Tag Archive | Voxtrot

Band Evangelist, ch. 4

I have neglected my musical prophetic calling as of late, but LO, I have returned to separate the melodic wheat from the chaff and to baptize you in the tuneful rivers of new music (the evangelist metaphor is wearing thin, I know). I have put together a mix of some of the latest songs to catch my ear–cleverly entitled “2012: My Own Apocalypse”–but since sharing music online is a dangerous pastime, I will simply offer to send you a link to the songs  (if you know me, shoot me an email; if you don’t know me, post in the comments section and I should be able to see your email…AND make sure you are not an undercover agent of the RIAA!).  Most of the following artists I’ve highlighted have a track on this mix…

To begin with, two years ago, in my first “Band Evangelist” post, I lamented the break-up of a band that I believed had great potential to be among the indie greats:  The XYZ Affair.  Well, the singer of that band has just released a free 5-song EP under the moniker Leonard Friend.  It’s a bit more quasi-ironic 80’s electronic poppy than I might wish, but this singer/songwriter’s talent cannot be hidden under a bush & heck, it’s FREE!

Another singer/songwriter–Ramesh Srivastava–from a similarly lamented & potentially epic indie band that broke up several years ago–Voxtrot–has just released a few new songs as well, which can be heard for now at his website (the song “The King” was on my best of 2010 mix).  I think Ramesh may someday rise again like the phoenix to the heights he reached with Voxtrot (whose must-have songs include “The Start of Something,” “Fast Asleep,” “Firecracker;” their self-titled album from 2007 is worth a purchase, though not essential), but for now, these few songs are all we have to remind us of what could’ve been.

Some of the kings & queens of indie-dom from years past also have new albums out/coming out that must be reckoned with:

  • Andrew Bird/Break It Yourself (out now):  I did buy it & I do like it thus far.  I’m sure it will grow on me even more (straightaway, I was taken with the penultimate 3 tracks quite a bit).  The man is so multi-talented (composing melancholic melodies, playing guitar/violin/violin like a guitar/whistling, etc.), he cannot make a “bad album,” but to be honest, I think he could stand to have a producer other than himself (it lacks a sonic fullness and critical perspective that a talented outsider could have brought), he should focus his lyrical impressionism just a bit, and, this sounds harsh, but he needs to drop his brushes/soft kick drum percussionist Martin Dosh, who, while an incredibly talented musician himself, I think, brings out a soft-rock mildness and self-indulgence in the Bird that keeps him from attaining his full greatness on record (when they play live together, as a two-piece, they are able to create an entire symphony of sounds through looping).
  • The Shins/Port of Morrow (out now):  After a few listens, I am uncertain what I will ultimately think of these 10 tracks.  Having loved the early Shins, it is hard to see this new line-up, sans any other original member than singer/songwriter James Mercer, as anything more than just Mercer resurrecting a “brand” that’s proven to sell records.  But his voice & lyrics are so great to hear again (though the instrumentation on this album may have been a bit OVER-produced) and the old sparkle does emerge in some of the attempts to recapture the old Shins magic (much more glimmer than I found in the Mercer/Dangermouse collaboration, Broken Bells).
  • Daniel Rossen/Silent Hour/Golden Mile (out now):  This lovely throated & absurdly brilliant songwriter from Grizzly Bear and Department of Eagles has released a five-song EP that I have found wonderfully enchanting, lovely to the bones, and all other kinds of goodness.  Yep, you should buy it!
  • Sigur Rós/Valtari (May 29):  Now I have to admit that I am getting my hopes up ionospherically high for this forthcoming album–to the point that I do not want to hear any tracks until I have the album in my hands.  I was personally disappointed with singer/composer Jonsi‘s recent solo release, so I’m hopelandic (or Vonlenska, if you prefer) for a aural reconciliation between my fey Nordic friend and me.
  • Regina Spektor/What We Saw from the Cheap Seats (May 29):  I’m not totally sure what to think of this quirkstress any more.  I did love so much of her last album, Far, but the initial single for this album, “All the Rowboats,” is cloyingly precious (oh, poor paintings that want to escape from their museum prisons) and I fear the worst.  Still, she does have heaps of talent, a golden ear for melodies (until she kills them with an intentionally dissonant note to the throat), and a certain sweet naivete, so I’m certain I will give it a listen.
  • Other releases of note to check out or watch for include:  White Rabbits/Milk Famous (out now)–I don’t know much about them, but I love the song “Everyone Can’t Be Confused,” Damien Jurado/Maraqopa (out now)–“Museum of Flight” is pretty as all get out, Rufus Wainwright/Out of the Game (April 23), Silversun Pickups/Neck of the Woods (May 8), Beach House/Bloom (May 15)–the song “Myth” from this album is soaringly lovely, Best Coast/The Only Place (May 15)–get a free song off the album here, The Walkmen/Heaven (June 5), and a new Passion Pit album in June.  Post in the comments about any albums I missed!

