
    Sufjan Stevens
  2. Gang of Losers
    The Dears
  3. The End of History
    Fionn Regan
  4. The Eraser
    Thom Yorke
  5. Begin to Hope
    Regina Spektor
  6. Everything All the Time
    Band of Horses
  7. Sing the Greys
    Frightened Rabbit
  8. The Cost
    The Frames
  9. Fox Confessor Brings the Flood
    Neko Case
  10. Camping by the Railroad Tracks in December
    Harmony and Pollution

— E —

  1. Neon Bible
    Arcade Fire
  2. In Rainbows
    Radiohead
  3. Sound of Silver
    LCD Soundsystem
  4. Fourteen Autumns and Fifteen Winters
    The Twilight Sad
  5. Strawberry Jam
    Animal Collective
  6. White Chalk
    PJ Harvey
  7. Cease to Begin
    Band of Horses
  8. Dance Tonight! Revolution Tomorrow!
    Orchid
  9. The Shepherd’s Dog
    Iron & Wine
  10. Person pitch
    Panda Bear

— G —

  1. In Rainbows
    Radiohead
  2. Strawberry Jam
    Animal Collective
  3. Boxer
    The National
  4. A Few More Published Studies
    The XYZ Affair
  5. Wincing the Night Away
    The Shins
  6. PERSON PITCH
    Panda Bear
  7. Cease to Begin
    Band of Horses
  8. A WEEKEND IN THE CITY
    Bloc Party
  9. Voxtrot
    Voxtrot
  10. Neon Bible
    Arcade Fire

— E —

  1. The Midnight Organ Fight
    Frightened Rabbit
  2. Songs in A&E
    Spiritualized
  3. Fleet Foxes
    Fleet Foxes
  4. In Ear Park
    Department of Eagles
  5. Dig That Treasure
    Cryptacize
  6. Dropping the Writ
    Cass McCombs
  7. Microcastle
    Deerhunter
  8. Everything That Happens Will Happen Today
    David Byrne & Brian Eno
  9. In Ghost Colours
    Cut Copy
  10. Rip It Off
    Times New Viking

— G —

  1. The Midnight Organ Fight
    Frightened Rabbit
  2. Fleet Foxes
    Fleet Foxes
  3. The Seldom Seen Kid
    Elbow
  4. Vampire Weekend
    Vampire Weekend
  5. Með Suð Í Eyrum Við Spilum Endalaust
    Sigur Rós
  6. Dropping the Writ
    Cass McCombs
  7. Words & Music
    Aqualung
  8. In Ear Park
    Department of Eagles
  9. At War with Walls & Mazes
    Son Lux
  10. @#%&*! Smilers
    Aimee Mann

— E —

  1. Veckatimest
    Grizzly Bear
  2. Merriweather Post Pavilion
    Animal Collective
  3. Axe to Fall
    Converge
  4. Album
    Girls
  5. Forget the Night Ahead
    The Twilight Sad
  6. Logos
    Atlas Sound
  7. These Four Walls
    We Were Promised Jetpacks
  8. Mythomania
    Cryptacize
  9. The Pains of Being Pure at Heart
    The Pains of Being Pure at Heart
  10. Curse Your Branches
    David Bazan

— G —

  1. Merriweather Post Pavilion
    Animal Collective
  2. Middle Cyclone
    Neko Case
  3. Curse Your Branches
    David Bazan
  4. Veckatimest
    Grizzly Bear
  5. Far
    Regina Spektor
  6. Romanian Names
    John Vanderslice
  7. Oh My God, Charlie Darwin
    The Low Anthem
  8. Hospice
    The Antlers
  9. Manners
    Passion Pit
  10. Goodnight Unknown
    Lou Barlow

See our lists from 2010-2019 here.

Best Albums of 2013

BAo13

We finished this list with but a single day left in the year.  We did not forget about you, dear readers, for we know that you would be lost in a musical netherworld without us to guide you out like Orpheus leading Eurydice by the hand (shout out to Arcade Fire!).  We’ve scoured the globe (quite literally) for the finest tunes in 2013.  There were some outstanding albums this year, about which you shall soon read, but the year was not without its disappointments (for us, this would be albums from Atoms for Peace, John Vanderslice, Josh Ritter, and to some extent, Sigur Rós).  And you won’t soon find Kanye West’s Yeezus anywhere near our list (have we poisoned the well for some readers?).  Still, it was a solid year, a year that the annals of music will look back on with a double thumbs up, if not quite a leaping in the air high-five.  So without further ado, we give you Lost in the Cloud’s Best Albums of 2013.