SO those are releases from the KNOWN bands…but let me list out a few NEW (to me & perhaps you?) acts that I’d like to commend to you all:

  1. Sharon Van Etten/Tramp:  This singer-songwriter caught my ear with “Serpents” before I’d heard that The National‘s Aaron Dessner had played on/produced her album (which is reason enough to take note). Her voice is a mix between Cat Power, Kathleen Edwards, and Sarah Jaffe (who also shares a similar composing style & sound). This woman has an incredible future ahead of her.  I’ve been playing this album non-stop of late.
  2. Yellow Ostrich/Strange Land:  This LP is the apotheosis of indie-songsmithery.  Haunting at points (“Up in the Mountains,” “Wear Suits”), darkly epic at others (“Marathon Runner”) and hopping off walls at yet many other points.
  3. Pandercakes/Paint By Numbers EP:  I don’t quite remember how I heard about this band, but you can download some songs here.  Read this music blog to find out more about their sound, which I like immensely–densely layered & yet fun and catchy at the same time.
  4. Oberhofer/Time Capsules II:  I have only listened to one song of of this album (“Heart”) but it has set expectations quite high.  This song is a mix of Animal Collective, Explosions in the Sky, Page France, and Muse (the piano parts)–to my ears at least.  This kid is the next generation of indie genius.
  5. Dry the River/Shallow Bed:  A friend with impeccable taste just turned me on to this band via a set on KCRW.  Check out this quote from their online bio:

“This five-piece band has all the hallmarks of the latest folk sensation: elemental name, beards, acoustic guitars, even a violinist. But what sets Dry the River apart is a background in hardcore and post-punk bands, hence the tattoos, lyrics that read like a Steinbeck novel and a sonic palette that sweeps from gentle to giant like an incoming storm.”

Well, that should keep your ears busy for a short while…until our next gathering at the edge of the river, let the “Glory Hallelujah’s” roll!

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A modest proposal for Sufjan Stevens regarding the completion of his 50 States Project

Dear Sufjan,

The other day my friend Erin Hennessy saw you on the F train in NYC, but she couldn’t get up the nerve to say anything to you.  That got me thinking of what I would say to you if I ran into you (even though I never would, as I live on the other side of the country).  The first thing that came to mind was to talk to you about your 50 states project, which you began so beautifully with Greetings from Michigan: The Great Lakes State and Illinois/The Avalanche.

Now back in the day (the early two thousands or so), I took your proclamation to make an album (or EP, maybe?) for each one of the 50 states seriously, even though some of my more cynical friends would mock me saying it was impossible for you to do in your lifetime (they would start with some calculations, ask your age, etc. PS We share the same birthday!).  The reason I believed you was because I saw this limitless sort of creative genius in you, and even beyond that, it was as if you were the Emersonian “Poet” for this generation of Americans–seeing and showing us the beauty and agony and the divine in the everyday, transforming the mundane into the sublime, telling us stories full of wonder and longing and brilliant details from towns like Ypsilanti and Holland and Romulus.