Love,

Greg & Elijah

Elijah’s Top 10 Albums of 2013

guessing the others10. guessing the others  swimming in speakers — I was first made aware of swimming in speakers by our resident Band Evangelist, Greg, back in April.  Duo Christopher Clarke and Meadow Elizabeth Erskine present a fine collection of both timeless and timely tunes, hearkening back to yesteryear’s American and Western European folk traditions whilst also venturing into the freak-folk electronica wave (and doing it oh, so well!).  Erskine is also behind the design of the very delicate album art.  They’ve not received an awful lot of press, but hear you me, keep an eye and an ear out for swimming in speakers.

Phosphorescent  Muchacho9. Muchacho  Phosphorescent — 2013 was a great year for the advancement of the freak-folk movement.  Combining Eno-esque production with Brian Wilson-esque harmonies and the country charm of Willie Nelson, singer-songwriter Matthew Houck has struck gold.  With Muchacho, Houck produces aural sweetness on every level, highlighted by his wavering voice.  Every second of the expertly produced 46:28 minutes wash over the listener like a warm Southern breeze.  And it’s not short of hoots and hollers neither!

Love's Crushing Diamond8. Love’s Crushing Diamond  Mutual Benefit — I must be on a desperate singer-songwriter bent this year.  Although Jordan Lee has been producing through his project Mutual Benefit for more than four years, this is his first LP, and although it’s running time is hardly over a half hour, it is well worth the four year wait.  This album caught me out of nowhere.  As with my number nine and ten albums, there’s a sweetness and maturity to the production of Love’s Crushing Diamond that keeps the listener eager for more.

Trouble Will Find Me7. Trouble Will Find Me  The National — As Greg pointed out, singer Matt Berninger’s voice might not be for everyone.  But like Greg, it’s for me.  And it might be for you.  Now, when I first heard 2007’s Boxer, I was unconvinced.  I found the music rather, dare I say, boring.  I’ll admit that Boxer has not yet become for me what it is for so many of my esteemed colleagues (one of Greg’s Top 50 Albums, for instance), but The National’s previous record, 2010’s High Violet, changed my opinion.  Trouble Will Find Me has only encouraged this continued trend of admiration, with more of the same of what The National always does, but somehow through those obscure lyrics and linear songwriting, they bring you through the mire and give you hope.

Monomania6. Monomania  Deerhunter — I wasn’t ashamed to admit that I wasn’t taken with Bradford Cox’s previous release (as Atlas Sound).  2011’s Parallax was my biggest disappointment that year.  It has a few gems, but by and large I found it boring.  It lacked the magic that flowed forth from all of Deerhunter and Atlas Sound’s previous releases.  So I approached Monomania with caution.  I almost let it slip past me this year, but I must thank my lucky stars that it didn’t.  It’s a departure from Deerhunter’s previous release, 2010’s Halcyon Digest (my third favourite record that year), but definitely a departure in a brilliant direction.  The album starts with a growl and persists with some heavy garage rock. Cox’s vocals oscillate between their typical dulcet tones to heavy distortion, reminiscent of The Stooges.  The guitars seldom let up.  All in all, I think I can sum up this album in one word: exquisite!

Secret Soundz, vol. 25. Secret Soundz, Vol. 2  The Pictish Trail — 2013 has been an eventful year for Johnny Lynch (aka The Pictish Trail), most notably when he announced (seemingly prematurely) that the King Creosote (Kenny Anderson)-founded, Johnny Lynch-run label, Fence Records, was to cease operations (the link to this announcement is now dead).  Since then, Kenny has announced that Fence is still alive and kicking and Johnny has launched Lost Map, taking with him several Fence regulars.  In the midst of this reshuffle, The Pictish Trail has released his first record since 2010’s In Rooms (which isn’t exactly your typical LP, consisting of 50 30-second songs).  For those of us eager to get our hands on The Pictish Trail’s newest tunes, which have speckled Johnny’s live sets for the last few years, Secret Soundz, Vol. 2 comes as a great relief, and if The Pictish Trail hasn’t exactly on your radar over the last decade, you should change that right now.  With his typical fine balance of earnestness and levity, something reminiscent of David Bazan (and not just because of the beard), The Pictish Trail acts as something of a spiritual intercession for us, a prophet who guides us through the banality and pain of life, but with a bold sense of hope on the horizon.

Partygoing4. Partygoing  Future Bible Heroes — I’ve been a fan of Stephin Meritt and Claudia Gonson’s band The Magnetic Fields for some time now, but I wasn’t completely sold on last year’s Love at the Bottom of the Sea.  Upon hearing that their electronica-based project Future Bible Heroes was to release their first record in over a decade, I had mixed expectations, but decided to give it a go anyway.  (*I wish to emphasize that the presence of Futura typeface and a kilt on the album cover had nothing to do with my willingness to listen to this record.)  Partygoing proved to be one of my biggest surprises of the year – and to think that it nearly passed me by!  Ever present are Meritt’s reflections on love, death and darkness, sprinkled with irony and humour, simple songs that prove incredibly touching without resorting to sentimental kitsch.  Chris Ewen’s accompaniment provides the perfect backdrop for Meritt and Gonson’s vocals and as a whole, the record shines.

Wandrous Bughouse3. Wondrous Bughouse  Youth Lagoon — Youth Lagoon’s first record, The Year of Hibernation, came as a great surprise to me back in 2011, especially considering it was the produce of then 22-year-old Trevor Powers in some shack in Idaho.  It came in fourth that year, just behind PJ Harvey’s Mercury-prize winning Let England ShakeThe Year of Hibernation was an inspired record and what it lacked in orchestration (which was very little) it made up for in innocence and artistic purity.  Any orchestral and production gap has been closed on Wondrous Bughouse.  The maturity of Powers’ songwriting and production is staggering, offering echoes of the later output of The Beatles and Elliott Smith.  Still present is Trevor Powers’ unique voice (both literally and figuratively), but with more confidence and tact than his debut release.

Pedestrian Verse2. Pedestrian Verse  Frightened Rabbit — It should come as no surprise that Frightened Rabbit’s Pedestrian Verse is featured near the top of this list.  Their last full length, 2010’s The Winter of Mixed Drinks, ranked very high on both my (number 3) and Greg’s (number 2) Top 10 Lists that year and their 2008 record The Midnight Organ Fight is one of the shared entries from both my and Greg’s Top 50 Albums of all time.  Needless to say, we love us some Frightened Rabbit.  With the release of two EPs since The Winter of Mixed Drinks, 2011’s A Frightened Rabbit EP and last year’s State Hospital, our inflated sense anticipation could only amount to disappointment with Pedestrian Verse, right?  WRONG.  With instant classics such as ‘Acts Of Man’, ‘Backyard Skulls’, ‘Holy’, ‘The Woodpile’, ‘Late March, Death March’, ‘December’s Traditions’, ‘Housing (in)’, ‘Dead Now’, ‘State Hospital’, ‘Nitrous Gas’, ‘Housing (out)’, ‘The Oil Slick’ (yes, that’s the whole album…), Pedestrian Verse somehow proves even more accessible (and perhaps even more complete) than any of their previous releases.  There’s a great sense of honesty in all of Frightened Rabbit’s music, and here with Pedestrian Verse, singer Scott Hutchison further exposes his own tendency toward immature sentimentality and gives us something more upon which we might latch in order to keep our heads above the waves.

Reflektor1. Reflektor  Arcade Fire — When I first heard this record I knew it was going to be on this list, but I didn’t expect it to be number one.  But as with most of the music I find worth listening to, Reflektor is a grower.  Being the silly man that I am, I wasn’t a fan of Arcade Fire’s first record.  When Greg and I decided to share duties when reviewing our shared Top 10 Albums entries in 2010 I dodged this confession by having Greg do The Suburbs writeup.  These days I find Funeral far more listenable, but you still won’t find it anywhere near the top of my favourite albums list.  The same goes for their second release, Neon Bible.  I found certain songs on both records very strong, but it wasn’t until The Suburbs that I found myself completely enamoured with an entire Arcade Fire record.  This might put a foul taste in the mouths of some of our LITC readers and maybe for ‘Arcade Fire purists’ the placement of Reflektor here at the number one spot—in light of my mixed feelings regarding Funeral, in particular—is seen as sad and weak.  But for these things, I am unapologetic.  Early Arcade Fire’s unsteady musical footing and maudlin lyrical content was wasted on me.  But with Reflektor the band has reached musical nirvana.  Conceptually, intellectually, musically, lyrically – it’s all there, stripping back contemporary pop sensibilities and gifting us with an organic piece of pop genius.  And as I said before, Reflektor is a grower.  The tracks I once considered weaker, the last five, are now the ones I to which I cannot stop listening.  They hammer home some of the conceptual genius of Reflektor, this play between Eurydice and Orpheus (see the Rodin sculpture which features prominently the cover of the album) and the paradoxical insanity of the ‘Present Age’ (see Kierkegaard’s Two Ages).  In the midst of the convergence of these themes, Reflector also proves highly listenable, echoing the bodily and rhythmic sensibilities of a Haitian carnival.  So if you’ve not already, find yourself a comfy seat this New Year’s Day and Reflekt.

Honourable Mentions

  • Once I Was an Eagle  Laura Marling
  • Sub Verses  Akron/Family
  • Desire Lines  Camera Obscura
  • Tomorrow’s Harvest  Boards of Canada
  • Everyday I Get Closer to the Light from Which I Came  Jesu
  • Country Sleep  Night Beds
  • {Awayland}  Villagers

Greg’s Top 10 Albums of 2013

The Weight of the Globelily_and_madeleine_cover110. Lily & Madeleine/The Weight of the Globe EP  Lily & Madeleine — Based on their EP alone (buy the deluxe version of it, for the heavenly spare acoustic versions), these teenage sisters belong on this list, but their autumnal (both chronologically and stylistically) LP had a number of outstanding tracks as well (though didn’t completely live up to the trajectory their earlier work had promised). They are best when outside production & instrumentation is minimal and the simplicity of their voices intertwining with timeless lyrics over rudimentary piano or guitar are left to enchant the listener.  Listen to EP tracks “In the Middle” and “Back to the River” and album cuts “Disappearing Heart” and “Paradise.”