You made me suddenly attentive to the people and places of America: you imbued them with a magical luster simply by naming them in the midst of your deeply moving, melancholic, and rich melodies and arrangements, or by inserting them amongst such evocative mystical lines of verse:

When the revenant came down
We couldn’t imagine what it was
In the spirit of three stars
The alien thing that took its form
Then to Lebanon, oh God!
The flashing at night, the sirens grow and grow
(Oh, history involved itself)
Mysterious shade that took its form
(Or what it was!), incarnation, three stars
Delivering signs and dusting from their eyes

-“Concerning the UFO Sighting Near Highland, Illinois”

All that to say that I really, really wish the 50 states project would continue–I think it could become one of the national treasures of our country for centuries to come, a Leaves of Grass for the 21st century that American kids would listen to to understand where they’ve come from and what kind of people we are.  I heard at one point that you said the 50 states project was “such a joke,” but I would challenge you in earnest, if only for the sake of those future little kids, to reconsider abandoning this momentous endeavor.

Realizing that it might very well be impossible for you to write and record all of the albums yourself, what if you instead became the director of the project–you have set the standard quite high with your first two albums–and with the profound respect you have from your artistic peers, I honestly believe you could rally together the best artists from each state to collaborate with to make this happen, creating a kind of ark of American culture.

Here are some suggestions to begin with (I admit some may be wishful thinking) & I call on any reader to add to/better the selection of songwriters for any state (I have put brackets around bands with whom I have only a cursory familiarity & some states I have absolutely no idea about):

  • Alabama = The Snake the Cross the Crown
  • Alaska = Portugal The Man
  • Arizona = Calexico
  • Arkansas = ???
  • California = Elijah Wade Smith, Beck, Stephen Malkmus
  • Colorado = DeVotchKa, The Apples in Stereo
  • Connecticut = Rivers Cuomo?
  • Delaware = The Spinto Band
  • Florida = Iron & Wine, Aaron Marsh
  • Georgia = Deerhunter, Of Montreal, Bill Mallonee
  • Hawaii = Mason Jennings
  • Idaho = Built to Spill, Finn Riggins
  • Illinois = Sufjan Stevens
  • Indiana = Mock Orange
  • Iowa = Caleb Engstrom
  • Kansas = Drakkar Sauna, Mates of State, The New Amsterdams, The Appleseed Cast
  • Kentucky = Bonnie “Prince” Billy, My Morning Jacket
  • Louisiana = Jeff Mangum, Mutemath
  • Maine = [Phantom Buffalo]
  • Maryland = John Vanderslice, Wye Oak
  • Massachusetts = Lou Barlow, Winterpills
  • Michigan = Sufjan Stevens
  • Minnesota = Low, Cloud Cult, Lucky Wilbur
  • Mississippi = ???
  • Missouri = [Someone Still Loves You Boris Yeltsin]
  • Montana = Colin Meloy
  • Nebraska = Cursive, Bright Eyes
  • Nevada = The Killers?
  • New Hampshire = [Wild Light]
  • New Jersey = Sufjan Stevens (?), Danielson, Yo La Tango
  • New Mexico = The Shins, Beirut
  • New York = The Magnetic Fields, Sonic Youth, Interpol, The Walkmen
  • North Carolina = The Mountain Goats
  • North Dakota = [The White Foliage]
  • Ohio = Robert Pollard, Over the Rhine, The National, Mark Kozelek
  • Oklahoma = The Flaming Lips, Kings of Leon
  • Oregon = Laura Veirs, M. Ward, Miles Benjamin Anthony Robinson, The Decemberists
  • Pennsylvania = The Innocence Mission, Denison Witmer, Matt Pond PA
  • Rhode Island = The Low Anthem, Death Vessel
  • South Carolina = Band of Horses
  • South Dakota = Haley Bonar
  • Tennessee = Derek Webb
  • Texas = Josh T. Pearson, Ramesh Srivastava (formerly of Voxtrot), The Polyphonic Spree, Okkervil River, Devendra Banhart
  • Utah = [Joshua James]
  • Vermont = Anais Mitchell
  • Virginia = Thao Nguyen, Hush Arbors
  • Washington = David Bazan, Damien Jurado, Jeremy Enigk, Fleet Foxes
  • West Virginia = ???
  • Wisconsin = Bon Iver, Marla Hansen
  • Wyoming = ???

With the deepest respect & admiration,

Greg Stump