We're Not Lost9. We’re Not Lost  The Show Ponies — I chipped in a bit for this local LA band’s fundraising campaign to make this album, so hopefully it’s not a conflict of interest to place it on the list. First of all, they are a kick in the pants to see live (they’ve played twice at my church this year–pretty amazing to have such a talented band come to your door). But though their energy is infectious and exhilarating, I think they’re actually at their finest when they let the soulful, Appalachian-tinged violin of Phil Glenn (really the finest calibre of musician imaginable, though all of the musicians in this band are profoundly talented) wander among the rich harmonies of the two lead vocals in their slower numbers. Check out “Gone,” “We’re Not Lost,” “Pieces of the Past,” and “The River”–keep an eye and an ear open for these kids, cause they’re going places (I just read Elijah’s review of swimming in speakers’ album and saw that he had written something exactly like what I just wrote–only he wrote his review last week. Me and this guy are twinsies, for realz).

Us Alone8. Us Alone  Hayden — His last two albums have also been on my top 10 lists in 2007 & 2009…there’s just something about Hayden’s idiosyncratic songwriting style; his moody, introspective lyrics; and his naturally gifted musicianship (he’s playing all the instruments on this album) that resonates with me at a pretty deep level—but I always give the caveat that Hayden is not for everyone.  What some find morose, I find beautifully melancholy.  I’m in line with one of the fans he sings about, for whom music was once “Almost Everything,” a song which is a profound & bittersweet capsule of his career. I love the lyrical fast one he pulls on “Motel”—parents of young children will appreciate his escapist fantasy. “Blurry Nights” is a lovely duet with his sister-in-law, Lou Canon, whose self-titled album from 2011 Hayden produced. And “Instructions” is a haunting, yet sweet song about what to do with his remains once he’s died. Only Hayden…

Lives7. The Lives Inside The Lines In Your Hand/Threep  Matt Pond — This kind of smooth-throated, melodic pop is where Elijah and I part ways (he’s more of a raw-throated, energetic punk enthusiast). But Matt Pond makes songs that I love listening to. His album (The Lives…) is solid, confident, and catchy, but especially great on “Love to Get Used” (a favorite song from this year) and “Human Beings;” the EP (a combination of Three EP’s, I presume, that I got off NoiseTrade) has some great instrumentals (which I’m not usually fond of in any genre) and outstanding tracks in “Starting” and “Remains.”

Modern Vampires of the City6. Modern Vampires of the City  Vampire Weekend — I really enjoyed this album so much & this despite my own reticence (being that VW are over-hyped, schticky, pretentious origins, etc.). Yet from start to finish, it is a polished, captivating album, asking questions that go so much deeper than the value of an Oxford comma. Listening to this record, I found myself moved to ponder, enchanted to pick through the layers of instrumentation, and I even chuckled more than a few times at the brilliant/dense lyrics and their delivery. They’ve won me over with this one…”Step” was a song of the year, and “Don’t Lie” and “Hudson” are highlights among the many great tracks on this album.

Once I Was an Eagle5. Once I Was an Eagle  Laura Marling — This is one of those records that has to be listened to (and appreciated) as a whole album.  It’s hard to pull a track out of this organic work, which feels like a poetic self-declaration of independence (I don’t know from whom or what) whilst simultaneously a homage to musical dependance upon a host of singer-songwriters, so I can only recommend that you take an hour, put this on, and lose yourself in this roaming, searching acoustic masterpiece that exists somewhere between Joni Mitchell and PJ Harvey.

Alone Aboard the Ark4. Alone Aboard the Ark  The Leisure Society — The work of British musical gadabout Nick Hemming, the songs on this album borrow from a wide variety of genres, yet Hemming’s wry and knowing voice, along with his timelessly assured songsmithery, literary wordplay, and the band’s orchestral accompaniment bear the indelible stamp of a band in the tradition of late 1960’s Kinks, yet one which also adds multiple other layers of complexity.  There’s not a bad track on the album, but from “The Sober Scent of Paper” on, it just gets unbelievably good (especially “Everyone Understands” and “We Go Together”). Shout out to my mate Wade for hooking me up with this band, whom I’ve never heard from outside of his recommendation.

Trouble Will Find Me3. Trouble Will Find Me  The National  — This is one of the best bands around today; heaps and heaps of talent and style; truly distinctive: musically, vocally, & lyrically. That all being said, about half of this album—the more upbeat half—somehow feels a bit like they are on autopilot, which is to say, just cruising at a high altitude, but not really soaring. As to the other half? Genius unparalleled. “Demons” was simply one of my favorite songs of the year and there are three songs at the end of the album that stand among the cleverest and loveliest songs I’ve EVER heard: “Slipped,” “Pink Rabbits,” and “Hard to Find.” I could listen to them on infinite desert islands.

Pedestrian Verse2. Pedestrian Verse  Frightened Rabbit — For those of you who know how much Elijah and I profoundly admire these Scots, it might seem inevitable that their new album would rank so highly. To which, I say, “Nae!” These guys have earned this place (though I’m sad to see this album has not ranked as high on many end of year lists), producing their third masterpiece in a row—albeit one that has fewer of the anthemic odes to the suicidal, desperate, or simply screwed up (though they have achieved a near apotheosis of this genre in “State Hospital”).  Even though they’re digging the knife in at religious folk like myself in a number of tracks, their masterful songcraft, propulsive and perfectly complimentary musicianship, and esprit de sadcore leads me to absolve them of this pettiness (though I have to say, the criticisms of religious hypocritical condemners feels pretty tired–we get it, there are mean, small-minded people in the church…and everywhere else too).  They are one of the few groups that consistently make important music nowadays (or “Music Now” as they might say).  Tracks to check out: EVERY ONE, except “December’s Traditions,” but especially the first five tracks, climaxing with the epic anti-social love song “The Woodpile.” And make sure to get the Bonus Tracks too. (Got to see them play live this year—they are unbelievably amazing. Don’t ever miss an opportunity to see them play. Just, don’t, ok?)

neko-case-13776170351. The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You  Neko Case — The first time I played this album, I knew it would get under my skin and did it ever. It’s funny that the first single, “Man,” is the one song I actually can’t stand. But every other song on here has Case’s Queen Midas songwriting touch all over them. She is tender, intimidating, self-deprecating, illuminating, sometimes shining like the only star in the night sky, other times whispering through the crack of a closet door. At one point, she sings, “I wanted so badly not to be me”—but how could anyone listen to this album and not feel exquisitely grateful that she is exactly who she is? Her “Nearly Midnight, Honolulu” is poignant to a breaking poi(g)nt. There is some powerful musical experimentation happening here too; the music walks a tight rope, careening & almost losing balance, but ultimately it only makes you unable to take your eyes (and ears) off of what is happening. All of the fighting in the title was worth it. You rule, Ms. Case.

Honorable Mentions

  • Reflektor  Arcade Fire — I’ll just be honest and say that I haven’t actually listened to this album enough times to really justify NOT including it on the top ten. My first few listens were not that gratifying, sensing a bit of unredeemed pretension (which AF always have, but which they most often transcend) and visible effort, so I put the album on hold. But there were enough tracks on the double album that really did have some of the old magic and made me think when I really settle down and sink my teeth into this, it will be rewarding. Favorite tracks thus far include: “Here Comes the Night Time,” “Joan of Arc,” and “Afterlife.”
  • Regions Of Light And Sound Of God  Jim James — There was something strangely magnetic about this album to me. I found James to be some kind of hillbilly mystic wunderkind. I don’t know why it’s compelling to listen to a man chant vowels & nursery rhymes (as he does on “State of the Art (A.E.I.O.U)” but the more I listened to this, the more fascinated I became. Also listen to “Dear One” and “All Is Forgiven.” (Don’t hate me, Wade!)
  • Defend Yourself  Sebadoh — In some sense, this is a return to old-school Sebadoh of 1994’s Bakesale, but all that really means to me is that there are some amazing Lou Barlow tracks (though nothing quite up to his best material) like “I Will,” “Calves of Champions,” and “Let It Out,” mixed in with some interesting, noisy, but lesser tracks from the other two band members.
  • Bigfoot  Cayucas — I really liked the first four tracks off this album; the main shortcoming is that it feels like Vampire Weekend’s first album a few too many years late (and a bit of a Pet Sounds rip-off at times too–Brian Wilson could sue over “A Summer Thing.”)  The lyrics often get to be a bit too much. But worth a good listen…
  • Somewhere Else Indians
  • Love Cloud Cult
  • Stiches Califone

Albums I Never Got to REALLY Listen to Which I Wish I Would Have

Big Wheel and Others  Cass McCombs; We Are the 21st Century Ambassadors of Peace & Magic  Foxyygen; Hummingbird  Local Natives; White Lighter  Typhoon; and nearly everything on Elijah’s list.

Band Evangelist, ch. 5

It’s been over a year now since I wrote my last chapter of “Band Evangelist.”  How is that even possible?  Well, I suppose that sometimes there are periods of silence between the testaments, right?

In any case, here’s a run down of some of the really amazing music that is already available, or is coming out this year.  So far, I think it’s going to be a banner year for us indie-disciples…and here’s the why and what for of the first part of 2013 in music (skip to the end to start playing some tunes as you read along!):

  • Pedestrian VerseFrightened Rabbit (February 1):  Will definitely end up on my top 10 of the year.  These guys are reaching a level of infallible music-making that should secure their place in the pantheon of rock demi-gods (though I’m a strict indie-monotheist–as in “Glory be to S-FJ-N”–there is a certainly room for a henotheistic heavenly council).  Speaking of gods, FR are a bit rough on us believers on this album, as in MULTIPLE tracks talking about how hypocritical, naive, and oppressive Christians can be (a bit of cliche by this point, no?), but man can these boys write a beautiful song full of disdain.  Talent oozing like oil slicks on the North Sea.  Maybe the Prophet (Elijah) can give some insight into the Scottish Catholicism (?) that has turned these boys’ stomachs so deeply against Mother Kirk.  PS The deluxe version of this album has some solid bonus tracks and concert DVD material.
  • Country Sleep – Night Beds (February 1):  I have to give full credit to my boy Wade for turning me onto this gorgeous album out of nowhere.  I told him that they sounded like the prettiest of Ryan Adam’s mellow songs (at which point, he began playing a new Ryan Adams album I hadn’t heard…losing my prophetic edge here!) mixed with kind of a Bon Iver frozen hauntedness.  Highly recommend a full listen to this!
  • Us AloneHayden (February 5):  I always say that Hayden is an acquired taste, so this album is not for everyone & probably not even for his fair-weather fans.  More the real followers–the kind for whom his music is almost everything.  But great, mature songwriting, tasteful little jams, & uniquely clever musings all around.
  • The Lives Inside the Lines in Your Hand Matt Pond (February 5):  He lost the PA that used to follow his name, but he’s written an album that holds up to the best of his earlier work (Several Arrows Later, for my money).  If you can’t take lovely-throated, hook-filled indie-pop with sunny melodies covering dark lyrical waters, then look elsewhere.
  • guessing the others – swimming in speakers (February 5):  I can’t tell you how this strange, lo-fi, folky-electronic outfit with a whimsically beautiful female lead voice came to my attention, but it has become a go-to mood elevator in the same way watching Amelie can change my perspective from cynical to wonder-filled.
  • Days Into YearsElliott Brood (February 28):  Interestingly, though I am not a tremendous Ryan Adams fan, this band also reminded me of his smoky voice over Neil Young crunchy guitars and often a Band of Horses retro-rock cool.  I still need to sit with this album more, but I’d give it a solid recommendation already (also thanks to Wade).
  • Sub-VersesAkron/Family (April 30):  I would call myself a casual fan of this band–I have most of their albums and enjoy some tracks immensely while others are more solidly moderate.  But the two songs I’ve heard from this new release (below) produced a Pavlovian reaction of aural drool leading to one-click ordering.
  • Modern Vampires of the City Vampire Weekend (May 7):  I think there’s been sufficient backlash against VW that we can look past the hype, calculated affect, and branding to simply listen to some lovely tunes that integrate  things like the harpischord and loopy bass lines with fragile, self-consciously hi/low lyrics that nevertheless pluck at the heartstrings.
  • Trouble Will Find MeThe National (May 21):  Some of you will not like Matt Berninger’s voice.  That’s ok.  I do & I love everything else about this fraternally-formed, preternaturally talented group.  They have a musical golden touch.  If this is for you, it will be the kind of trouble you would want to find you.  If not, just keep walking.
  • CurrentsEisley (May 28):  Now I’m getting into murky waters.  I haven’t followed this band of mostly female family members for a LONG time (sorry Wesley Chung), but something in me feels like this may be the album that brings me back.  But don’t take my word for it–just an intuition.
  • The Weight of the GlobeLily & Madeleine (June 11):   This find came to me via the Asthmatic Kitty email update (an epistle from the indie One’s priestly cult) & if the beauty of these two young ladies’ voices, melodies, and ageless lyricism doesn’t merit a head-shaking double take in any listener, then I have no ear, no eye, no soul.
  • OverseasOverseas (June 11):  This is a new project with David Bazan (former frontman for Christian indie-heroes Pedro the Lion & a talented, but faithless solo performer in his own right) and some other hipster guys from bands that exceed my coolness pay-grade.  Don’t know that I’m recommending this, as much as just putting it on your sonic radar.
  • Kveikur – Sigur Ros (June 18):   Sadly, I was not among the admirers of their most recent release, Valtari, which felt rather aimless and amorphous to me; however, supposedly they are moving to a more “direct, aggressive” style–which I’m not totally sure what that translates to (the video below doesn’t bode terribly well for me).  I am a Takk/Hvarf man myself, so that’s what I’m secretly hoping for a return to.

There are a few other upcoming releases I have no details on, but believe should be amazing:  a new Arcade Fire album, surely one by Neko Case, and one by the lesser known but charmingly gifted Jeremy Messersmith.

Some misses of the year so far:  Josh Ritter‘s The Beast in it’s Tracks (a middling effort of post-divorce woe & rebound that’s mostly just depressing); I was utterly bored with the Thom Yorke project, Atoms for Peace; and don’t anyone tell my dear friend Matt Clatterbuck, but I sadly do not like the new Yo La Tengo either!

Question:  Did anyone get the new My Bloody Valentine?  Low’s The Invisible Way? The new Strokes?  Iron + Wine?  If so, what do you think?  I’d love to hear your thoughts and recommendations!!

Frightened Rabbit:

Night Beds:

Hayden:

Matt Pond:

Elliott Brood:

swimming in speakers:

Akron/Family:

Vampire Weekend:

The National:

Eisley:

Lily & Madeline:

Overseas:

Sigur Ros:

Best Albums (and more) of 2009 (thus farther)

Our own brilliant Elijah Wade Smith posted his favorite new albums of the year a bit early this year (August) [ELIJAH ADDS: and with a stated reason for doing so…], but I’d like to pick up where he left off and share some favorite albums from this year, along with my definitive songs of 2009 and one marvelous musical discovery…

Since Elijah already listed 4 of the albums I would have chosen (We Were Promised Jetpacks, Cass McCombs, Grizzly Bear and Animal Collective), I will use this space to highlight 10 other albums (3 of which earned an honorable mention from my esteemed colleague).  Between my regular CD purchases and my beloved eMusic account (which I was not paid in any way to mention), I was able to purchase around 50 albums this year, but I still feel like I have certainly neglected many more releases that should have been heard (e.g. I have not heard one note of the new Muse album).

Sadly, this year some of my favorite artists only turned out middling efforts at best (Andrew Bird, Jeremy Enigk, Imogen Heap, Patrick Watson) and deeply disappointing at worst (Doves, Pete Yorn, Morrissey).  The jury is still out on the new Swell Season album (feelings are ambivalent–is it too derivative or a purposeful homage?) and I intentionally neglected to include U2‘s album, as I am unable to evaluate their work in isolation from their status/body of work.  A final note:  though Sufjan Stevens‘ “The BQE” was released this October, it feels like it belongs to another year (2007, when it was initially performed)…I will say that I LOVED his “You Are the Blood” on the Dark Was the Night compilation, and of course, I admire his work in general more than anything else I’ve ever heard, so I’m sure any appraisal of it would be unfairly elevated as well.

Without further caveat, I give you (alphabetically listed) the best, with my best…

TOP TEN ALBUMS (not on Elijah’s list):

Counter-offensive? Um, what counter-off...oh, that.

• Lou Barlow—Goodnight Unknown: I would include Barlow amongst the best living American songwriters.  His stylistic range is somewhat limited (he’s practically copyrighted a particular kind of staccato down strum), but if it isn’t broke…(I couldn’t force the “ain’t” in there).  He’s lyrically sentimental on some songs, but it’s the tender truthful sort, and then in other places he’s brutally insightful.  A beautiful, rich album:  see “Gravitate,” “Too Much Freedom,” and “Modesty.”

• David Bazan—Curse Your Branches: To quote from the Barsuk Records press release:

“…Curse your branches is his masterpiece — a beautiful, passionate, profoundly courageous work of art that deserves and will reward your close attention. It is a deeply personal, frankly autobiographical dispatch from the front lines of a crisis of faith. Song after song peers deep into the abyss of insoluble mysteries and comes up with something far more useful than answers.”

Do I agree?  Maybe.  Still, it’s light years better than any of the shite that makes millions these days.

• Neko Case—Middle Cyclone: One day, I drove my sister-in-law Megan’s truck up to LAX to pick her up and this CD was in the player.  Love at first listen.  I knew her voice from The New Pornographers (lovely, fierce, voluptuous), but her singing her own melodies and lyrics = twisted longing & lovely loss.  The experience was so intensely moving I ended up listening to all 30 minutes of the last song–which is only the sound of crickets in the field outside her studio.

• Hayden—The Place Where We Lived: He was on my top 10 last year…how in the heck did he put another little gem together so quickly.  I will say that he may be an acquired taste, so do give this album a test run before you trust my quirk-happy palate.

• Lightning Dust—Infinite Light: I have no recollection of where I came across this album, but it’s a rare flower:  timeless (and therefore similar to what has come before) and unique (the quaver of the singer’s vibrato–again, may not be to all tastes–and her wry, experienced, and [creepy to say it] sexy delivery…kind of a Chick Jagger if you get my meaning).

• Passion Pit—Manners: The sound of this album is like eating a substantial meal of sweets.  I’m not sure if people can keep from loving this band…it is my kid’s number one choice off my iPod.  Unbelievable hooks, propulsive beats & a mystifying falsetto…

• The Low Anthem—Oh My God, Charlie Darwin: I’m just going to admit that before two weeks ago, I knew only the name of this band.  I am so seriously excited about looking more into this band, past & future…go to iTunes and listen to the first three songs (then skip the next two) and tell me you can’t hear the talent.  I’m anxious to figure out the evolution (if you will) of the lyrical themes, but it’s work I look forward to.

• Matt & Kim—Grand: Another admission–I only discovered this band because of the placement of their insanely catchy song “Daylight” in a Bacardi ad.  BUT these two performers give me hope for the next generation of bands…and they DIY’d it without the help of a guitar, fueled only by raw passion and teen spirit.

• The Mountain Goats—The Life of the World to Come: Every song is named after a passage from the Bible, but just listen to the lyrics and you’ll know you’re not in Jesusland:  “I became a crystal healer and my ministry was to the sick / Creeping vines would send out runners and seek me in their numbers / I sold self-help tapes.”  I would strongly recommend “Hebrews 11:40,” “1 John 4:16,” and “Deuteronomy 2:10.”  I haven’t yet looked up any of the scripture references, but I think that the passages will probably function in a way similar to the inspiration of the 10 commandments in Krysztof Kieślowski’s Decalogue.  Perhaps this could be a topic for some student of theology & culture…in Scotland?

• Regina Spektor—Far: This album almost didn’t make this list due to the dolphin noises she makes at exactly 2 minutes into “Folding Chair”–she needs a naysayer in her entourage.  But she can write a pop song or melancholy ballad with her piano and lovely, funny voice like nobody’s business (see “Laughing With,” “Human of the Year,” and “Genius Next Door” along with most of the other cuts…though “Machine” is a bit awkward as well).  She’s really amazing…

BEST SONGS OF THE YEAR:

I made an iMix of these which can be found by pasting the words “Sgt Grumbles Best Songs 2009” into the iTunes iMix search box…570 seconds of goodness at least.

  1. “Charlie Darwin”: The Low Anthem/Oh My God, Charlie Darwin
  2. “Hard To Be”:  David Bazan/Curse Your Branches
  3. “Dear God (Sincerely M.O.F.)”:  Monsters Of Folk/Monsters Of Folk
  4. “Ten Thousand Words”:  The Avett Brothers/I And Love And You
  5. “Laughing With”:  Regina Spektor/Far
  6. “Too Much Time”:  John Vanderslice/Romanian Names
  7. “Two Weeks”:  Grizzly Bear/Veckatimest
  8. “Little Secrets”:  Passion Pit/Manners
  9. “My Girls”:  Animal Collective/Merriweather Post Pavilion
  10. “Wondering What Everyone Knows”:  Lightning Dust/Infinite Light
  11. “Daylight”:  Matt and Kim/Grand
  12. “Modesty”:  Lou Barlow/Goodnight Unknown
  13. “The Pharoahs”:  Neko Case/Middle Cyclone
  14. “Deuteronomy 2:10”:  The Mountain Goats/The Life Of The World To Come
  15. “The Executioner’s Song”:  Cass McCombs/Catacombs
  16. “An Almighty Thud”:  We Were Promised Jetpacks/These Four Walls
  17. “I Want You Back”:  Discovery/LP
  18. “Let It Last”:  Hayden/The Place Where We Lived
  19. “Lille”:  Lisa Hannigan/Sea Sew

BEST DISCOVERY:

• The album The Texas/Jerusalem Crossroads by the band Lift to Experience.  I don’t completely know how to describe how important this album has become to me.  It is simply one of the most fascinating ALBUMS ever recorded, as in a musical composition where everything is working together towards one purpose/theme on EVERY LEVEL IMAGINABLE.  You listen to it, and you must listen to in IN ITS ENTIRETY & you feel like you are in some run down warehouse listening to them play, no CREATE–right there and then–this mad, apocalyptic masterpiece of beauty and fierce passion that is flowing in some profane mixture of Ahab-esque monomania and true divine inspiration.  I don’t have the inclination to ruin the bizarre experience of discerning the “tale” of this one-of-a-kind concept album, but here is a formula that may help give a sense of what we’re talking about here:

Jeff Buckley + Explosions in the Sky + My Bloody Valentine (the book of Revelation/ fundamentalist preacher’s kid) + Texan pride/outsider art (messiah complex) – worst album cover art ever (it looks like it was designed on Microsoft Word!) = one of the greatest albums ever

Hard to believe, but it is a damn MAGNUM .357 OPUS

I was going to include some books, but I’ve asked enough of your time.  I will be back with more later…